Women on the edge? representations of the post-war suburban woman in popular culture to the present day
As the chapters up until now have demonstrated, ‘suburbia’ is not only a topological construction but also connotes a set of attitudes, mores and values. It is ‘safe’ space. In the popular imagination, it exists as gendered space: where a code of good housekeeping prevails as women tend to the nest...
- Autores:
- Tipo de recurso:
- Part of book
- Fecha de publicación:
- 2013
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16048
- Acceso en línea:
- https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch6-women-on-the-edge-representations-of-the-post-war-suburban-woman-in-popular-culture-to-the-present-day
http://hdl.handle.net/20.500.12010/16048
http://dx.doi.org/10.5040/9781472544759.ch-006
- Palabra clave:
- Popular Culture
Suburban Woman
Post-War
Suburbios
Cultura popular
Vida suburbana
- Rights
- License
- Abierto (Texto Completo)
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dc.title.spa.fl_str_mv |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
title |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
spellingShingle |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day Popular Culture Suburban Woman Post-War Suburbios Cultura popular Vida suburbana |
title_short |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
title_full |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
title_fullStr |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
title_full_unstemmed |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
title_sort |
Women on the edge? representations of the post-war suburban woman in popular culture to the present day |
dc.subject.spa.fl_str_mv |
Popular Culture Suburban Woman Post-War |
topic |
Popular Culture Suburban Woman Post-War Suburbios Cultura popular Vida suburbana |
dc.subject.lemb.spa.fl_str_mv |
Suburbios Cultura popular Vida suburbana |
description |
As the chapters up until now have demonstrated, ‘suburbia’ is not only a topological construction but also connotes a set of attitudes, mores and values. It is ‘safe’ space. In the popular imagination, it exists as gendered space: where a code of good housekeeping prevails as women tend to the nest (i.e. household and children), while their men are out in the big bad city earning a living. Suburbs were seen as a space of ‘ideal home . . . for women and children fi rst’ (Pile et al. 2000 :31). Clapson ( 2003 :125) notes the feminine suburbs have tended to be pitted against the macho-thrusting city for they ‘signify domesticity, repose, closeness to nature, lack of seriousness, mindlessness, and safety’. Chambers ( 2001 :78) has spoken of how the advertising campaigns for home electrics in the leisure and domestic spheres represented a utopian American suburbia in which the family was sacrosanct.’ Th e stereotypical suburban daily routine established in 1950s-set suburban television shows sees besuited males kiss goodbye to their wives and kids en route to the daily commute to offi ce leaving her to cheerfully perform household chores, for example baking sometimes with a housemaid/ cook. Th e weekend consists of car washing and barbecues. |
publishDate |
2013 |
dc.date.created.none.fl_str_mv |
2013 |
dc.date.accessioned.none.fl_str_mv |
2020-11-25T20:15:22Z |
dc.date.available.none.fl_str_mv |
2020-11-25T20:15:22Z |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_3248 |
format |
http://purl.org/coar/resource_type/c_3248 |
dc.identifier.isbn.none.fl_str_mv |
978-1780932231 |
dc.identifier.other.none.fl_str_mv |
https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch6-women-on-the-edge-representations-of-the-post-war-suburban-woman-in-popular-culture-to-the-present-day |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/16048 |
dc.identifier.doi.none.fl_str_mv |
http://dx.doi.org/10.5040/9781472544759.ch-006 |
identifier_str_mv |
978-1780932231 |
url |
https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch6-women-on-the-edge-representations-of-the-post-war-suburban-woman-in-popular-culture-to-the-present-day http://hdl.handle.net/20.500.12010/16048 http://dx.doi.org/10.5040/9781472544759.ch-006 |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.creativecommons.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc-nd/4.0/ |
rights_invalid_str_mv |
Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf2 |
dc.format.extent.spa.fl_str_mv |
28 páginas |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Bloomsbury Academic |
institution |
Universidad de Bogotá Jorge Tadeo Lozano |
bitstream.url.fl_str_mv |
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2020-11-25T20:15:22Z2020-11-25T20:15:22Z2013978-1780932231https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch6-women-on-the-edge-representations-of-the-post-war-suburban-woman-in-popular-culture-to-the-present-dayhttp://hdl.handle.net/20.500.12010/16048http://dx.doi.org/10.5040/9781472544759.ch-006As the chapters up until now have demonstrated, ‘suburbia’ is not only a topological construction but also connotes a set of attitudes, mores and values. It is ‘safe’ space. In the popular imagination, it exists as gendered space: where a code of good housekeeping prevails as women tend to the nest (i.e. household and children), while their men are out in the big bad city earning a living. Suburbs were seen as a space of ‘ideal home . . . for women and children fi rst’ (Pile et al. 2000 :31). Clapson ( 2003 :125) notes the feminine suburbs have tended to be pitted against the macho-thrusting city for they ‘signify domesticity, repose, closeness to nature, lack of seriousness, mindlessness, and safety’. Chambers ( 2001 :78) has spoken of how the advertising campaigns for home electrics in the leisure and domestic spheres represented a utopian American suburbia in which the family was sacrosanct.’ Th e stereotypical suburban daily routine established in 1950s-set suburban television shows sees besuited males kiss goodbye to their wives and kids en route to the daily commute to offi ce leaving her to cheerfully perform household chores, for example baking sometimes with a housemaid/ cook. Th e weekend consists of car washing and barbecues.28 páginasapplication/pdfengBloomsbury AcademicPopular CultureSuburban WomanPost-WarSuburbiosCultura popularVida suburbanaWomen on the edge? representations of the post-war suburban woman in popular culture to the present dayAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_3248Huq, RupaLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16048/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessORIGINAL9781472544759.ch-006.pdf9781472544759.ch-006.pdfVer capítuloapplication/pdf476682https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16048/3/9781472544759.ch-006.pdfedd400c6e6a89e1ec69c2bc78a99df25MD53open accessTHUMBNAIL9781472544759.ch-006.pdf.jpg9781472544759.ch-006.pdf.jpgIM Thumbnailimage/jpeg5829https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16048/4/9781472544759.ch-006.pdf.jpg1ebe984ff6bb7cde7e15b7872647ac31MD54open access20.500.12010/16048oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/160482021-02-24 21:35:59.796open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.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 |