Narratives of Brazilian Modernism. Tarsila do Amaral and the Anthropophagic Movement as Aesthetic Decolonization

Tarsila do Amaral (1886-1973) began her anthropophagic phase in 1928, after the creation of Abaporú, a painting that insinuated the consequent writing of the Anthropophagic (or Cannibalist) Manifesto by Oswald de Andrade in the same year. These proposals formulated ´anthropophagy´ as a devouring of...

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Tipo de recurso:

Fecha de publicación:

2015

Institución:

Universidad Pedagógica y Tecnológica de Colombia

Repositorio:

RiUPTC: Repositorio Institucional UPTC

Idioma:

spa
eng

OAI Identifier:

oai:repositorio.uptc.edu.co:001/13719

Acceso en línea:

https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/3201
https://repositorio.uptc.edu.co/handle/001/13719

Palabra clave:

Tarsila do Amaral
visual
Modernism
anthropophagy
decolonization.
Tarsila do Amaral
visual
modernismo
antropofagia
descolonización
Tarsila do Amaral
visuel
modernisme
anthropophagie
décolonisation.

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Derechos de autor 2015 Historia Y MEMORIA