Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city

The 20th century has seen much progression concerning women and their sta- tus within American society. Tired of being reduced to the sphere of the home where they were primarily valued as mothers and wives, women have, since the beginning of the new century, more and more entered the public sphere...

Full description

Autores:
Tipo de recurso:
Book
Fecha de publicación:
2018
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16077
Acceso en línea:
https://library.oapen.org/handle/20.500.12657/26011
http://hdl.handle.net/20.500.12010/16077
Palabra clave:
Images of Women
Female emancipation
Mujeres - Condiciones sociales
Feminismo
Feminismo en la literatura
Rights
License
Abierto (Texto Completo)
id UTADEO2_856392fcafa275611cb8760267e9b1d4
oai_identifier_str oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16077
network_acronym_str UTADEO2
network_name_str Expeditio: repositorio UTadeo
repository_id_str
dc.title.spa.fl_str_mv Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
title Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
spellingShingle Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
Images of Women
Female emancipation
Mujeres - Condiciones sociales
Feminismo
Feminismo en la literatura
title_short Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
title_full Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
title_fullStr Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
title_full_unstemmed Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
title_sort Images of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the city
dc.subject.spa.fl_str_mv Images of Women
Female emancipation
topic Images of Women
Female emancipation
Mujeres - Condiciones sociales
Feminismo
Feminismo en la literatura
dc.subject.lemb.spa.fl_str_mv Mujeres - Condiciones sociales
Feminismo
Feminismo en la literatura
description The 20th century has seen much progression concerning women and their sta- tus within American society. Tired of being reduced to the sphere of the home where they were primarily valued as mothers and wives, women have, since the beginning of the new century, more and more entered the public sphere and have fought for their right to be full citizens who should inherit all the rights men have ever since had. From today’s perspective, women have come a long way, but have they yet arrived? What has actually changed? Are to- day’s women really that different from women who lived about a hundred years ago, or are they still akin? What is truly new in the lives of women and what has remained the same? Besides, have things changed for the better or for the worse? In order to answer these questions, I will analyze the depiction of women in Edith Wharton’s The Age of Innocence (AI), Truman Capote’s Breakfast at Tiffany’s (BAT) and the TV series Sex and the City (SATC). The analysis also in- cludes the film version of BAT since movies in mid-20th-century America were extremely popular; they reached a broad audience and therefore had much influence on people. The movie version is, besides, of further interest because it alters not only the characteristics of the novella’s female protagonist, but al- so parts of the storyline, thus presenting a considerably different image of women only three years after the publication of the novella. Moreover, I chose a TV series as the third object of analysis due to today’s popularity and influ- ence of the medium and of the series itself.
publishDate 2018
dc.date.created.none.fl_str_mv 2018
dc.date.accessioned.none.fl_str_mv 2020-11-26T17:07:17Z
dc.date.available.none.fl_str_mv 2020-11-26T17:07:17Z
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.none.fl_str_mv 978-3-8288-3680-8
dc.identifier.other.none.fl_str_mv https://library.oapen.org/handle/20.500.12657/26011
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/16077
identifier_str_mv 978-3-8288-3680-8
url https://library.oapen.org/handle/20.500.12657/26011
http://hdl.handle.net/20.500.12010/16077
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Abierto (Texto Completo)
dc.rights.creativecommons.none.fl_str_mv https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
rights_invalid_str_mv Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
http://purl.org/coar/access_right/c_abf2
dc.format.extent.spa.fl_str_mv 120 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Tectum Verlag Marburg,
institution Universidad de Bogotá Jorge Tadeo Lozano
bitstream.url.fl_str_mv https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16077/1/1004074.pdf
https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16077/2/license.txt
https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16077/3/1004074.pdf.jpg
bitstream.checksum.fl_str_mv c8e8011d4fd47f194d8bf15a44f4d971
abceeb1c943c50d3343516f9dbfc110f
8a32cd591db152705291e60a5755a135
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
repository.name.fl_str_mv Repositorio Institucional - Universidad Jorge Tadeo Lozano
repository.mail.fl_str_mv expeditio@utadeo.edu.co
_version_ 1808495199673909248
spelling 2020-11-26T17:07:17Z2020-11-26T17:07:17Z2018978-3-8288-3680-8https://library.oapen.org/handle/20.500.12657/26011http://hdl.handle.net/20.500.12010/16077The 20th century has seen much progression concerning women and their sta- tus within American society. Tired of being reduced to the sphere of the home where they were primarily valued as mothers and wives, women have, since the beginning of the new century, more and more entered the public sphere and have fought for their right to be full citizens who should inherit all the rights men have ever since had. From today’s perspective, women have come a long way, but have they yet arrived? What has actually changed? Are to- day’s women really that different from women who lived about a hundred years ago, or are they still akin? What is truly new in the lives of women and what has remained the same? Besides, have things changed for the better or for the worse? In order to answer these questions, I will analyze the depiction of women in Edith Wharton’s The Age of Innocence (AI), Truman Capote’s Breakfast at Tiffany’s (BAT) and the TV series Sex and the City (SATC). The analysis also in- cludes the film version of BAT since movies in mid-20th-century America were extremely popular; they reached a broad audience and therefore had much influence on people. The movie version is, besides, of further interest because it alters not only the characteristics of the novella’s female protagonist, but al- so parts of the storyline, thus presenting a considerably different image of women only three years after the publication of the novella. Moreover, I chose a TV series as the third object of analysis due to today’s popularity and influ- ence of the medium and of the series itself.120 páginasapplication/pdfengTectum Verlag Marburg,Images of WomenFemale emancipationMujeres - Condiciones socialesFeminismoFeminismo en la literaturaImages of women in 20th-century american literature and culture : female emancipation and changing gender roles in the age of innocence, breakfast at tiffany's and sex and the cityAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/legalcodehttp://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Corda, JaninaORIGINAL1004074.pdf1004074.pdfVer libroapplication/pdf1443024https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16077/1/1004074.pdfc8e8011d4fd47f194d8bf15a44f4d971MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16077/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAIL1004074.pdf.jpg1004074.pdf.jpgIM Thumbnailimage/jpeg18207https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16077/3/1004074.pdf.jpg8a32cd591db152705291e60a5755a135MD53open access20.500.12010/16077oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/160772021-02-24 23:08:46.684open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.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