Revisioning Europe : the films of John Berger and Alain Tanner
What constitutes political cinema? What debt does it owe simply to poli- tics, or simply to cinema? How can its formal patterns really reflect political concerns? The 1970s were dominated by such debate among film critics and theoreticians, a lot of whom were strongly hostile to narrative, to say no...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 2011
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16021
- Acceso en línea:
- https://www.jstor.org/stable/j.ctv6cfpxv
http://hdl.handle.net/20.500.12010/16021
https://doi.org/10.2307/j.ctv6cfpxv
- Palabra clave:
- Criticism and interpretation
Films
Berger, John -- Crítica e interpretación
Tanner, Alain -- Crítica e interpretación
Política en el cine
- Rights
- License
- Abierto (Texto Completo)