Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena
The research analyzes the citizen participation in cultural activities, in particular, in the most popular celebrations in the Colombian Caribbean region, the Carnival of Barranquilla Carnival and the Independence Feasts of Cartagena, whose historical links and evolution have been decisive in the co...
- Autores:
-
Espinosa Espinosa, Aarón
- Tipo de recurso:
- Fecha de publicación:
- 2022
- Institución:
- Universidad Tecnológica de Bolívar
- Repositorio:
- Repositorio Institucional UTB
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.utb.edu.co:20.500.12585/12338
- Acceso en línea:
- https://hdl.handle.net/20.500.12585/12338
- Palabra clave:
- Art;
Performing Arts;
Embroidery
LEMB
- Rights
- openAccess
- License
- http://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.title.spa.fl_str_mv |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
dc.title.alternative.spa.fl_str_mv |
Participação cidadã em festas populares no Caribe colombiano: análise quantitativa do Carnaval de Barranquilla e das Festas da Independência de Cartagena a participación ciudadana en fiestas populares del Caribe colombiano: análisis cuantitativo del Carnaval de Barranquilla y las Fiestas de Independencia de Cartagena |
title |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
spellingShingle |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena Art; Performing Arts; Embroidery LEMB |
title_short |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
title_full |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
title_fullStr |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
title_full_unstemmed |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
title_sort |
Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena |
dc.creator.fl_str_mv |
Espinosa Espinosa, Aarón |
dc.contributor.author.none.fl_str_mv |
Espinosa Espinosa, Aarón |
dc.subject.keywords.spa.fl_str_mv |
Art; Performing Arts; Embroidery |
topic |
Art; Performing Arts; Embroidery LEMB |
dc.subject.armarc.none.fl_str_mv |
LEMB |
description |
The research analyzes the citizen participation in cultural activities, in particular, in the most popular celebrations in the Colombian Caribbean region, the Carnival of Barranquilla Carnival and the Independence Feasts of Cartagena, whose historical links and evolution have been decisive in the construction of the regional festive memory. The approach and method of Cultural Economics are used to identify and compare the factors associated with local participation during the last decade, and Como Vamos programs’ surveys are used to empirically evaluate the role of a set of traditional variables and the local context in the decision to participate in these festivals. The results suggest wide gaps between and within cities, which are explained by variables such as cultural capital, gender and leisure time, and others considered as structural, such as socioeconomic status, poverty and place of residence. Inequities are substantially greater in Cartagena, where it is necessary to expand access to the most lagging population. The article offers a new standpoint on the nature of regional feast and festivals and inputs for designing cultural policies to greater social appropriation of the regional intangible heritage. © 2022 Universidad del Norte. All rights reserved. |
publishDate |
2022 |
dc.date.issued.none.fl_str_mv |
2022 |
dc.date.accessioned.none.fl_str_mv |
2023-07-21T16:24:04Z |
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2023-07-21T16:24:04Z |
dc.date.submitted.none.fl_str_mv |
2023 |
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dc.identifier.citation.spa.fl_str_mv |
Espinosa Espinosa, A. (2022). Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena. Memorias: Revista Digital de Historia y Arqueología desde el Caribe, (46), 49-80. |
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https://hdl.handle.net/20.500.12585/12338 |
dc.identifier.doi.none.fl_str_mv |
10.14482/MEMOR.46.394.26 |
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Universidad Tecnológica de Bolívar |
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Repositorio Universidad Tecnológica de Bolívar |
identifier_str_mv |
Espinosa Espinosa, A. (2022). Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena. Memorias: Revista Digital de Historia y Arqueología desde el Caribe, (46), 49-80. 10.14482/MEMOR.46.394.26 Universidad Tecnológica de Bolívar Repositorio Universidad Tecnológica de Bolívar |
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https://hdl.handle.net/20.500.12585/12338 |
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32 páginas |
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Cartagena de Indias |
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Memorias: Revista Digital de Historia y Arqueología desde el Caribe, (46) |
