Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity

The confrontation of West Indies’ variegated and mixed-race populations with painting’s material (canvas and pigments) and the human classificatory systems proper to the era of Encyclopédie’s illustrations prove to be, regarding race and racialization process, a notably interesting research field. Y...

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Autores:
Lafont, Anne
Tipo de recurso:
Article of journal
Fecha de publicación:
2016
Institución:
Universidad Nacional de Colombia
Repositorio:
Universidad Nacional de Colombia
Idioma:
spa
OAI Identifier:
oai:repositorio.unal.edu.co:unal/61543
Acceso en línea:
https://repositorio.unal.edu.co/handle/unal/61543
http://bdigital.unal.edu.co/60354/
Palabra clave:
98 Historia general de América del Sur / History of ancient world; of specific continents, countries, localities; of extraterrestrial worlds
Caribbean painting
human diversity
colonial markets
race
culture
art history.
pintura caribeña
diversidad humana
mercados coloniales
raza
cultura
historia del arte.
Rights
openAccess
License
Atribución-NoComercial 4.0 Internacional
id UNACIONAL2_0de8bc331a86534f283806611290409f
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spelling Atribución-NoComercial 4.0 InternacionalDerechos reservados - Universidad Nacional de Colombiahttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Lafont, Anne2cb535c2-0be8-4ae9-ad3a-f50d4b826e3a3002019-07-02T20:42:54Z2019-07-02T20:42:54Z2016-07-01ISSN: 2256-5647https://repositorio.unal.edu.co/handle/unal/61543http://bdigital.unal.edu.co/60354/The confrontation of West Indies’ variegated and mixed-race populations with painting’s material (canvas and pigments) and the human classificatory systems proper to the era of Encyclopédie’s illustrations prove to be, regarding race and racialization process, a notably interesting research field. Yet, until today, the idea of early modern Caribbean painting has not been raised as such; this is therefore what I propose to study in this article. Indeed, Caribbean painting by means of figurative inventiveness and because of its grounding in the geographical, political, and historical specificity of racial and cultural archipelago, created an original pictorial inventory of human diversity.La confrontación de las poblaciones heterogéneas y de razas mixtas en las Indias Occidentales con el material pictórico (lienzo y pigmentos) y los sistemas de clasificación humana propios de la era de las ilustraciones de la Enciclopedia, demuestra ser un campo de investigación notablemente interesante en términos de raza y el proceso de racialización,. Sin embargo, hasta hoy, la idea de pintura caribeña de la modernidad temprana no se ha presentado como tal, y esto es precisamente lo que propongo estudiar en este artículo. En efecto, la pintura caribeña, a partir de la creatividad figurativa y sus raíces en la especificidad geográfica, política e histórica de este archipiélago racial y cultural, creó un inventario pictórico original de la diversidad humana.application/pdfspaUniversidad Nacional de Colombia - Sede Bogotá - Facultad de Ciencias Humanas - Departamento de Historiahttps://revistas.unal.edu.co/index.php/achsc/article/view/59074Universidad Nacional de Colombia Revistas electrónicas UN Anuario Colombiano de Historia Social y de la CulturaAnuario Colombiano de Historia Social y de la CulturaLafont, Anne (2016) Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity. Anuario Colombiano de Historia Social y de la Cultura, 43 (2). pp. 121-154. ISSN 2256-564798 Historia general de América del Sur / History of ancient world; of specific continents, countries, localities; of extraterrestrial worldsCaribbean paintinghuman diversitycolonial marketsracecultureart history.pintura caribeñadiversidad humanamercados colonialesrazaculturahistoria del arte.Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human DiversityArtículo de revistainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/ARTORIGINAL59074-300940-2-PB.pdfapplication/pdf8134957https://repositorio.unal.edu.co/bitstream/unal/61543/1/59074-300940-2-PB.pdfe8d760445a8198d52f680b8d79ad52d1MD51THUMBNAIL59074-300940-2-PB.pdf.jpg59074-300940-2-PB.pdf.jpgGenerated Thumbnailimage/jpeg5337https://repositorio.unal.edu.co/bitstream/unal/61543/2/59074-300940-2-PB.pdf.jpg43558ec62017bf0df332346f94c7edc7MD52unal/61543oai:repositorio.unal.edu.co:unal/615432023-04-12 23:05:00.571Repositorio Institucional Universidad Nacional de Colombiarepositorio_nal@unal.edu.co
dc.title.spa.fl_str_mv Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
title Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
spellingShingle Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
98 Historia general de América del Sur / History of ancient world; of specific continents, countries, localities; of extraterrestrial worlds
Caribbean painting
human diversity
colonial markets
race
culture
art history.
