The event of art

It was a few days after 9/11 that I met Marc La a for the rst time. We were both enrolled in a residency program at the Atlantic Center for the Arts, which was located on an idyllic estuary in the middle of Florida, oddly enough only a stone’s throw from where the pilots of the World Trade Center tr...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2020
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15796
Acceso en línea:
https://library.oapen.org/handle/20.500.12657/41555
http://hdl.handle.net/20.500.12010/15796
Palabra clave:
Art
Arte
Arte - Técnica
Arte - Anécdotas
Rights
License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv The event of art
title The event of art
spellingShingle The event of art
Art
Arte
Arte - Técnica
Arte - Anécdotas
title_short The event of art
title_full The event of art
title_fullStr The event of art
title_full_unstemmed The event of art
title_sort The event of art
dc.subject.spa.fl_str_mv Art
topic Art
Arte
Arte - Técnica
Arte - Anécdotas
dc.subject.lemb.spa.fl_str_mv Arte
Arte - Técnica
Arte - Anécdotas
description It was a few days after 9/11 that I met Marc La a for the rst time. We were both enrolled in a residency program at the Atlantic Center for the Arts, which was located on an idyllic estuary in the middle of Florida, oddly enough only a stone’s throw from where the pilots of the World Trade Center tragedy were trained. There were about ten of us, and many, like myself, had come down in a state of shell-shock from NYC. Marc hailed from San Francisco and seemed like an only child away at camp for the rst time. As we mutated between a state of disbelief and despair, our evenings were occupied by alcohol-soaked group critiques, whereby we’d o er up our work to one another. Marc, at his own bequest, was one of the rst to present. His lm occupied more time than anyone had patience for and was not only monotonous, hard to understand, and droning to the brink of being annoying, but also, given the global atmosphere and my state of mind, brilliantly razor-sharp in message and form. In the aftermath of 9/11, incessant replaying of destruction footage gave scholars and the public alike enough fodder to examine our schizophrenic, subservient, and often submissive relationship to images. What had been anticipated time and time again in cinema and the public’s visual imagination had now been actualized. La a’s aptly titled Confessions of an Image consists of twenty-one short visual and audio essays that interrogate the history, production, distribution and consumption of the photographic image. A series of scratchy and often blurry images captured by his Canon Elph – the ultimate point-and-shoot, which dominated La a’s practice for many years – plods along to a monologue of the artist himself belligerently ponti cating (from what sounds like from far out in the universe) about electromagnetic light crisscrossing the planet.
publishDate 2020
dc.date.accessioned.none.fl_str_mv 2020-11-18T20:09:47Z
dc.date.available.none.fl_str_mv 2020-11-18T20:09:47Z
dc.date.created.none.fl_str_mv 2020
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.none.fl_str_mv 13: 978-1-950192-98-4
dc.identifier.other.none.fl_str_mv https://library.oapen.org/handle/20.500.12657/41555
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/15796
dc.identifier.doi.none.fl_str_mv 10.21983/P3.0275.1.00
identifier_str_mv 13: 978-1-950192-98-4
10.21983/P3.0275.1.00
url https://library.oapen.org/handle/20.500.12657/41555
http://hdl.handle.net/20.500.12010/15796
dc.language.iso.spa.fl_str_mv eng
language eng
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dc.rights.creativecommons.none.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
rights_invalid_str_mv Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-sa/4.0/
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dc.format.extent.spa.fl_str_mv 797 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Punctum books
institution Universidad de Bogotá Jorge Tadeo Lozano
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spelling 2020-11-18T20:09:47Z2020-11-18T20:09:47Z202013: 978-1-950192-98-4https://library.oapen.org/handle/20.500.12657/41555http://hdl.handle.net/20.500.12010/1579610.21983/P3.0275.1.00It was a few days after 9/11 that I met Marc La a for the rst time. We were both enrolled in a residency program at the Atlantic Center for the Arts, which was located on an idyllic estuary in the middle of Florida, oddly enough only a stone’s throw from where the pilots of the World Trade Center tragedy were trained. There were about ten of us, and many, like myself, had come down in a state of shell-shock from NYC. Marc hailed from San Francisco and seemed like an only child away at camp for the rst time. As we mutated between a state of disbelief and despair, our evenings were occupied by alcohol-soaked group critiques, whereby we’d o er up our work to one another. Marc, at his own bequest, was one of the rst to present. His lm occupied more time than anyone had patience for and was not only monotonous, hard to understand, and droning to the brink of being annoying, but also, given the global atmosphere and my state of mind, brilliantly razor-sharp in message and form. In the aftermath of 9/11, incessant replaying of destruction footage gave scholars and the public alike enough fodder to examine our schizophrenic, subservient, and often submissive relationship to images. What had been anticipated time and time again in cinema and the public’s visual imagination had now been actualized. La a’s aptly titled Confessions of an Image consists of twenty-one short visual and audio essays that interrogate the history, production, distribution and consumption of the photographic image. A series of scratchy and often blurry images captured by his Canon Elph – the ultimate point-and-shoot, which dominated La a’s practice for many years – plods along to a monologue of the artist himself belligerently ponti cating (from what sounds like from far out in the universe) about electromagnetic light crisscrossing the planet.797 páginasapplication/pdfengPunctum booksArtArteArte - TécnicaArte - AnécdotasThe event of artAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-sa/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Lafia, MarcORIGINAL0275.1.00.pdf0275.1.00.pdfVer libroapplication/pdf150993727https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15796/1/0275.1.00.pdfe01da71aca5c7586afa8abb11f2940ffMD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15796/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAIL0275.1.00.pdf.jpg0275.1.00.pdf.jpgIM Thumbnailimage/jpeg24987https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15796/3/0275.1.00.pdf.jpg98cecb3f6bbe2fb55db4e2b4eedb8fe1MD53open access20.500.12010/15796oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/157962021-02-25 21:27:52.997open accessRepositorio Institucional - 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