Disability studies and spanish culture : films, novels, the comic and the public exhibition

In the introduction that launches his landmark 1997 reader on the subject, Lennard J. Davis notably frames Disability Studies as a political project, embracing an approach that envisions the field as at once ‘an academic field of inquiry and an area of political inquiry’ (‘Introduction’ 1). In my vi...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2013
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16092
Acceso en línea:
https://www.jstor.org/stable/j.ctt5vjhqm
http://hdl.handle.net/20.500.12010/16092
Palabra clave:
Disability Studies
Spanish Culture
Personas con discapacidades en el cine
Cine
Cultura
Rights
License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv Disability studies and spanish culture : films, novels, the comic and the public exhibition
title Disability studies and spanish culture : films, novels, the comic and the public exhibition
spellingShingle Disability studies and spanish culture : films, novels, the comic and the public exhibition
Disability Studies
Spanish Culture
Personas con discapacidades en el cine
Cine
Cultura
title_short Disability studies and spanish culture : films, novels, the comic and the public exhibition
title_full Disability studies and spanish culture : films, novels, the comic and the public exhibition
title_fullStr Disability studies and spanish culture : films, novels, the comic and the public exhibition
title_full_unstemmed Disability studies and spanish culture : films, novels, the comic and the public exhibition
title_sort Disability studies and spanish culture : films, novels, the comic and the public exhibition
dc.subject.spa.fl_str_mv Disability Studies
Spanish Culture
topic Disability Studies
Spanish Culture
Personas con discapacidades en el cine
Cine
Cultura
dc.subject.lemb.spa.fl_str_mv Personas con discapacidades en el cine
Cine
Cultura
description In the introduction that launches his landmark 1997 reader on the subject, Lennard J. Davis notably frames Disability Studies as a political project, embracing an approach that envisions the field as at once ‘an academic field of inquiry and an area of political inquiry’ (‘Introduction’ 1). In my view, this is yet another way of embracing the critical aim of cultural studies as described by one of the eclectic (and still forming) discipline’s founders, Raymond Williams. In 1986, Williams retrospectively summed up the premise of cultural studies as ‘the refusal to give priority to either the project or the formation—or, in older terms, the art or the society’ (152). In other words, the critic needs to grapple at once with the discourse of art (formal aspects, content, style, tone…) and also with the context in which a given work of art is produced (social, cultural, economic, political…)— while attempting to give equal weight to each. In this study, this means attending not merely to issues regarding the cultural representations of disability—which are, of course, already political—but also to research foregrounding the real-world circumstances in which disabled people find themselves as they strive to find love and engage in meaningful work. Rather than attempting an exhaustive treatment of the representation of disability in Spanish cultural products, this book is an attempt to bring a Disability Studies perspective to bear on selected Spanish materials as diverse as fiction films, documentaries, novels, and even the sequential art of the graphic novel/comic. While this book is undoubtedly a piece of humanities scholarship, it nonetheless establishes a selective dialogue with existing research on disability from a wide spectrum of approaches (philosophical, historical, social).
publishDate 2013
dc.date.created.none.fl_str_mv 2013
dc.date.accessioned.none.fl_str_mv 2020-11-26T20:47:31Z
dc.date.available.none.fl_str_mv 2020-11-26T20:47:31Z
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format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.none.fl_str_mv 978-1-84631-870-2
dc.identifier.other.none.fl_str_mv https://www.jstor.org/stable/j.ctt5vjhqm
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/16092
dc.identifier.doi.none.fl_str_mv 10.5949/liverpool/9781846318702.001.0001
identifier_str_mv 978-1-84631-870-2
10.5949/liverpool/9781846318702.001.0001
url https://www.jstor.org/stable/j.ctt5vjhqm
http://hdl.handle.net/20.500.12010/16092
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Abierto (Texto Completo)
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rights_invalid_str_mv Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
http://purl.org/coar/access_right/c_abf2
dc.format.extent.spa.fl_str_mv 225 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Liverpool University Press
institution Universidad de Bogotá Jorge Tadeo Lozano
bitstream.url.fl_str_mv https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16092/1/626357.pdf
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spelling 2020-11-26T20:47:31Z2020-11-26T20:47:31Z2013978-1-84631-870-2https://www.jstor.org/stable/j.ctt5vjhqmhttp://hdl.handle.net/20.500.12010/1609210.5949/liverpool/9781846318702.001.0001In the introduction that launches his landmark 1997 reader on the subject, Lennard J. Davis notably frames Disability Studies as a political project, embracing an approach that envisions the field as at once ‘an academic field of inquiry and an area of political inquiry’ (‘Introduction’ 1). In my view, this is yet another way of embracing the critical aim of cultural studies as described by one of the eclectic (and still forming) discipline’s founders, Raymond Williams. In 1986, Williams retrospectively summed up the premise of cultural studies as ‘the refusal to give priority to either the project or the formation—or, in older terms, the art or the society’ (152). In other words, the critic needs to grapple at once with the discourse of art (formal aspects, content, style, tone…) and also with the context in which a given work of art is produced (social, cultural, economic, political…)— while attempting to give equal weight to each. In this study, this means attending not merely to issues regarding the cultural representations of disability—which are, of course, already political—but also to research foregrounding the real-world circumstances in which disabled people find themselves as they strive to find love and engage in meaningful work. Rather than attempting an exhaustive treatment of the representation of disability in Spanish cultural products, this book is an attempt to bring a Disability Studies perspective to bear on selected Spanish materials as diverse as fiction films, documentaries, novels, and even the sequential art of the graphic novel/comic. While this book is undoubtedly a piece of humanities scholarship, it nonetheless establishes a selective dialogue with existing research on disability from a wide spectrum of approaches (philosophical, historical, social).225 páginasapplication/pdfengLiverpool University PressDisability StudiesSpanish CulturePersonas con discapacidades en el cineCineCulturaDisability studies and spanish culture : films, novels, the comic and the public exhibitionAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/legalcodehttp://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Fraser, BenjaminORIGINAL626357.pdf626357.pdfVer libroapplication/pdf12797611https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16092/1/626357.pdf6fc40024e37d7562210646b8bccbe4dcMD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16092/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAIL626357.pdf.jpg626357.pdf.jpgIM Thumbnailimage/jpeg17387https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16092/3/626357.pdf.jpgd90a3ddfdb7acc8c2ea3a4bcd24f2e1eMD53open access20.500.12010/16092oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/160922021-02-23 21:59:35.871open accessRepositorio Institucional - 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