Las prácticas de creación artística en el Urabá antioqueño. Patrimonio cultural inmaterial no visibilizado.

In order to understand the subject of the creator artist s invisibility in the Colombian context of the region of Urabá; Antioquia; it is a must to examine obliquely the social and historic particulars of a sub region located strategically with economic; ethnographic and cultural dynamics; which have emerged from the ongoing fight for a vast and ecologically abundant territory. With approximately a 50% of African descent population; a 15% of indigenous population an 35% of mestizos ; the sub region has created an interesting intercultural view; privileged to have artistic expressions for which its creators are not particularly visualized through the public politics that concern the State of Colombian.

• Autores: Valencia Restrepo, Martha Helena
• Tipo de recurso: Article of investigation
• Fecha de publicación: 2011
• Institución: Universidad Sergio Arboleda
• Repositorio: Repositorio U. Sergio Arboleda
• Idioma: spa
• OAI Identifier: oai:repository.usergioarboleda.edu.co:11232/247
• Acceso en línea: https://doi.org/10.22518/16578953.35; http://hdl.handle.net/11232/247
• Palabra clave: Creación literaria, artística, etc. - Urabá (Antioquia); Política cultural - Urabá (Antioquia); Artisitas - Urabá (Antioquia); arte; creación; identidad; cultura; invisibilidad; patrimonio; art; creator artist; identity; culture; invisibility; patrimony
• Rights: openAccess
• License: Atribución-NoComercial-SinDerivadas 2.5 Colombia (CC BY-NC-ND 2.5 CO)