Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia)
The empirical analysis of individual participation in local and popular feasts and festivals is a field little explored by cultural economists. This article proposes a methodological scheme to analyse the profile of the participants in local and popular feasts and carnivals, allowing the establishme...
- Autores:
-
Espinosa Espinosa, Aarón
Palma Martos, Luis
Aguado Quintero, Luis
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Tecnológica de Bolívar
- Repositorio:
- Repositorio Institucional UTB
- Idioma:
- eng
- OAI Identifier:
- oai:repositorio.utb.edu.co:20.500.12585/10659
- Palabra clave:
- Carnival of Barranquilla
Cultural participation
Intangible heritage
Probit models
Colombia
LEMB
- Rights
- openAccess
- License
- http://creativecommons.org/licenses/by-nc-nd/4.0/
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Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| title |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| spellingShingle |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) Carnival of Barranquilla Cultural participation Intangible heritage Probit models Colombia LEMB |
| title_short |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| title_full |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| title_fullStr |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| title_full_unstemmed |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| title_sort |
Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia) |
| dc.creator.fl_str_mv |
Espinosa Espinosa, Aarón Palma Martos, Luis Aguado Quintero, Luis |
| dc.contributor.author.none.fl_str_mv |
Espinosa Espinosa, Aarón Palma Martos, Luis Aguado Quintero, Luis |
| dc.subject.keywords.spa.fl_str_mv |
Carnival of Barranquilla Cultural participation Intangible heritage Probit models Colombia |
| topic |
Carnival of Barranquilla Cultural participation Intangible heritage Probit models Colombia LEMB |
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LEMB |
| description |
The empirical analysis of individual participation in local and popular feasts and festivals is a field little explored by cultural economists. This article proposes a methodological scheme to analyse the profile of the participants in local and popular feasts and carnivals, allowing the establishment of a taxonomy that captures the heterogeneity of the participants replicable to other festivities and carnivals around the world. Similarly, participation equations that allow the analysis of the influence of context variables on individual decisions to participate in these types of events are estimated. For this, the Carnival of Barranquilla, the largest and most representative popular celebration in Colombia and declared by UNESCO as Intangible Cultural Heritage of Humanity, is used as a case study. The data were obtained from the Citizen Perception Survey of the Barranquilla Cómo Vamos programme, which evaluates the quality of life and the fulfilment of development plans in that city, and an empirical strategy is employed consisting of the estimation of a probit discrete choice model, which allows modelling the individual decisions of a time-intensive good, such as a carnival, with a strong influence of traditionalvariables, such as cultural capital and the availability of leisure time, and other context variables: location of people in the territory, stratification and poverty. The different profiles found offer information on the different strategies that can be implemented from public policy to stimulate greater participation by the population in popular festivities and festivals |
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2021 |
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2021-12-02 |
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2022-04-06T13:12:37Z |
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2022-04-06T13:12:37Z |
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2022-04-05 |
