De lo afroantillano a la salsa : recorrido y desarrollo desde cinco géneros representativos
Este proyecto es una investigación que pretende ilustrar a la comunidad estudiantil sobre los orígenes y el desarrollo que tuvieron los géneros afroantillanos hasta convertirse en el género llamado Salsa, cuyas conclusiones se presentarán a través de un concierto didáctico que ayudará a entender las...
- Autores:
-
Serrano Figueroa, Jair Andres
- Tipo de recurso:
- http://purl.org/coar/version/c_b1a7d7d4d402bcce
- Fecha de publicación:
- 2016
- Institución:
- Universidad Industrial de Santander
- Repositorio:
- Repositorio UIS
- Idioma:
- spa
- OAI Identifier:
- oai:noesis.uis.edu.co:20.500.14071/34515
- Palabra clave:
- Salsa
Clave
Latino
Popular
Historia
Son
Mambo
Pachanga
Boogaloo
Chachachá
Danzón
Guaguancó
Columbia
Yambú
Guaracha.
This project is an investigation that aims to illustrate to the student community about the origins and development that had the West Indian genres to become the genre called Salsa
whose findings will be presented through a didactic concert that help you understand the similarities
differences and musical contributions of each of these
such as the creation of rhythmic patterns son clave and rumba clave
the importance of writing Salsa music around the key
until the consolidation of Salsa in the seventies. To meet the objectives of this project
research began focusing on cultural
folklore and musical elements related to gender
of which the basic instrumental formats that some of the genres that had popularity interpreted are highlighted and they were part of the musical syncretism between the African continent and Europe with the West Indies
showing the development over the years along with the historical context lived at the time. Moises Simons
Damaso Perez Prado
Richard Egües
Eduardo Davidson and Pete Rodriguez for this project transcripts of some versions of renowned composers and performers such as were made.
- Rights
- License
- Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)