La nueva frontera de los realities shows y de las estrategias multimedia

This article approaches the avant-garde position adopted by the television in the dissemination of shows such as “Operación Triunfo” (literally: “triumph operation”) born in Spain and widely spread throughout multiple TV channels in various European and Latin American countries. The presence and pen...

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Autores:: Cebrián Herreros, Mariano

Tipo de recurso:

Fecha de publicación:: 2003

Institución:: Universidad de la Sabana

Repositorio:: Repositorio Universidad de la Sabana

Idioma:: spa

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spelling	Cebrián Herreros, Mariano2015-02-02T09:34:51Z2015-02-02T09:34:51Z20032003http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/421http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/421/559http://hdl.handle.net/10818/14358This article approaches the avant-garde position adopted by the television in the dissemination of shows such as “Operación Triunfo” (literally: “triumph operation”) born in Spain and widely spread throughout multiple TV channels in various European and Latin American countries. The presence and penetration of these shows in the generalist, multi-thematic, and converging television models is analyzed, as well as their repercussion on other communication media: newspapers, magazines, radio stations, the recording world, merchandising, and so on. They are examined as the uppermost development of the reality shows and, above all, as the new frontier of a multimedia strategy arising from a television show.El artículo aborda la situación de vanguardia de la televisión como es la generada por el programa Operación Triunfo, nacido en España y expandido a los canales de televisión de múltiples países europeos y latinoamericanos. Se analiza su presencia y penetración en los modelos generalistas, multitemáticos y convergentes de la televisión, así como la repercusión que tiene en los demás medios de comunicación: periódicos, revistas, emisoras de radio, mundo discográfico, merchandising. Se examina como un desarrollo máximo de los reality show y, sobre todo, como la nueva frontera de la estrategia multimedia a partir de un programa de televisión.spaUniversidad de la SabanaPalabra Clave; Vol 9 (2003): Reality: ¿nueva televisión o telebasura?This journal and its contents are the property of Universidad de La Sabana and, therefore, may be accessed solely for reading or printing, as a personal copy, but not for profit. Prior authorization from Universidad de La Sabana is required for any other use, such as the reproduction, transformation, public communication or distribution of said material for a profit.The names and email addresses included in Aquichán shall be used solely for the declared purposes of this journal and shall not be made available for any other purpose or to any other person.The articles published in this journal represent the opinions of their authors and do not necessarily reflect the official position of Universidad de La Sabana. A presente revista e seu conteúdo são propriedade da Universidade da Sabana e, consequentemente, só poderá se aceder a ela para leitura ou impressão, como cópia pessoal e sem fins lucrativos. Qualquer outra forma de utilização como reprodução, transformação, comunicação pública ou distribuição, com fins lucrativos, requer a autorização prévia da Universidade da Sabana.Os nomes e endereços de e-mail introduzidos nesta revista se usarão exclusivamente para os fins declarados e não estarão disponíveis para nenhum outro propósito ou outra pessoa.Os artigos que esta revista contém representam a opinião de seus autores e não constituem necessariamente a opinião da Universidade da Sabana.http://purl.org/coar/access_right/c_abf2Universidad de La SabanaRepositorio Institucional de la Universidad de La SabanaReality ShowTele-realidadModelos de televisiónConvergencia multimediaIntertextualidadIntermedialidadLa nueva frontera de los realities shows y de las estrategias multimediaarticlepublishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_650110818/14358oai:intellectum.unisabana.edu.co:10818/143582017-11-29 14:46:25.737Intellectum Universidad de la Sabanacontactointellectum@unisabana.edu.co
dc.title.es_CO.fl_str_mv	La nueva frontera de los realities shows y de las estrategias multimedia
title	La nueva frontera de los realities shows y de las estrategias multimedia
spellingShingle	La nueva frontera de los realities shows y de las estrategias multimedia Reality Show Tele-realidad Modelos de televisión Convergencia multimedia Intertextualidad Intermedialidad
title_short	La nueva frontera de los realities shows y de las estrategias multimedia
title_full	La nueva frontera de los realities shows y de las estrategias multimedia
title_fullStr	La nueva frontera de los realities shows y de las estrategias multimedia
title_full_unstemmed	La nueva frontera de los realities shows y de las estrategias multimedia
title_sort	La nueva frontera de los realities shows y de las estrategias multimedia
dc.creator.fl_str_mv	Cebrián Herreros, Mariano
dc.contributor.author.none.fl_str_mv	Cebrián Herreros, Mariano
dc.subject.none.fl_str_mv	Reality Show Tele-realidad Modelos de televisión Convergencia multimedia Intertextualidad Intermedialidad
topic	Reality Show Tele-realidad Modelos de televisión Convergencia multimedia Intertextualidad Intermedialidad
description	This article approaches the avant-garde position adopted by the television in the dissemination of shows such as “Operación Triunfo” (literally: “triumph operation”) born in Spain and widely spread throughout multiple TV channels in various European and Latin American countries. The presence and penetration of these shows in the generalist, multi-thematic, and converging television models is analyzed, as well as their repercussion on other communication media: newspapers, magazines, radio stations, the recording world, merchandising, and so on. They are examined as the uppermost development of the reality shows and, above all, as the new frontier of a multimedia strategy arising from a television show.
publishDate	2003
dc.date.created.none.fl_str_mv	2003
dc.date.issued.none.fl_str_mv	2003
dc.date.accessioned.none.fl_str_mv	2015-02-02T09:34:51Z
dc.date.available.none.fl_str_mv	2015-02-02T09:34:51Z
dc.type.es_CO.fl_str_mv	article
dc.type.coarversion.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_6501
dc.type.hasVersion.es_CO.fl_str_mv	publishedVersion
dc.identifier.other.es_CO.fl_str_mv	http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/421 http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/421/559
dc.identifier.uri.none.fl_str_mv	http://hdl.handle.net/10818/14358
url	http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/421 http://palabraclave.unisabana.edu.co/index.php/palabraclave/article/view/421/559 http://hdl.handle.net/10818/14358
dc.language.iso.es_CO.fl_str_mv	spa
language	spa
dc.relation.ispartofseries.none.fl_str_mv	Palabra Clave; Vol 9 (2003): Reality: ¿nueva televisión o telebasura?
dc.rights.coar.fl_str_mv	http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	http://purl.org/coar/access_right/c_abf2
dc.publisher.none.fl_str_mv	Universidad de la Sabana
publisher.none.fl_str_mv	Universidad de la Sabana
dc.source.es_CO.fl_str_mv	Universidad de La Sabana Repositorio Institucional de la Universidad de La Sabana
institution	Universidad de la Sabana
repository.name.fl_str_mv	Intellectum Universidad de la Sabana
repository.mail.fl_str_mv	contactointellectum@unisabana.edu.co
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La nueva frontera de los realities shows y de las estrategias multimedia

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