From realism to abstraction : the art of J. B. Taylor

John Benjamin or J. B. (Jack) Taylor (1917–1970) was born and grew up in Charlottetown, Prince Edward Island. It is a historic city, with strong English roots, and the location of the conference that resulted in the birth of Canada. Its downtown core comprises the initial five hundred lots surveyed...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2014
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15729
Acceso en línea:
https://www.jstor.org/stable/j.ctv6gqv5x
http://hdl.handle.net/20.500.12010/15729
https://doi.org/10.2307/j.ctv6gqv5x
Palabra clave:
Painting
Art, Abstract
Arte canadiense
Arte abstracto
Modernismo (Arte)
Rights
License
Abierto (Texto Completo)
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dc.title.eng.fl_str_mv From realism to abstraction : the art of J. B. Taylor
title From realism to abstraction : the art of J. B. Taylor
spellingShingle From realism to abstraction : the art of J. B. Taylor
Painting
Art, Abstract
Arte canadiense
Arte abstracto
Modernismo (Arte)
title_short From realism to abstraction : the art of J. B. Taylor
title_full From realism to abstraction : the art of J. B. Taylor
title_fullStr From realism to abstraction : the art of J. B. Taylor
title_full_unstemmed From realism to abstraction : the art of J. B. Taylor
title_sort From realism to abstraction : the art of J. B. Taylor
dc.subject.spa.fl_str_mv Painting
Art, Abstract
topic Painting
Art, Abstract
Arte canadiense
Arte abstracto
Modernismo (Arte)
dc.subject.lemb.spa.fl_str_mv Arte canadiense
Arte abstracto
Modernismo (Arte)
description John Benjamin or J. B. (Jack) Taylor (1917–1970) was born and grew up in Charlottetown, Prince Edward Island. It is a historic city, with strong English roots, and the location of the conference that resulted in the birth of Canada. Its downtown core comprises the initial five hundred lots surveyed by Samuel Johannes Holland (1728–1801), a Royal Engineer and the first Surveyor General of British North America. Three rivers meet at its harbour, which opens into Northumberland Strait. While growing up in this typically picturesque place with some of the oldest buildings in English Canada, Taylor was exposed to the landscapes of the maritime region. Rocky coves and inlets, fishing hamlets and, in the interior, small farms are all on a comfortable human scale. Only, the sea, the limitless deep, embodied the grandeur of nature. This is the world that he learned to paint under the tutelage of his first teacher Mabel Gass and his mentor Frank Vincent DuMond at the Art Students League of New York. As Taylor travelled westward, like other Canadians and visitors, he was awed by the expanses of the three prairie “steps” rising from Manitoba, to Saskatchewan and, finally, Alberta. His wartime service in the Canadian Air Force enabled him to traverse the Great Plains by train and airplane. Taylor depicted what he saw as backdrops for some of his aircraft paintings used to train air crew in recognition during World War II, as well as panoramas and murals for messes and recreation rooms.
publishDate 2014
dc.date.created.none.fl_str_mv 2014
dc.date.accessioned.none.fl_str_mv 2020-11-17T17:32:06Z
dc.date.available.none.fl_str_mv 2020-11-17T17:32:06Z
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.none.fl_str_mv 978-1-55238-743-6
dc.identifier.other.none.fl_str_mv https://www.jstor.org/stable/j.ctv6gqv5x
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/15729
dc.identifier.doi.none.fl_str_mv https://doi.org/10.2307/j.ctv6gqv5x
identifier_str_mv 978-1-55238-743-6
url https://www.jstor.org/stable/j.ctv6gqv5x
http://hdl.handle.net/20.500.12010/15729
https://doi.org/10.2307/j.ctv6gqv5x
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Abierto (Texto Completo)
dc.rights.creativecommons.none.fl_str_mv https://creativecommons.org/licenses/by-nc-nd/4.0/
rights_invalid_str_mv Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-nd/4.0/
http://purl.org/coar/access_right/c_abf2
dc.format.extent.spa.fl_str_mv 189 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv University of Calgary Press
institution Universidad de Bogotá Jorge Tadeo Lozano
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spelling 2020-11-17T17:32:06Z2020-11-17T17:32:06Z2014978-1-55238-743-6https://www.jstor.org/stable/j.ctv6gqv5xhttp://hdl.handle.net/20.500.12010/15729https://doi.org/10.2307/j.ctv6gqv5xJohn Benjamin or J. B. (Jack) Taylor (1917–1970) was born and grew up in Charlottetown, Prince Edward Island. It is a historic city, with strong English roots, and the location of the conference that resulted in the birth of Canada. Its downtown core comprises the initial five hundred lots surveyed by Samuel Johannes Holland (1728–1801), a Royal Engineer and the first Surveyor General of British North America. Three rivers meet at its harbour, which opens into Northumberland Strait. While growing up in this typically picturesque place with some of the oldest buildings in English Canada, Taylor was exposed to the landscapes of the maritime region. Rocky coves and inlets, fishing hamlets and, in the interior, small farms are all on a comfortable human scale. Only, the sea, the limitless deep, embodied the grandeur of nature. This is the world that he learned to paint under the tutelage of his first teacher Mabel Gass and his mentor Frank Vincent DuMond at the Art Students League of New York. As Taylor travelled westward, like other Canadians and visitors, he was awed by the expanses of the three prairie “steps” rising from Manitoba, to Saskatchewan and, finally, Alberta. His wartime service in the Canadian Air Force enabled him to traverse the Great Plains by train and airplane. Taylor depicted what he saw as backdrops for some of his aircraft paintings used to train air crew in recognition during World War II, as well as panoramas and murals for messes and recreation rooms.189 páginasapplication/pdfengUniversity of Calgary PressPaintingArt, AbstractArte canadienseArte abstractoModernismo (Arte)From realism to abstraction : the art of J. B. TaylorAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Davies, Adriana A.THUMBNAILUofCPress_JBTaylor_2014.pdf.jpgUofCPress_JBTaylor_2014.pdf.jpgIM Thumbnailimage/jpeg15143https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15729/3/UofCPress_JBTaylor_2014.pdf.jpg1c013b9bc8ab794bf1e855b73c90a96eMD53open accessORIGINALUofCPress_JBTaylor_2014.pdfUofCPress_JBTaylor_2014.pdfVer libroapplication/pdf217811053https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15729/1/UofCPress_JBTaylor_2014.pdfcc6994163caf34e0584cbed81caa4517MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15729/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open access20.500.12010/15729oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/157292021-02-26 11:50:02.189open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.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