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Espinosa Espinosa, Aarón68a86489-84ff-403b-8204-8a8cd8b6a0432023-07-21T16:24:04Z2023-07-21T16:24:04Z20222023Espinosa Espinosa, A. (2022). Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of Cartagena. Memorias: Revista Digital de Historia y Arqueología desde el Caribe, (46), 49-80.https://hdl.handle.net/20.500.12585/1233810.14482/MEMOR.46.394.26Universidad Tecnológica de BolívarRepositorio Universidad Tecnológica de BolívarThe research analyzes the citizen participation in cultural activities, in particular, in the most popular celebrations in the Colombian Caribbean region, the Carnival of Barranquilla Carnival and the Independence Feasts of Cartagena, whose historical links and evolution have been decisive in the construction of the regional festive memory. The approach and method of Cultural Economics are used to identify and compare the factors associated with local participation during the last decade, and Como Vamos programs’ surveys are used to empirically evaluate the role of a set of traditional variables and the local context in the decision to participate in these festivals. The results suggest wide gaps between and within cities, which are explained by variables such as cultural capital, gender and leisure time, and others considered as structural, such as socioeconomic status, poverty and place of residence. Inequities are substantially greater in Cartagena, where it is necessary to expand access to the most lagging population. The article offers a new standpoint on the nature of regional feast and festivals and inputs for designing cultural policies to greater social appropriation of the regional intangible heritage. © 2022 Universidad del Norte. All rights reserved.32 páginasapplication/pdfspahttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAttribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://purl.org/coar/access_right/c_abf2Memorias: Revista Digital de Historia y Arqueología desde el Caribe, (46)Citizen participation in popular festivals in Colombian Caribbean region: A Quantitative Analysis of Carnival of Barranquilla and Independence Feasts of CartagenaParticipação cidadã em festas populares no Caribe colombiano: análise quantitativa do Carnaval de Barranquilla e das Festas da Independência de Cartagenaa participación ciudadana en fiestas populares del Caribe colombiano: análisis cuantitativo del Carnaval de Barranquilla y las Fiestas de Independencia de Cartagenainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/drafthttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/version/c_b1a7d7d4d402bccehttp://purl.org/coar/resource_type/c_2df8fbb1Art;Performing Arts;EmbroideryLEMBCartagena de IndiasAbello, A. Las fiestas de independencia de Cartagena de Indias y su espíritu de carnaval (2020) 20añosdeestudiossobreelCaribecolombiano, pp. 501-520. En J. Bonet M. y J. Pérez (Ed), Colección de Economía Regional, Banco de la República https://doi.org/10.32468/Ebook.664-409-9Abello, J. Un tesoro atravesado por múltiples tensiones (2020) 20 años de estudios sobre el Caribe colombiano, pp. 543-553. Cited 2 times. En J. Bonet M. y J. Pérez (Ed), Colección de Economía Regional, Banco de la República https://doi.org/10.32468/Ebook.664-409-9Abello, V., Buelvas, M., Caballero, A. Tres culturas en el Carnaval de Barranquilla (2005) Huellas, pp. 113-117. Cited 2 times. M., y, 71-72-73-74-75Aguado, L. (2011) AnálisisempíricodelcomportamientodelconsumidordeartesescénicasenColombia. Cited 3 times. (Tesis doctoral). Universidad de SevillaAguado Quintero, L.F., Palma Martos, L. Factors that limit cultural participation. a view from the perspective of cultural economics (2015) Revista de Ciencias Sociales, 21 (1), pp. 58-71. Cited 18 times. http://www.redalyc.org/pdf/280/28037734006.pdfAguado, L.F., Lazzaro, E., Palma Martos, L.A., Osorio Mejía, A.M. Newspaper reading as a form of cultural participation: The case of Colombia (2018) Review of Economics and Finance, 11 (1), pp. 40-54. Cited 5 times. http://www.bapress.ca/ref/ref-article/1923-7529-2018-01-40-15.pdfAndrade, D. (2016) Determinantes de la asistencia a museos en Colombia. Una perspectiva desde la economía de la cultura. Cited 7 times. (Tesis doctoral). Universidad de Sevilla, SevillaAteca, V. Cultural participation patterns: Evidence from the Spanish time use survey (2010) ESAResearchNetworkSociologyofCultureMidtermConference:CultureandtheMakingof Worlds. Retrieved from https://ssrn.com/abstract=1692024Ateca, V. 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Cartagena, Colombia: Universidad Tecnológica de BolívarSeaman, B.A. Chapter 14 Empirical Studies of Demand for the Performing Arts (2006) Handbook of the Economics of Art and Culture, 1, pp. 415-472. Cited 136 times. ISBN: 978-044450870-6 doi: 10.1016/S1574-0676(06)01014-3Soto, J. La transversalidad curricular del Carnaval de Barranquilla como apuesta en lo local de la educación patrimonial. Fiesta, Escuela, Reparación simbólica (2015) Memorias del V Encuentro Internacional sobre estudios de Fiesta, Nación y Cultura, pp. 54-61. Bogotá, D.C.: InterculturaStigler, G., Becker, G. De gustibus non est disputandum (1977) TheAmericanEconomic Review, 67 (2), pp. 76-90. Cited 2275 times.Throsby, D. (2001) Economics and culture, p. 228. Cited 1197 times. Cambridge University PressThrosby, D. Cultural capital (2003) A Handbook of Cultural Economics, pp. 166-169. Cited 23 times. http://www.e-elgar.com/bookentry_main.lasso?id=2039 ISBN: 1840643382; 978-184064338-1 doi: 10.4337/9781781008003.00025Villarroya, A., Escardíbul, J. O. La demanda de libros y publicaciones periódicas en España (2010) EstudiosdeEconomíaAplicada, 28 (1). 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