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info:eu-repo/semantics/article |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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spinosa Espinosa, A., Palma Martos, L., & Aguado Quintero, L. (2021). Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia). Scientific Annals of Economics and Business, 68, 79–103. https://doi.org/10.47743/saeb-2021-0032 |
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https://hdl.handle.net/20.500.12585/10659 |
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https://doi.org/10.47743/saeb-2021-0032 |
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Universidad Tecnológica de Bolívar |
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Repositorio Universidad Tecnológica de Bolívar |
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spinosa Espinosa, A., Palma Martos, L., & Aguado Quintero, L. (2021). Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia). Scientific Annals of Economics and Business, 68, 79–103. https://doi.org/10.47743/saeb-2021-0032 Universidad Tecnológica de Bolívar Repositorio Universidad Tecnológica de Bolívar |
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https://hdl.handle.net/20.500.12585/10659 https://doi.org/10.47743/saeb-2021-0032 |
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eng |
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eng |
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Attribution-NonCommercial-NoDerivatives 4.0 Internacional |
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openAccess |
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25 Páginas |
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Colombia |
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Cartagena de Indias |
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Scientific Annals of Economics and Business - vol. 68 (2021) |
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Espinosa Espinosa, Aarón255f191b-223c-4fea-a869-94008a17de8ePalma Martos, Luis12784179-d837-4969-b12d-296531efa229Aguado Quintero, Luisa84e40e8-5330-4fbb-8850-90412bb4d6efColombia2022-04-06T13:12:37Z2022-04-06T13:12:37Z2021-12-022022-04-05spinosa Espinosa, A., Palma Martos, L., & Aguado Quintero, L. (2021). Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia). Scientific Annals of Economics and Business, 68, 79–103. https://doi.org/10.47743/saeb-2021-0032https://hdl.handle.net/20.500.12585/10659https://doi.org/10.47743/saeb-2021-0032Universidad Tecnológica de BolívarRepositorio Universidad Tecnológica de BolívarThe empirical analysis of individual participation in local and popular feasts and festivals is a field little explored by cultural economists. This article proposes a methodological scheme to analyse the profile of the participants in local and popular feasts and carnivals, allowing the establishment of a taxonomy that captures the heterogeneity of the participants replicable to other festivities and carnivals around the world. Similarly, participation equations that allow the analysis of the influence of context variables on individual decisions to participate in these types of events are estimated. For this, the Carnival of Barranquilla, the largest and most representative popular celebration in Colombia and declared by UNESCO as Intangible Cultural Heritage of Humanity, is used as a case study. The data were obtained from the Citizen Perception Survey of the Barranquilla Cómo Vamos programme, which evaluates the quality of life and the fulfilment of development plans in that city, and an empirical strategy is employed consisting of the estimation of a probit discrete choice model, which allows modelling the individual decisions of a time-intensive good, such as a carnival, with a strong influence of traditionalvariables, such as cultural capital and the availability of leisure time, and other context variables: location of people in the territory, stratification and