Fabric, Skin, Color: Picturing Antilles’ Markets as an Inventory of Human Diversity
The confrontation of West Indies’ variegated and mixed-race populations with painting’s material (canvas and pigments) and the human classificatory systems proper to the era of Encyclopédie’s illustrations prove to be, regarding race and racialization process, a notably interesting research field. Y...
- Autores:
-
Lafont, Anne
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2016
- Institución:
- Universidad Nacional de Colombia
- Repositorio:
- Universidad Nacional de Colombia
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unal.edu.co:unal/61543
- Acceso en línea:
- https://repositorio.unal.edu.co/handle/unal/61543
http://bdigital.unal.edu.co/60354/
- Palabra clave:
- 98 Historia general de América del Sur / History of ancient world; of specific continents, countries, localities; of extraterrestrial worlds
Caribbean painting
human diversity
colonial markets
race
culture
art history.
pintura caribeña
diversidad humana
mercados coloniales
raza
cultura
historia del arte.
- Rights
- openAccess
- License
- Atribución-NoComercial 4.0 Internacional