Form and void in Severo Sarduy's poetry
In this essay we will elevate models on simulated models and/or figures in Severo Sarduy's poetry which can reveal the relationship between form and void and the philological and philosophical implications of that correlation.
- Autores:
-
Díaz Gamboa, Sandra Lucía
- Tipo de recurso:
- Fecha de publicación:
- 2013
- Institución:
- Universidad Tecnológica de Bolívar
- Repositorio:
- Repositorio Institucional UTB
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.utb.edu.co:20.500.12585/12234
- Acceso en línea:
- https://hdl.handle.net/20.500.12585/12234
- Palabra clave:
- Severo Sarduy;
Neobaroque;
Bearing Witness
LEMB
- Rights
- openAccess
- License
- http://creativecommons.org/licenses/by-nc-nd/4.0/
id |
UTB2_33865a23e431301e8c7863149a0db515 |
---|---|
oai_identifier_str |
oai:repositorio.utb.edu.co:20.500.12585/12234 |
network_acronym_str |
UTB2 |
network_name_str |
Repositorio Institucional UTB |
repository_id_str |
|
dc.title.spa.fl_str_mv |
Form and void in Severo Sarduy's poetry |
dc.title.alternative.spa.fl_str_mv |
Forma y vacío en la poesía de Severo Sarduy |
title |
Form and void in Severo Sarduy's poetry |
spellingShingle |
Form and void in Severo Sarduy's poetry Severo Sarduy; Neobaroque; Bearing Witness LEMB |
title_short |
Form and void in Severo Sarduy's poetry |
title_full |
Form and void in Severo Sarduy's poetry |
title_fullStr |
Form and void in Severo Sarduy's poetry |
title_full_unstemmed |
Form and void in Severo Sarduy's poetry |
title_sort |
Form and void in Severo Sarduy's poetry |
dc.creator.fl_str_mv |
Díaz Gamboa, Sandra Lucía |
dc.contributor.author.none.fl_str_mv |
Díaz Gamboa, Sandra Lucía |
dc.subject.keywords.spa.fl_str_mv |
Severo Sarduy; Neobaroque; Bearing Witness |
topic |
Severo Sarduy; Neobaroque; Bearing Witness LEMB |
dc.subject.armarc.none.fl_str_mv |
LEMB |
description |
In this essay we will elevate models on simulated models and/or figures in Severo Sarduy's poetry which can reveal the relationship between form and void and the philological and philosophical implications of that correlation. |
publishDate |
2013 |
dc.date.issued.none.fl_str_mv |
2013 |
dc.date.accessioned.none.fl_str_mv |
2023-07-19T21:24:58Z |
dc.date.available.none.fl_str_mv |
2023-07-19T21:24:58Z |
dc.date.submitted.none.fl_str_mv |
2023 |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_b1a7d7d4d402bcce |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.hasversion.spa.fl_str_mv |
info:eu-repo/semantics/draft |
dc.type.spa.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
status_str |
draft |
dc.identifier.citation.spa.fl_str_mv |
Gamboa, S. L. D. (2013). Forma y vacío en la poesía de Severo Sarduy. Revista de filología románica, (30), 245-260. |
dc.identifier.uri.none.fl_str_mv |
https://hdl.handle.net/20.500.12585/12234 |
dc.identifier.doi.none.fl_str_mv |
10.5209/rev_RFRM.2013.v30.n2.45707 |
dc.identifier.instname.spa.fl_str_mv |
Universidad Tecnológica de Bolívar |
dc.identifier.reponame.spa.fl_str_mv |
Repositorio Universidad Tecnológica de Bolívar |
identifier_str_mv |
Gamboa, S. L. D. (2013). Forma y vacío en la poesía de Severo Sarduy. Revista de filología románica, (30), 245-260. 10.5209/rev_RFRM.2013.v30.n2.45707 Universidad Tecnológica de Bolívar Repositorio Universidad Tecnológica de Bolívar |
url |
https://hdl.handle.net/20.500.12585/12234 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.uri.*.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.cc.*.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 Internacional |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution-NonCommercial-NoDerivatives 4.0 Internacional http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.extent.none.fl_str_mv |
16 páginas |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.place.spa.fl_str_mv |
Cartagena de Indias |
dc.source.spa.fl_str_mv |
Revista de Filologia Romanica |
institution |
Universidad Tecnológica de Bolívar |
bitstream.url.fl_str_mv |