poverty. The different profiles found offer information on the different strategies that can be implemented from public policy to stimulate greater participation by the population in popular festivities and festivals25 Páginasapplication/pdfenghttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAttribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://purl.org/coar/access_right/c_abf2Scientific Annals of Economics and Business - vol. 68 (2021)Who Participates in Popular Feasts and Festivals? An Empirical Approach from Cultural Economics Applied to the Carnival of Barranquilla (Colombia)info:eu-repo/semantics/articleinfo:eu-repo/semantics/restrictedAccesshttp://purl.org/coar/resource_type/c_2df8fbb1Carnival of BarranquillaCultural participationIntangible heritageProbit modelsColombiaLEMBCartagena de IndiasAbello, J. (2020). Un tesoro atravesado por multiples tensiones. In Jaime Bonet M. & Javier Pérez V. (Eds.), 20 años de estudios sobre el Caribe colombiano (pp. 543-553): Colección de Economía Regional, Banco de la República. http://dx.doi.org/10.32468/Ebook.664-409-9Abello, M., Buelvas, M., & Caballero, A. (2005). Tres culturas en el Carnaval de Barranquilla. Revista Huellas Vol. 71-72-73-74-75. Barranquilla (Colombia): Eds. UninorteAguado, L. (2011). Análisis empírico del comportamiento del consumidor de artes escénicas en Colombia. (PhD), Departamento de Economía e Historia Económica, Universidad de Sevilla, SevillaAguado, L., & Palma, L. (2015). Factores que limitan la participacion cultural. Una mirada desde la economia de la cultura. Revista de Ciencias Sociales, XXI(1), 58-71Andrade, D. (2016). Determinantes de la asistencia a museos en Colombia. Una perspectiva desde la economía de la cultura. (PhD), Departamento de Economía e Historia Económica, Universidad de Sevilla, Sevilla.Ateca-Amestoy, V. (2008). Determining heterogeneous behavior for theater attendance. Journal of Cultural Economics, 32(2), 127-151. http://dx.doi.org/10.1007/s10824-008-9065-zAteca-Amestoy, V. (2009). El capital humano como determinante del consumo cultural. Estudios de Economia Aplicada, 27(1), 87-110.Ateca-Amestoy, V. (2010). Cultural participation patterns: Evidence from the Spanish time use survey. Paper presented at the ESA Research Network Sociology of Culture Midterm Conference: Culture and the Making of Worlds. https://ssrn.com/abstract=1692024Baumol, W., & Bowen, W. G. (1966). Performing Arts: The Economic Dilemma: A study of problems common to theater, opera, music, and dance: Twentieth Century Fund.Becker, G. (1965). A Theory of the Allocation of Time. The Economic Journal, 75(299), 493-517. http://dx.doi.org/10.2307/2228949Becker, G. (1965). A Theory of the Allocation of Time. The Economic Journal, 75(299), 493-517. http://dx.doi.org/10.2307/2228949Bermúdez, J., Medina, L., & Aguado, L. (2016). La decisión de escuchar música grabada en Colombia. Un enfoque microeconométrico. Revista de Métodos Cuantitativos para la Economía y la Empresa, 21-38Borgonovi, F. (2004). Performing arts attendance: An economic approach. Applied Economics, 36(17), 1871-1885. http://dx.doi.org/10.1080/0003684042000264010Buelvas, M. (1993). El Carnaval de Barranquilla, una filosofia del carnaval o un carnaval de filosofias. Revista Huellas, 39, 5-12Buelvas, M. (2005). El Carnaval de Barranquilla. Una filosofía del carnaval o un carnaval de filosofías (Vol. 71-72-73-74-75). Barranquilla: Eds. Uninorte.Buelvas, M. (2011). Asi es el carnaval Carnaval de Barranquilla. Fiesta sin fin (pp. 87-110). Barranquilla: Fundacion Carnaval de Barranquilla.Cámara de Comercio de Barranquilla, & Carnaval de Barranquilla SAS. (2017). Impacto económico del Carnaval de Barranquilla. Retrieved from https://www.camarabaq.org.co/carnaval-de-barranquilla-sa/Carbó, G. (1993). Al ritmo de... tambora-tambora Revista Huellas (pp. 27-58). Barranquilla (Colombia): Eds. UninorteCasarin, F., & Moretti, A. (2011). An international review of cultural consumption research. Department of