Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers
The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that “family air” that binds their productions. Their different artistic disciplines blurs the com...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6790
- Fecha de publicación:
- 2018
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12743
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164
https://repositorio.uptc.edu.co/handle/001/12743
- Palabra clave:
- Tomás Maldonado
Edgar Bayley
Purity of form
Avant-garde
Concrete art
Design
Inventionism
Tomás Maldonado
Edgar Bayley
pureza de las formas
vanguardia
arte concreto
diseño
invencionimo.
- Rights
- License
- Derechos de autor 2018 LA PALABRA
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2018-07-042024-07-05T18:55:36Z2024-07-05T18:55:36Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/816410.19053/01218530.n32.2018.8164https://repositorio.uptc.edu.co/handle/001/12743The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that “family air” that binds their productions. Their different artistic disciplines blurs the comparison of these features in their work. This study starts from the concept of «purity of forms», present in the develop - ment of abstract art and modern poetry, and the comparative analysis of the theoretical productions of both artists, and inquires about mutual influences and joint reflections which led them to agree on and elaborate a consolidated avant-garde discourse, which ended up linking their productionsLa obra de Tomás Maldonado (1922), pintor y diseñador, la de Edgar Bayley (1919-1990), poeta; comparten los rasgos de simplicidad, sobriedad y exactitud. Pero su lazo familiar, no resulta suficiente para explicar ese “aire de familia” que emparenta sus producciones. La diferencia de las disciplinas hace que esos rasgos se tornen difusos para compararlas. A partir de la problematización del concepto de «pureza de las formas», que atraviesa el desarrollo del arte abstracto y de la poesía moderna, y del análisis comparativo de las producciones teóricas de ambos, este trabajo busca indagar acerca de las influencias mutuas y las reflexiones conjuntas, que los llevaron a coincidir y a elaborar una discursividad vanguardista consolidada, que terminó por hermanar sus producciones.application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164/6645https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164/8033Derechos de autor 2018 LA PALABRAhttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf291http://purl.org/coar/access_right/c_abf2La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 65-84La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 65-84La Palabra; n. 32 (2018): Janeiro-Junho; 65-842346-38640121-8530Tomás MaldonadoEdgar BayleyPurity of formAvant-gardeConcrete artDesignInventionismTomás MaldonadoEdgar Bayleypureza de las formasvanguardiaarte concretodiseñoinvencionimo.Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey BrothersBajo el signo de Kandinsky. Sobre el devenir puro de las poéticas de los hermanos Maldonado Bayleyinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6790http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a374http://purl.org/coar/version/c_970fb48d4fbd8a85Del Gizzo, Luciana001/12743oai:repositorio.uptc.edu.co:001/127432025-07-18 11:34:01.042metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
| dc.title.en-US.fl_str_mv |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| dc.title.es-ES.fl_str_mv |
Bajo el signo de Kandinsky. Sobre el devenir puro de las poéticas de los hermanos Maldonado Bayley |
| title |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| spellingShingle |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. |
| title_short |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_full |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_fullStr |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_full_unstemmed |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| title_sort |
Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers |
| dc.subject.en-US.fl_str_mv |
Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism |
| topic |
Tomás Maldonado Edgar Bayley Purity of form Avant-garde Concrete art Design Inventionism Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. |
| dc.subject.es-ES.fl_str_mv |
Tomás Maldonado Edgar Bayley pureza de las formas vanguardia arte concreto diseño invencionimo. |
| description |
The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that “family air” that binds their productions. Their different artistic disciplines blurs the comparison of these features in their work. This study starts from the concept of «purity of forms», present in the develop - ment of abstract art and modern poetry, and the comparative analysis of the theoretical productions of both artists, and inquires about mutual influences and joint reflections which led them to agree on and elaborate a consolidated avant-garde discourse, which ended up linking their productions |
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2018 |
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2024-07-05T18:55:36Z |
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2024-07-05T18:55:36Z |
| dc.date.none.fl_str_mv |
2018-07-04 |
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info:eu-repo/semantics/article |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164 10.19053/01218530.n32.2018.8164 |
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https://repositorio.uptc.edu.co/handle/001/12743 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164 https://repositorio.uptc.edu.co/handle/001/12743 |
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| dc.rights.es-ES.fl_str_mv |
Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
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http://purl.org/coar/access_right/c_abf2 |
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Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf291 http://purl.org/coar/access_right/c_abf2 |
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Universidad Pedagógica y Tecnológica de Colombia |
| dc.source.en-US.fl_str_mv |
La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 65-84 |
| dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 65-84 |
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La Palabra; n. 32 (2018): Janeiro-Junho; 65-84 |
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2346-3864 0121-8530 |
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