El arte como herramienta pedagógica en la construcción de una cultura de reconciliación y paz

Within the educational process it is necessary to approach and generate significantpedagogical experiences that include art, in its different facets such as:  music, dance, theatre and painting, which in some educational institutions of basic, middle and higher education, can be an unexplor...

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Autores:
Araque Hernández, Jaime Enrique
Tipo de recurso:
Fecha de publicación:
2021
Institución:
Universidad Santo Tomás
Repositorio:
Universidad Santo Tomás
Idioma:
spa
OAI Identifier:
oai:repository.usta.edu.co:11634/45151
Acceso en línea:
http://revistas.ustatunja.edu.co/index.php/qdisputatae/article/view/2450
http://hdl.handle.net/11634/45151
Palabra clave:
Art, education, meaningful experience, community, participation, peace, dialogue, reconciliation.
Arte, educación, experiencia significativa, comunidad, participación, paz, diálogo, reconciliación.
Art, éducation, expérience significative, communauté, participation, paix, dialogue, réconciliation.
arte, educação, experiência significativa, comunidade, participação, paz, diálogo, reconciliação.
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License
http://purl.org/coar/access_right/c_abf2
Description
Summary:Within the educational process it is necessary to approach and generate significantpedagogical experiences that include art, in its different facets such as:  music, dance, theatre and painting, which in some educational institutions of basic, middle and higher education, can be an unexplored field, without recognition that generates social cohesion and construction of communities in peace; The aim is to make methodologically visible the joint work of the educational institution, “San Jerónimo Emiliani de Tunja-Boyacá”, with its members (students, parents, directors, neighbours of the Santa Ana neighbourhood), who become facilitators, mediators, key informants and managers in the research, “Art as a pedagogical tool for the construction of a culture of reconciliation and peace: The case of the San Jerónimo Emiliani school, Tunja”, which allowed the participation of the people, from the staging of community art (painting on poles and murals), in this way art becomes a tool for social dialogue and recognition of problems; therefore for Castro, “art humanises us, art helps us to be sensitive. Otherwise we would not be able to appreciate ourselves”. (Castro, 2017, p. 1); it is necessary to maintain