pintura caribeña
diversidad humana
mercados coloniales
raza
cultura
historia del arte.
title_short Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
title_full Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
title_fullStr Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
title_full_unstemmed Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
title_sort Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
dc.creator.fl_str_mv Lafont, Anne
dc.contributor.author.spa.fl_str_mv Lafont, Anne
dc.subject.ddc.spa.fl_str_mv 98 Historia general de América del Sur / History of ancient world; of specific continents, countries, localities; of extraterrestrial worlds
topic 98 Historia general de América del Sur / History of ancient world; of specific continents, countries, localities; of extraterrestrial worlds
Caribbean painting
human diversity
colonial markets
race
culture
art history.
pintura caribeña
diversidad humana
mercados coloniales
raza
cultura
historia del arte.
dc.subject.proposal.spa.fl_str_mv Caribbean painting
human diversity
colonial markets
race
culture
art history.
pintura caribeña
diversidad humana
mercados coloniales
raza
cultura
historia del arte.
description The confrontation of West Indies’ variegated and mixed-race populations with painting’s material (canvas and pigments) and the human classificatory systems proper to the era of Encyclopédie’s illustrations prove to be, regarding race and racialization process, a notably interesting research field. Yet, until today, the idea of early modern Caribbean painting has not been raised as such; this is therefore what I propose to study in this article. Indeed, Caribbean painting by means of figurative inventiveness and because of its grounding in the geographical, political, and historical specificity of racial and cultural archipelago, created an original pictorial inventory of human diversity.
publishDate 2016
dc.date.issued.spa.fl_str_mv 2016-07-01
dc.date.accessioned.spa.fl_str_mv 2019-07-02T20:42:54Z
dc.date.available.spa.fl_str_mv 2019-07-02T20:42:54Z
dc.type.spa.fl_str_mv Artículo de revista
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dc.identifier.issn.spa.fl_str_mv ISSN: 2256-5647
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identifier_str_mv ISSN: 2256-5647
url https://repositorio.unal.edu.co/handle/unal/61543
http://bdigital.unal.edu.co/60354/
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.spa.fl_str_mv https://revistas.unal.edu.co/index.php/achsc/article/view/59074
dc.relation.ispartof.spa.fl_str_mv Universidad Nacional de Colombia Revistas electrónicas UN Anuario Colombiano de Historia Social y de la Cultura
Anuario Colombiano de Historia Social y de la Cultura
dc.relation.references.spa.fl_str_mv Lafont, Anne (2016) Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity. Anuario Colombiano de Historia Social y de la Cultura, 43 (2). pp. 121-154. ISSN 2256-5647
dc.rights.spa.fl_str_mv Derechos reservados - Universidad Nacional de Colombia
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.license.spa.fl_str_mv Atribución-NoComercial 4.0 Internacional
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dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv Atribución-NoComercial 4.0 Internacional
Derechos reservados - Universidad Nacional de Colombia
http://creativecommons.org/licenses/by-nc/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Nacional de Colombia - Sede Bogotá - Facultad de Ciencias Humanas - Departamento de Historia
institution Universidad Nacional de Colombia
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