Management, Universita Ca' Foscari Venezia Working Paper, 12. http://dx.doi.org/10.2139/ssrn.2037466Cepeda, L. (2014). Los sures de Barranquilla: la distribucion espacial de la pobreza. In L. Cepeda (Ed.), La economia de Barranquilla a comienzos del siglo XXI (pp. 1-40): Banco de la RepublicaDaneshvary, N., Schwer, R., & Rickman, D. (1993). Determinants of demand for professional rodeo attendance. Journal of Cultural Economics, 17(2), 77-92. http://dx.doi.org/10.1007/BF02310584Espinosa, A., Madero, M., Rodriguez-Puello, G., & Diaz, L. (2020). Etnicidad, espacio y desarrollo humano en comunidades pobres urbanas: La comuna 6 en Cartagena de Indias, Colombia. Cuadernos de Economia (Santiago, Chile), 39(81), 635-666. http://dx.doi.org/10.15446/cuad.econ.v39n81.77333Espinosa, A., & Palma, L. (2019). Cultural Participation in the Main Colombian cities, 2008-2015. Scientific Annals of Economics and Business, 66(Special issue - dedicated to the VIII Wo), 37-58. http://dx.doi.org/10.47743/saeb-2019-0021Espinosa, A., Palma, L., & Aguado, L. (2020). A micro-econometric approach to participation in a cultural festival. The case of Carnival of Barranquilla (Colombia). Paper presented at the IV Gijon Conference on the Economics of Leisure, Culture and Sport.Espinosa, A., Palma, L., & Aguado, L. (2020). A micro-econometric approach to participation in a cultural festival. The case of Carnival of Barranquilla (Colombia). Paper presented at the IV Gijon Conference on the Economics of Leisure, Culture and Sport.Espinosa, A., & Toro, D. (2016). La participacion en la vida cultural en Cartagena, 2008-2013. Economía&Región, 10(1), 217-248.Falk, M., & Katz-Gerro, T. (2016). Cultural participation in Europe: Can we identify common determinants? Journal of Cultural Economics, 40(2), 127-162. http://dx.doi.org/10.1007/s10824- 015-9242-9Fernández-Blanco, V., & Prieto-Rodríguez, J. (2009). Analisis de los habitos de lectura como una decision economica. Estudios de Economia Aplicada, 27(1), 87-110.ernández-Blanco, V., & Prieto-Rodríguez, J. (2009). Analisis de los habitos de lectura como una decision economica. Estudios de Economia Aplicada, 27(1), 87-110.González, A. (2006). Danza, mestizaje y carnaval. Un fenomeno latinoamericano: el caso de Barranquilla. In E. Gutierrez & J. Edgar (Eds.), Fiestas y carnavales en Colombia. La puesta en escena de las identidades (pp. 43-58). Cartagena (Colombia): La Carreta Editores.González, A. (2006). Danza, mestizaje y carnaval. Un fenomeno latinoamericano: el caso de Barranquilla. In E. Gutierrez & J. Edgar (Eds.), Fiestas y carnavales en Colombia. La puesta en escena de las identidades (pp. 43-58). Cartagena (Colombia): La Carreta Editores.Greeen, W. (2012). Econometric Analisys (7th ed.). New York: PearsonGutiérrez, E. (2009). Fiesta de La Candelaria en Cartagena de Indias. Creer, poder y gozar: Universidad de Cartagena e Instituto de Patrimonio y Cultura de CartagenaHeredia-Carroza, J., Palma, L., & Marín, A. (2020). Determinants of attendance frequency to flamenco shows in Spain. A cultural economic approach. Revista de Métodos Cuantitativos para la Economía y la Empresa, 29, 79-98. http://dx.doi.org/10.46661/revmetodoscuanteconempresa.3751Lévy-Garboua, L., & Montmarquette, C. (1996). A microeconometric study of theater demand. Journal of Cultural Economics, 20, 25-50. http://dx.doi.org/10.1007/s10824-005-5050-yLizcano, M., & Gonzalez, D. (2007). Documentales sobre el Carnaval de Barranquilla: Una historia audiovisual. Boletín de Antropología de la Universidad de Antuiquia, 38, 357-380.Mariano, M., & Endere, M. (2017). Carnavales y patrimonios: diálogos sobre identidades y espacios de participación. Memorias: Revista Digital de Arqueología e Historia desde el Caribe, 13(32), 10-41. http://dx.doi.org/10.14482/memor.32.10338Martinell, A. (2013). Derechos culturales y desarrollo: una propuesta de análisis de sus impactos. In A. Martinell (Ed.), Impactos de la dimensión cultural del desarrollo. Girona: Universidad de Girona y