Conclusion: Same As it Ever Was?
Th is book has attempted to look at the framing and representation of suburbia by popular cultural texts including literary, onscreen and aural forms in order to draw some conclusions about suburbs from the multiplicity of depictions discussed. If suburbia has been the subject under the microscope t...
- Autores:
- Tipo de recurso:
- Part of book
- Fecha de publicación:
- 2013
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16046
- Acceso en línea:
- https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch8-conclusion
http://hdl.handle.net/20.500.12010/16046
http://dx.doi.org/10.5040/9781472544759.ch-008
- Palabra clave:
- Making Sense
Through Popular
Cultura popular
Suburbios
Vida suburbana
- Rights
- License
- Abierto (Texto Completo)
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dc.title.spa.fl_str_mv |
Conclusion: Same As it Ever Was? |
title |
Conclusion: Same As it Ever Was? |
spellingShingle |
Conclusion: Same As it Ever Was? Making Sense Through Popular Cultura popular Suburbios Vida suburbana |
title_short |
Conclusion: Same As it Ever Was? |
title_full |
Conclusion: Same As it Ever Was? |
title_fullStr |
Conclusion: Same As it Ever Was? |
title_full_unstemmed |
Conclusion: Same As it Ever Was? |
title_sort |
Conclusion: Same As it Ever Was? |
dc.subject.spa.fl_str_mv |
Making Sense Through Popular |
topic |
Making Sense Through Popular Cultura popular Suburbios Vida suburbana |
dc.subject.lemb.spa.fl_str_mv |
Cultura popular Suburbios Vida suburbana |
description |
Th is book has attempted to look at the framing and representation of suburbia by popular cultural texts including literary, onscreen and aural forms in order to draw some conclusions about suburbs from the multiplicity of depictions discussed. If suburbia has been the subject under the microscope then popular culture is the lens through which it has been viewed. Mass popular culture aft er all can be a catalyst for cultural incorporation and given that suburbia is a concept that eludes easy defi nition, its reproduction in popular culture has helped to shape the concept in the popular imagination. Uniting all of the phenomena discussed is an ostensible desire to entertain the masses. Th e book has attempted to come up to date from the imagery of the Gray Flannel Suit and Pooter. A fuller account than space allows for here would consider other cultural forms or broader structural factors of socio-political change in suburbia but for now it can be said that the popular cultures discussed need to be located in context (i) alongside other competing media and culture, for example news reporting which commands sometime separate and sometimes overlapping audiences and (ii) against the backdrop of wider societal trends. Some of the cultural forms dealt with have distinctive conventions of genre and common plot devices (e.g. the sitcom) whereas others less obviously have categorical logics to them (e.g. popular music which covers sonically diff erent styles, e.g. grime and Britpop). |
publishDate |
2013 |
dc.date.created.none.fl_str_mv |
2013 |
dc.date.accessioned.none.fl_str_mv |
2020-11-25T20:02:09Z |
dc.date.available.none.fl_str_mv |
2020-11-25T20:02:09Z |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_3248 |
format |
http://purl.org/coar/resource_type/c_3248 |
dc.identifier.isbn.none.fl_str_mv |
978-1780932231 |
dc.identifier.other.none.fl_str_mv |
https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch8-conclusion |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/16046 |
dc.identifier.doi.none.fl_str_mv |
http://dx.doi.org/10.5040/9781472544759.ch-008 10.5040/9781472544759.ch-008 |
identifier_str_mv |
978-1780932231 10.5040/9781472544759.ch-008 |
url |
https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch8-conclusion http://hdl.handle.net/20.500.12010/16046 http://dx.doi.org/10.5040/9781472544759.ch-008 |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.creativecommons.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc/4.0/legalcode |
rights_invalid_str_mv |
Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc/4.0/legalcode http://purl.org/coar/access_right/c_abf2 |
dc.format.extent.spa.fl_str_mv |
16 páginas |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Bloomsbury Academic, |
institution |
Universidad de Bogotá Jorge Tadeo Lozano |
bitstream.url.fl_str_mv |
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repository.name.fl_str_mv |
Repositorio Institucional - Universidad Jorge Tadeo Lozano |
repository.mail.fl_str_mv |
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_version_ |
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spelling |
2020-11-25T20:02:09Z2020-11-25T20:02:09Z2013978-1780932231https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch8-conclusionhttp://hdl.handle.net/20.500.12010/16046http://dx.doi.org/10.5040/9781472544759.ch-00810.5040/9781472544759.ch-008Th is book has attempted to look at the framing and representation of suburbia by popular cultural texts including literary, onscreen and aural forms in order to draw some conclusions about suburbs from the multiplicity of depictions discussed. If suburbia has been the subject under the microscope then popular culture is the lens through which it has been viewed. Mass popular culture aft er all can be a catalyst for cultural incorporation and given that suburbia is a concept that eludes easy defi nition, its reproduction in popular culture has helped to shape the concept in the popular imagination. Uniting all of the phenomena discussed is an ostensible desire to entertain the masses. Th e book has attempted to come up to date from the imagery of the Gray Flannel Suit and Pooter. A fuller account than space allows for here would consider other cultural forms or broader structural factors of socio-political change in suburbia but for now it can be said that the popular cultures discussed need to be located in context (i) alongside other competing media and culture, for example news reporting which commands sometime separate and sometimes overlapping audiences and (ii) against the backdrop of wider societal trends. Some of the cultural forms dealt with have distinctive conventions of genre and common plot devices (e.g. the sitcom) whereas others less obviously have categorical logics to them (e.g. popular music which covers sonically diff erent styles, e.g. grime and Britpop).16 páginasapplication/pdfengBloomsbury Academic,Making SenseThrough PopularCultura popularSuburbiosVida suburbanaConclusion: Same As it Ever Was?Abierto (Texto Completo)https://creativecommons.org/licenses/by-nc/4.0/legalcodehttp://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_3248Huq, RupaTHUMBNAIL9781472544759.ch-008.pdf.jpg9781472544759.ch-008.pdf.jpgIM Thumbnailimage/jpeg5751https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16046/3/9781472544759.ch-008.pdf.jpgb9a2b605dc3352bfb4c8a186bfe9c142MD53open accessORIGINAL9781472544759.ch-008.pdf9781472544759.ch-008.pdfVer libroapplication/pdf315369https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16046/1/9781472544759.ch-008.pdf1711cd1bb231add702ae746e98f7261fMD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16046/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open access20.500.12010/16046oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/160462021-02-25 16:32:58.007open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.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 |