La rappresentazione del paesaggio toscano nel Trecento

The book aims to identify the prevalent characteristics of the Tuscan landscape in the fourteenth century through the artistic and literary expressions of two of the main protagonists of the century, Giotto and Boccaccio. Emerging from a critical reading of the <i>Decameron</i> by Boccac...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2012
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/17497
Acceso en línea:
https://media.fupress.com/files/pdf/24/2439/5606
http://hdl.handle.net/20.500.12010/17497
Palabra clave:
Arquitectura
Territorio -- Paisaje
Ciudad -- Paisaje extramuros
Rights
License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv La rappresentazione del paesaggio toscano nel Trecento
title La rappresentazione del paesaggio toscano nel Trecento
spellingShingle La rappresentazione del paesaggio toscano nel Trecento
Arquitectura
Territorio -- Paisaje
Ciudad -- Paisaje extramuros
title_short La rappresentazione del paesaggio toscano nel Trecento
title_full La rappresentazione del paesaggio toscano nel Trecento
title_fullStr La rappresentazione del paesaggio toscano nel Trecento
title_full_unstemmed La rappresentazione del paesaggio toscano nel Trecento
title_sort La rappresentazione del paesaggio toscano nel Trecento
dc.subject.spa.fl_str_mv Arquitectura
topic Arquitectura
Territorio -- Paisaje
Ciudad -- Paisaje extramuros
dc.subject.lemb.spa.fl_str_mv Territorio -- Paisaje
Ciudad -- Paisaje extramuros
description The book aims to identify the prevalent characteristics of the Tuscan landscape in the fourteenth century through the artistic and literary expressions of two of the main protagonists of the century, Giotto and Boccaccio. Emerging from a critical reading of the <i>Decameron</i> by Boccaccio and the paintings by Giotto is the relationship between fourteenth-century man and nature: having overcome the fear of existence, man is aware of the territory/landscape and his capacity of control over nature. This emerges in the relationship between the city and the landscape outside the walls, in the two artists' careful observation of nature, in the sense of belonging to places, in the role of open spaces, in the conditions of well-being of the environment, in the sense of protection and security; and it is also highlighted in the characteristics of the landscape, such as the sense of proximity, distance, time and aesthetics, in relation above all to gardens and the countryside. From the studies performed there emerges a curiosity that was not yet capable of expressing itself in autonomous forms, but was already appreciable in the innovative techniques heralding the next century.
publishDate 2012
dc.date.created.none.fl_str_mv 2012
dc.date.accessioned.none.fl_str_mv 2021-02-18T23:30:23Z
dc.date.available.none.fl_str_mv 2021-02-18T23:30:23Z
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.none.fl_str_mv 978-88-665-5284-0
dc.identifier.other.none.fl_str_mv https://media.fupress.com/files/pdf/24/2439/5606
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/17497
dc.identifier.doi.none.fl_str_mv 10.36253/978-88-6655-284-0
identifier_str_mv 978-88-665-5284-0
10.36253/978-88-6655-284-0
url https://media.fupress.com/files/pdf/24/2439/5606
http://hdl.handle.net/20.500.12010/17497
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Abierto (Texto Completo)
dc.rights.creativecommons.none.fl_str_mv https://creativecommons.org/licenses/by-nc-nd/4.0/
rights_invalid_str_mv Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-nd/4.0/
http://purl.org/coar/access_right/c_abf2
dc.format.extent.spa.fl_str_mv 301 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Firenze University Press
institution Universidad de Bogotá Jorge Tadeo Lozano
bitstream.url.fl_str_mv https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/17497/3/La%20rappresentazione%20del%20paesaggio%20toscano%20nel%20Trecento_58.pdf.jpg
https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/17497/1/La%20rappresentazione%20del%20paesaggio%20toscano%20nel%20Trecento_58.pdf
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spelling 2021-02-18T23:30:23Z2021-02-18T23:30:23Z2012978-88-665-5284-0https://media.fupress.com/files/pdf/24/2439/5606http://hdl.handle.net/20.500.12010/1749710.36253/978-88-6655-284-0301 páginasapplication/pdfengFirenze University PressArquitecturaTerritorio -- PaisajeCiudad -- Paisaje extramurosLa rappresentazione del paesaggio toscano nel TrecentoAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2The book aims to identify the prevalent characteristics of the Tuscan landscape in the fourteenth century through the artistic and literary expressions of two of the main protagonists of the century, Giotto and Boccaccio. Emerging from a critical reading of the <i>Decameron</i> by Boccaccio and the paintings by Giotto is the relationship between fourteenth-century man and nature: having overcome the fear of existence, man is aware of the territory/landscape and his capacity of control over nature. This emerges in the relationship between the city and the landscape outside the walls, in the two artists' careful observation of nature, in the sense of belonging to places, in the role of open spaces, in the conditions of well-being of the environment, in the sense of protection and security; and it is also highlighted in the characteristics of the landscape, such as the sense of proximity, distance, time and aesthetics, in relation above all to gardens and the countryside. 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