Universidad Tecnológica de Bolívar.Mauri, C. A., & Wolf, A. F. (2021). Battle of the ballet household decisions on arts consumption. Journal of Cultural Economics, 45, 359-383. http://dx.doi.org/10.1007/s10824-020-09395-zMcCain, R. (2003). Taste formation. In R. Towse (Ed.), A Handbook of Cultural Economics(pp. 445-450): Edward Elgar Publishing. http://dx.doi.org/10.4337/9781781008003.00062McFadden, D. (1973). Conditional logit analysis of qualitative choice behavior. In P. Zarembka (Ed.), Frontiers in Econometrics (pp. 105-142): Academic Press.Montoro-Pons, J., Cuadrado-Garcia, M., & Casasus-Estelles, T. (2013). Analysing the Popular Music Audience: Determinants of Participation and Frequency of Attendance. International Journal of Music Business Research, 2(1), 35-62.Muñoz, E. (2007). Cartagena festiva. El 11 de noviembre y sus signos culturales. Colombia: Corporacion Concurso Nacional de Belleza.Observatorio del Caribe Colombiano. (2015). Ministerio de Cultura and Alcaldia de Barranquilla. Colombia: Plan Especial de Salvaguardia del Carnaval de BarranquillaOchoa, F. (2015). La cumbia en el carnaval de Barranquilla: construccion de un metarrelato. Revista Encuentros. http://dx.doi.org/10.15665/re.v15i3.1097Palma, M., Aguado, L., & Osorio, A. (2014). Determinants of Book Reading and Library Attendance in Colombia. A microeconometric approach. Economics and Business Letters, 3(2), 79-86. http://dx.doi.org/10.17811/ebl.3.2.2014.79-86Palma, M., Palma, L., & Aguado, L. (2013). Determinants of cultural and popular celebration attendance: The case study of Seville Spring Fiestas. Journal of Cultural Economics, 37(1), 37-87. http://dx.doi.org/10.1007/s10824-012-9167-5Pérez, G. J., & Salazar Mejía, I. (2008). La pobreza en Cartagena: un analisis por barrios. In A. M. Roca (Ed.), La economia y el capital humano de Cartagena de Indias (pp. 9-49). Cartagena: Centro de Estudios Economicos Regionales, Banco de la RepublicaRey Sinning, E. (2004). Joselito carnaval. Análisis del Carnaval de Barranquilla (5th ed.). Bogotá: Plaza y Janés, Editores Colombia S.A.Reyes, V. (2011). Tiempo anómico: El carnaval de Barranquilla. Revista Colombiana de Sociología, 34(1), 103-126Ringstad, V., & Loyland, K. (2006). The demand for books estimated by means of consumer survey data. Journal of Cultural Economics, 30(2), 141-155. http://dx.doi.org/10.1007/s10824-006-9006-7Ruz, G., & Abello, A. (2016). Las Fiestas de Independencia como patrimonio cultural inmaterial de la Nación colombiana. Serie de Documentos Encuentros, 1(2).Salcedo, L. (2002). Carnaval de Barranquilla. Obra Maestra del Patrimonio Oral e Intangible de la Humanidad. Barranquilla (Colombia): Ministerio de Cultura de Colombia.Salcedo, L., Ballesteros, H., Pacheco, C., Crawford, L., & Guzman, B. (2011). Carnaval, la industria cultural que se toma una ciudad. In Fundacion Carnaval de Barranquilla (Ed.), Carnaval de Barranquilla. Fiesta sin fin (pp. 215-225). Barranquilla (Colombia): Fundacion Carnaval de Barranquilla.Seaman, B. A. (2006). Empirical Studies for Demand in the Performing Arts. In V. A. Ginsburgh & D. Throsby (Eds.), Handbook of the Economics of Art and Culture (pp. 415-472). Amsterdam: Elsevier.Stigler, G., & Becker, G. (1977). De gustibus non est disputandum. The American Economic Review, 67(2), 76-90.Throsby, D. (2001). Economics and culture. Cambridge (UK): Cambridge University PressThrosby, D. (2003). Cultural capital. In R. Towse (Ed.), Handbook of Cultural Economics (pp. 166-169). USA: Edward Elgar Publishing Ltd. Cheltenham.hrosby, D. (2006). Handbook of the Economics of Art and Culture (Vol. 1): Elsevier. http://dx.doi.org/10.1016/S1574-0676(06)01001-5Verbeek, M., & Vella, F. (2005). Estimating Dynamic Models from Repeated Cross-Sections. Journal of Econometrics, 127, 83-102. http://dx.doi.org/10.1016/j.jeconom.2004.06.004Villarroya, A., & Escardibul, J. O. (2010). La demanda de libros y publicaciones periodicas en Espana. 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