Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986

Reel Time charts the growth of movie exhibition as a business venture and, by extension, documents the conditions of moviegoing as a social practice in the Canadian prairies, primarily during the heyday of the indoor, single-screen facility. We focus on selected entrepreneurs and on some of the more...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2013
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/14991
Acceso en línea:
http://hdl.handle.net/20.500.12010/14991
Palabra clave:
Motion pictures
Prairie Provinces
Cines -- Aspectos sociales
Cines -- Aspectos económicos
Rights
License
Abierto (Texto Completo)
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oai_identifier_str oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/14991
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dc.title.spa.fl_str_mv Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
title Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
spellingShingle Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
Motion pictures
Prairie Provinces
Cines -- Aspectos sociales
Cines -- Aspectos económicos
title_short Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
title_full Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
title_fullStr Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
title_full_unstemmed Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
title_sort Reel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986
dc.subject.spa.fl_str_mv Motion pictures
Prairie Provinces
topic Motion pictures
Prairie Provinces
Cines -- Aspectos sociales
Cines -- Aspectos económicos
dc.subject.lemb.spa.fl_str_mv Cines -- Aspectos sociales
Cines -- Aspectos económicos
description Reel Time charts the growth of movie exhibition as a business venture and, by extension, documents the conditions of moviegoing as a social practice in the Canadian prairies, primarily during the heyday of the indoor, single-screen facility. We focus on selected entrepreneurs and on some of the more important facilities they operated in the region’s major cities. We place movie exhibition and moviegoing in the context of spectator-oriented leisure-time pursuits, framing them with reference to the factors that determine the nature of the leisure-time activities that people in particular localities engage in.1 Operators of amusement venues played a key role in defining as well as controlling the leisuretime activities of working-class and middle-class people across North America, contributing significantly to the emergence of mass culture in the first half of the twentieth century. We tell the story of those entertainment entrepreneurs who established movie exhibition as a legitimate business in prairie Canada, responded to campaigns to reform the industry, designed safe and comfortable facilities, and founded the national movie theatre chains, namely, Allen Theatre Enterprises, Famous Players, and Odeon Theatres. Reel Time thus examines such topics as theatre design, programming strategies, seating arrangements, pricing policies, marketing schemes, and expansion, with a view to illuminating the centralizing and standardizing processes at work in the commercialization of public leisure-time activities in general and in moviegoing in particular.
publishDate 2013
dc.date.created.none.fl_str_mv 2013
dc.date.accessioned.none.fl_str_mv 2020-10-27T20:43:57Z
dc.date.available.none.fl_str_mv 2020-10-27T20:43:57Z
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/14991
url http://hdl.handle.net/20.500.12010/14991
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Abierto (Texto Completo)
rights_invalid_str_mv Abierto (Texto Completo)
http://purl.org/coar/access_right/c_abf2
dc.format.extent.spa.fl_str_mv 400 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv AU Press, Athabasca University
institution Universidad de Bogotá Jorge Tadeo Lozano
bitstream.url.fl_str_mv https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/14991/1/120213_99Z_Seiler_and_Seiler_2012-Reel_Time.pdf
https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/14991/2/license.txt
https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/14991/3/120213_99Z_Seiler_and_Seiler_2012-Reel_Time.pdf.jpg
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bitstream.checksumAlgorithm.fl_str_mv MD5
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repository.name.fl_str_mv Repositorio Institucional - Universidad Jorge Tadeo Lozano
repository.mail.fl_str_mv expeditio@utadeo.edu.co
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spelling 2020-10-27T20:43:57Z2020-10-27T20:43:57Z2013http://hdl.handle.net/20.500.12010/14991Reel Time charts the growth of movie exhibition as a business venture and, by extension, documents the conditions of moviegoing as a social practice in the Canadian prairies, primarily during the heyday of the indoor, single-screen facility. We focus on selected entrepreneurs and on some of the more important facilities they operated in the region’s major cities. We place movie exhibition and moviegoing in the context of spectator-oriented leisure-time pursuits, framing them with reference to the factors that determine the nature of the leisure-time activities that people in particular localities engage in.1 Operators of amusement venues played a key role in defining as well as controlling the leisuretime activities of working-class and middle-class people across North America, contributing significantly to the emergence of mass culture in the first half of the twentieth century. We tell the story of those entertainment entrepreneurs who established movie exhibition as a legitimate business in prairie Canada, responded to campaigns to reform the industry, designed safe and comfortable facilities, and founded the national movie theatre chains, namely, Allen Theatre Enterprises, Famous Players, and Odeon Theatres. Reel Time thus examines such topics as theatre design, programming strategies, seating arrangements, pricing policies, marketing schemes, and expansion, with a view to illuminating the centralizing and standardizing processes at work in the commercialization of public leisure-time activities in general and in moviegoing in particular.400 páginasapplication/pdfengAU Press, Athabasca UniversityMotion picturesPrairie ProvincesCines -- Aspectos socialesCines -- Aspectos económicosReel time : movie exhibitors and movie audiences in prairie Canada, 1896 to 1986Abierto (Texto Completo)http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Seiler, Robert M.Seiler, Tamara P.ORIGINAL120213_99Z_Seiler_and_Seiler_2012-Reel_Time.pdf120213_99Z_Seiler_and_Seiler_2012-Reel_Time.pdfVer libroapplication/pdf9382925https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/14991/1/120213_99Z_Seiler_and_Seiler_2012-Reel_Time.pdff14d07260724f2314eb029feb3e409c6MD51open accessLICENSElicense.txtlicense.txttext/plain; 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