Carmesí

41 p.

Autores:
Agudelo Susa, Johana
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad del Tolima
Repositorio:
RIUT: Repositorio U. Tolima
Idioma:
spa
OAI Identifier:
oai:repository.ut.edu.co:001/3513
Acceso en línea:
https://repository.ut.edu.co/handle/001/3513
Palabra clave:
sangre
vida
muerte
sacrificio
Rights
License
Attribution-NonCommercial-NoDerivatives 4.0 International
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dc.title.spa.fl_str_mv Carmesí
title Carmesí
spellingShingle Carmesí
sangre
vida
muerte
sacrificio
title_short Carmesí
title_full Carmesí
title_fullStr Carmesí
title_full_unstemmed Carmesí
title_sort Carmesí
dc.creator.fl_str_mv Agudelo Susa, Johana
dc.contributor.author.spa.fl_str_mv Agudelo Susa, Johana
dc.subject.spa.fl_str_mv sangre
vida
muerte
sacrificio
topic sangre
vida
muerte
sacrificio
description 41 p.
publishDate 2019
dc.date.issued.none.fl_str_mv 2019
dc.date.accessioned.none.fl_str_mv 2021-11-30T15:51:40Z
dc.date.available.none.fl_str_mv 2021-11-30T15:51:40Z
dc.type.spa.fl_str_mv Trabajo de grado - Pregrado
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dc.format.mimetype.spa.fl_str_mv application/pdf
dc.coverage.spatial.spa.fl_str_mv Ibagué, Tolima, Colombia
dc.publisher.spa.fl_str_mv Universidad del Tolima
dc.publisher.providerCountry.spa.fl_str_mv (CO COL 170)
institution Universidad del Tolima
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spelling Agudelo Susa, Johana89cc5491-1a5c-4d88-8f2a-7912fa47976e-1Ibagué, Tolima, Colombia2021-11-30T15:51:40Z2021-11-30T15:51:40Z201941 p.En este texto, que acompaña mi proyecto de grado, pretendo reflexionar sobre el peregrinar -personal, espiritual y artístico- que me ha llevado a trabajar la sangre y su simbolismo en obras plásticas y visuales durante mi carrera como estudiante. En la primera parte del texto expongo encuentros -Mi fe y la enfermedad- que han convertido este líquido en el detonante de mi exploración artística. En mi proceso creativo, el cual expongo de manera cronológica, clarifico mi interés por la sangre y su connotación simbólica: la frontera entre la vida y la muerte. Como paso previo a la conclusión y a la pieza en sí, haré un recorrido por algunos de los referentes del arte contemporáneo del siglo XX y XXI en donde la sangre es el elemento central y haré un bosquejo de mi proceso metodológico y de creación. Los encuentros, el peregrinaje y el proceso creativo hacen parte de un recorrido vital para la construcción de la obra.In this text, which accompanies my degree project, I intend to reflect on the pilgrimage - personal, spiritual and artistic - that has led me to work the blood and its symbolism in visual and plastic works during my career as a student. In the first part of the text I expose meetings -My faith and disease- that have turned this liquid into the trigger of my artistic exploration. In my creative process, which I expose chronologically, I clarify my interest in blood and its symbolic connotation: the border between life and death. As a preliminary step to the conclusion and the piece itself, I will take a tour of some of the references of contemporary art of the twentieth and twenty-first century where blood is the central element and.I will make a sketch of my methodological and creative process. The meetings, the pilgrimage and the creative process are part of a vital journey for the construction of the work.application/pdfhttps://repository.ut.edu.co/handle/001/3513spaUniversidad del Tolima(CO COL 170)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.es#http://purl.org/coar/access_right/c_abf2sangrevidamuertesacrificioFacultad de Ciencias Humanas y Artes - Artes Plásticas y VisualesRiaño Acosta, Diego Camilo - DirectorPregradoMaestro en Artes Plásticas y VisualesCarmesíTrabajo de grado - PregradoTextinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/version/c_71e4c1898caa6e32http://purl.org/coar/resource_type/c_7a1fPublicationORIGINALCD1070.pdfCD1070.pdfapplication/pdf1866843https://repository.ut.edu.co/bitstreams/25ca67b6-80a7-4a58-bf43-77225c92efc0/download53ffa3fd7cfd21ba360f3b6747b70845MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849https://repository.ut.edu.co/bitstreams/17992eae-0b89-4085-aeef-0ddf63a0f16d/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80https://repository.ut.edu.co/bitstreams/77566226-fa94-4fbe-8170-2b8a605a855c/downloadd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80https://repository.ut.edu.co/bitstreams/ac433e97-f79d-49bc-8a29-5765a475bd41/downloadd41d8cd98f00b204e9800998ecf8427eMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-8227https://repository.ut.edu.co/bitstreams/6270d7e8-9e60-472c-a0ed-48ad21e878ea/download127f1942dfbe07f43e8227b660620c70MD55TEXTCD1070.pdf.txtCD1070.pdf.txtExtracted texttext/plain52973https://repository.ut.edu.co/bitstreams/4cac3069-e434-43ea-84f3-343da57781c6/download829f1497fc48abda6f7def3d4e84036cMD56THUMBNAILCD1070.pdf.jpgCD1070.pdf.jpgGenerated Thumbnailimage/jpeg6261https://repository.ut.edu.co/bitstreams/ec88c969-8e60-4b29-82ca-48f55d4effd6/download8d7cac58b54bc7ff9a13fad960f92f16MD57001/3513oai:repository.ut.edu.co:001/35132023-03-24 17:48:30.012https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es#Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttps://repository.ut.edu.coRepositorio Institucional - Universidad del Tolimasoporte@metabiblioteca.comQ3JlYXRpdmUgQ29tbW9ucyAtIExpY2VuY2lhIGRlIFJlY29ub2NpbWllbnRvIC0gTm9Db21lcmNpYWwgKGJ5LW5jKSA6IFNlIHBlcm1pdGUgbGEgZ2VuZXJhY2nDs24gZGUgb2JyYXMgZGVyaXZhZGFzIHNpZW1wcmUgcXVlIG5vIHNlIGhhZ2EgdW4gdXNvIGNvbWVyY2lhbC4gVGFtcG9jbyBzZSBwdWVkZSB1dGlsaXphciBsYSBvYnJhIG9yaWdpbmFsIGNvbiBmaW5hbGlkYWRlcyBjb21lcmNpYWxlcy4=

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