Simplicity and savage in La Vorágine [The Vortex] and El abrazo de la serpiente [Embrace of the Serpent]
This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, b...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6706
- Fecha de publicación:
- 2021
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12811
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/11630
https://repositorio.uptc.edu.co/handle/001/12811
- Palabra clave:
- indigenous
childhood
simplicity
intertextuality
novel
film
plot
Amazon
indígena
infancia
inocencia
intertextualidad
novela
película
relato
selva amazónica
indígena
infância
intertextualidade
romance
filme
relato
floresta amazônica
- Rights
- License
- Derechos de autor 2021 LA PALABRA
| Summary: | This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, bring anew perspective from the indigenous by means of simplicity as an actual way of being of this importantcommunity in Colombia. |
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