Parameters of disavowal : colonial representation in South Korean Cinema
The career of South Korean filmmaker Im Kwont’aek spans over fifty years and one hundred films. His 1978 film The Genealogy (Chokpo) marks an important point in that career, for it shows a departure from the type of films he made throughout the 1960s and 1970s.1 Based on a novella by the Japanese wr...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 2018
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16024
- Acceso en línea:
- https://www.luminosoa.org/site/books/m/10.1525/luminos.51/
http://hdl.handle.net/20.500.12010/16024
https://doi.org/10.1525/luminos.51
- Palabra clave:
- Imperialism in motion pictures
Motion pictures
Imperialismo en el cine
Nacionalismo en el cine
Cine coreano
- Rights
- License
- Abierto (Texto Completo)