Simplicity and savage in La Vorágine [The Vortex] and El abrazo de la serpiente [Embrace of the Serpent]

This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, b...