Under the Sign of Kandinsky. On Pure Becoming in the Poetics of the Maldonado Bailey Brothers
The work of Tomás Maldonado (1922), painter and designer, and Edgar Bayley (1919-1990), poet, share the features of simplicity, sobriety, and accuracy. But their blood relation is not enough to explain that “family air” that binds their productions. Their different artistic disciplines blurs the com...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6790
- Fecha de publicación:
- 2018
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12743
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8164
https://repositorio.uptc.edu.co/handle/001/12743
- Palabra clave:
- Tomás Maldonado
Edgar Bayley
Purity of form
Avant-garde
Concrete art
Design
Inventionism
Tomás Maldonado
Edgar Bayley
pureza de las formas
vanguardia
arte concreto
diseño
invencionimo.
- Rights
- License
- Derechos de autor 2018 LA PALABRA