https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/1/09.pdf https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/2/license_rdf https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/3/license.txt https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/4/09.pdf.txt https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/5/09.pdf.jpg |
bitstream.checksum.fl_str_mv |
3bca34c5fafc5f21e293da5c242b4934 4460e5956bc1d1639be9ae6146a50347 e20ad307a1c5f3f25af9304a7a7c86b6 24e648839aa31918bceb936aff170ec0 967f034453b72aca424505adc951027f |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositorio Institucional UTB |
repository.mail.fl_str_mv |
repositorioutb@utb.edu.co |
_version_ |
1814021779074580480 |
spelling |
Díaz Gamboa, Sandra Lucía35aa7a17-6984-4022-b45d-91b0523e6efd2023-07-19T21:24:58Z2023-07-19T21:24:58Z20132023Gamboa, S. L. D. (2013). Forma y vacío en la poesía de Severo Sarduy. Revista de filología románica, (30), 245-260.https://hdl.handle.net/20.500.12585/1223410.5209/rev_RFRM.2013.v30.n2.45707Universidad Tecnológica de BolívarRepositorio Universidad Tecnológica de BolívarIn this essay we will elevate models on simulated models and/or figures in Severo Sarduy's poetry which can reveal the relationship between form and void and the philological and philosophical implications of that correlation.16 páginasapplication/pdfspahttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAttribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://purl.org/coar/access_right/c_abf2Revista de Filologia RomanicaForm and void in Severo Sarduy's poetryForma y vacío en la poesía de Severo Sarduyinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/drafthttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/version/c_b1a7d7d4d402bccehttp://purl.org/coar/resource_type/c_2df8fbb1Severo Sarduy;Neobaroque;Bearing WitnessLEMBCartagena de IndiasBarros, T. (2001) Ritmo Y Abstracción A Coruña: Edicios do castroBarthes, R. (1973) Ensayos Críticos. Cited 60 times. Barcelona: Seix-BarralCosta, H. Sarduy: La escritura como épure (1991) Revista Iberoamericana, LVII (154), pp. 275-300. Cited 3 times.Díaz, G.S. (2008) La Experiencia De Los Límites En La Obra De José Ángel Valente Y Sus "implicaciones" Lógico-matemáticas, 2. Cited 5 times. [Tesis Doctoral]. Madrid: Universidad Nacional de Educación a Distancia, Facultad de FilologíaDíaz Gamboa, S. La formación de conceptos poético-matemáticos en la obra de José Ángel Valente. SERTA (2009) Revista Iberorrománica. Poesía Y Pensamiento Poético, 10, pp. 56-80. Cited 2 times.Díaz Gamboa, S. La Estética de la Evanescencia (2010) Blanco De Octavio Paz [Tesis de Maestría en Literatura]. Bogotá: Facultad de Ciencias Sociales. Pontificia Univer-sidad JaverianaKline, M. (1992) El Pensamiento Matemático De La Antigüedad a Nuestros Días, 3. Madrid: Alianza EditorialPenrose, R. (1995) La Nueva Mente Del Emperador. Cited 32 times. Traducción de Javier García Sanz. Barcelona: Grijalbo MondadoriZalamea, F. (1998) Signos Triádicos, Signos Triádicos Nueve estudios de caso latinoamericanos en el cruce Matemáticas- Estética - Lógica. Bogo-tá:Ministerio de Cultura, Programa de Becas NacionalesZalamea, F., Ariadna, Penélope (2004) Redes Y Mixturas En El Mundo Contemporáneo, Ariad-na Y Penélope Redes y mixturas en el mundo contemporáneo. Oviedo: Ediciones Nobelhttp://purl.org/coar/resource_type/c_6501ORIGINAL09.pdf09.pdfapplication/pdf6553242https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/1/09.pdf3bca34c5fafc5f21e293da5c242b4934MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-83182https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/3/license.txte20ad307a1c5f3f25af9304a7a7c86b6MD53TEXT09.pdf.txt09.pdf.txtExtracted texttext/plain17https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/4/09.pdf.txt24e648839aa31918bceb936aff170ec0MD54THUMBNAIL09.pdf.jpg09.pdf.jpgGenerated Thumbnailimage/jpeg4068https://repositorio.utb.edu.co/bitstream/20.500.12585/12234/5/09.pdf.jpg967f034453b72aca424505adc951027fMD5520.500.12585/12234oai:repositorio.utb.edu.co:20.500.12585/122342023-07-20 00:18:08.019Repositorio Institucional UTBrepositorioutb@utb.edu.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 |