Archetypes in architecture
ARCHETYPE, EXISTENTIAL EXPRESSION, AND SHARED EXPERIENCE Typically, first impressions of a building take the form of purely qualitative evaluations. Buildings and rooms are spontaneously characterized as 'inti- mate', 'monumental', 'dull', 'depressing', '...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 1987
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15701
- Acceso en línea:
- https://www.idunn.no/archetypes_in_architecture
http://hdl.handle.net/20.500.12010/15701
- Palabra clave:
- Architecture
Archetypes
Arquitectura
Arquitectura -- Historia
Arquitectura - Diseños y planos
- Rights
- License
- Abierto (Texto Completo)
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Archetypes in architecture |
| title |
Archetypes in architecture |
| spellingShingle |
Archetypes in architecture Architecture Archetypes Arquitectura Arquitectura -- Historia Arquitectura - Diseños y planos |
| title_short |
Archetypes in architecture |
| title_full |
Archetypes in architecture |
| title_fullStr |
Archetypes in architecture |
| title_full_unstemmed |
Archetypes in architecture |
| title_sort |
Archetypes in architecture |
| dc.subject.spa.fl_str_mv |
Architecture Archetypes |
| topic |
Architecture Archetypes Arquitectura Arquitectura -- Historia Arquitectura - Diseños y planos |
| dc.subject.lemb.spa.fl_str_mv |
Arquitectura Arquitectura -- Historia Arquitectura - Diseños y planos |
| description |
ARCHETYPE, EXISTENTIAL EXPRESSION, AND SHARED EXPERIENCE Typically, first impressions of a building take the form of purely qualitative evaluations. Buildings and rooms are spontaneously characterized as 'inti- mate', 'monumental', 'dull', 'depressing', 'spartan', etc. (Fig. 2). As a rule, it is difficult to describe one's reaction. The assertion is simply made that different buildings elicit different responses. One gets an immediate sense of the whole which 'overwhelms', 'establishes a mood', and which con- cerns the architectural expression or atmosphere. One need not be ac- quainted with the building's functions, their meaning, or the distribution of rooms in order to react. In this way, an overall impression of the spirit of the building, which need not correspond to the building's function, can be quickly apprehended. |
| publishDate |
1987 |
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1987 |
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2020-11-13T17:50:29Z |
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2020-11-13T17:50:29Z |
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http://purl.org/coar/resource_type/c_2f33 |
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http://purl.org/coar/resource_type/c_2f33 |
| dc.identifier.isbn.none.fl_str_mv |
82-0007700-4 |
| dc.identifier.other.none.fl_str_mv |
https://www.idunn.no/archetypes_in_architecture |
| dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/15701 |
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10.18261/9788215046419-2020 |
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82-0007700-4 10.18261/9788215046419-2020 |
| url |
https://www.idunn.no/archetypes_in_architecture http://hdl.handle.net/20.500.12010/15701 |
| dc.language.iso.spa.fl_str_mv |
eng |
| language |
eng |
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http://purl.org/coar/access_right/c_abf2 |
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Abierto (Texto Completo) |
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https://creativecommons.org/licenses/by/4.0/ |
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Abierto (Texto Completo) https://creativecommons.org/licenses/by/4.0/ http://purl.org/coar/access_right/c_abf2 |
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468 páginas |
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application/pdf |
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Universitetsforlaget |
| institution |
Universidad de Bogotá Jorge Tadeo Lozano |
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2020-11-13T17:50:29Z2020-11-13T17:50:29Z198782-0007700-4https://www.idunn.no/archetypes_in_architecturehttp://hdl.handle.net/20.500.12010/1570110.18261/9788215046419-2020ARCHETYPE, EXISTENTIAL EXPRESSION, AND SHARED EXPERIENCE Typically, first impressions of a building take the form of purely qualitative evaluations. Buildings and rooms are spontaneously characterized as 'inti- mate', 'monumental', 'dull', 'depressing', 'spartan', etc. (Fig. 2). As a rule, it is difficult to describe one's reaction. The assertion is simply made that different buildings elicit different responses. One gets an immediate sense of the whole which 'overwhelms', 'establishes a mood', and which con- cerns the architectural expression or atmosphere. One need not be ac- quainted with the building's functions, their meaning, or the distribution of rooms in order to react. In this way, an overall impression of the spirit of the building, which need not correspond to the building's function, can be quickly apprehended.468 páginasapplication/pdfengUniversitetsforlagetArchitectureArchetypesArquitecturaArquitectura -- HistoriaArquitectura - Diseños y planosArchetypes in architectureAbierto (Texto Completo)https://creativecommons.org/licenses/by/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Thiis-Evensen, ThomasORIGINALLibro.pdfLibro.pdfVer libroapplication/pdf102067359https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15701/1/Libro.pdf7b335fd8769d8861f4a9b781da038fd0MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15701/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAILLibro.pdf.jpgLibro.pdf.jpgIM Thumbnailimage/jpeg10477https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15701/3/Libro.pdf.jpg24b7c027965aca71cf84c31726832a4bMD53open access20.500.12010/15701oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/157012021-02-26 10:33:19.118open accessRepositorio Institucional - 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