The sound of the suburbs: noise from out of nowhere?

From hip hop’s urban violence and anti-police messages to earlier examples, for example the Jam’s ‘In the City’ there has been an abiding pop fascination with urban imagery in pop and denigration of the suburb, as seen on the Sex Pistols’ track ‘Satellite’ in which Rotten snarls ‘I don’t like where...

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Autores:
Tipo de recurso:
Part of book
Fecha de publicación:
2013
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16051
Acceso en línea:
https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch3-the-sound-of-the-suburbs
http://hdl.handle.net/20.500.12010/16051
http://dx.doi.org/10.5040/9781472544759.ch-003
Palabra clave:
Th e Sound of the Suburbs
Out of Nowhere
Cultura popular
Suburbios
Vida suburbana
Rights
License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv The sound of the suburbs: noise from out of nowhere?
title The sound of the suburbs: noise from out of nowhere?
spellingShingle The sound of the suburbs: noise from out of nowhere?
Th e Sound of the Suburbs
Out of Nowhere
Cultura popular
Suburbios
Vida suburbana
title_short The sound of the suburbs: noise from out of nowhere?
title_full The sound of the suburbs: noise from out of nowhere?
title_fullStr The sound of the suburbs: noise from out of nowhere?
title_full_unstemmed The sound of the suburbs: noise from out of nowhere?
title_sort The sound of the suburbs: noise from out of nowhere?
dc.subject.spa.fl_str_mv Th e Sound of the Suburbs
Out of Nowhere
topic Th e Sound of the Suburbs
Out of Nowhere
Cultura popular
Suburbios
Vida suburbana
dc.subject.lemb.spa.fl_str_mv Cultura popular
Suburbios
Vida suburbana
description From hip hop’s urban violence and anti-police messages to earlier examples, for example the Jam’s ‘In the City’ there has been an abiding pop fascination with urban imagery in pop and denigration of the suburb, as seen on the Sex Pistols’ track ‘Satellite’ in which Rotten snarls ‘I don’t like where you come from/It’s just a satellite of London.’ Nonetheless there is a rich vein of pop documenting post-war suburbia on both sides of the Atlantic dating from 1960s beat combos, through 1970s punk via Th e Pet Shop Boys in the 1980s with their single ‘Suburbia’ and 1990s grunge up to the award-winning 2010 album by Canadian indie outfi t Arcade Fire Th e Suburbs . In tone these have oscillated between a commiseration of suburban drudgery and a celebration of the periphery and its possibilities. Pop has long had a centrality in post-war youth culture off ering escape routes to its practitioners and to its listeners, alternatives to their routine surroundings in the form of emotional escapism. Th e suburbs have not only been spaces where pop music is listened, to or consumed but it has also been the inspiration and locale in which much pop was created or produced. Pop’s practitioners frequently have been drawn from suburban locations which have provided much impetus to pop’s messages and meanings. It has both refl ected the suburban surroundings of its creators and provided a soundtrack for its suburban listeners whose lives were played out in box bedrooms at the edges of cities. Th e signifi cance of place and its relationship to popular music at large is a growing area of academic enquiry. Socio-spatial interest in pop soundtracks appears to have intensifi ed in an era of increased globalization within the music industry: perhaps because of the inescapable pull of such tendencies. Studies concentrating on the signifi cance of the ‘local’ usually in music-making have included those of Bennett ( 2000 ), Finnegan ( 1989 ) and Forn ä s and Lindberg ( 1995 ) but each concentrated on their own locales rather looking at the broader category of suburbia. Th is chapter attempts to address this imbalance by looking at the fi eld of suburban pop and how music has refl ected multiple suburbias and how in tone it has shift ed from optimism to ennui.
publishDate 2013
dc.date.created.none.fl_str_mv 2013
dc.date.accessioned.none.fl_str_mv 2020-11-25T20:33:56Z
dc.date.available.none.fl_str_mv 2020-11-25T20:33:56Z
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dc.identifier.isbn.none.fl_str_mv 978-17-809-3223-1
dc.identifier.other.none.fl_str_mv https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch3-the-sound-of-the-suburbs
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/16051
dc.identifier.doi.none.fl_str_mv http://dx.doi.org/10.5040/9781472544759.ch-003
identifier_str_mv 978-17-809-3223-1
url https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch3-the-sound-of-the-suburbs
http://hdl.handle.net/20.500.12010/16051
http://dx.doi.org/10.5040/9781472544759.ch-003
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
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rights_invalid_str_mv Abierto (Texto Completo)
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dc.format.extent.spa.fl_str_mv 29 páginas
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dc.publisher.spa.fl_str_mv Bloomsbury Academic
institution Universidad de Bogotá Jorge Tadeo Lozano
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spelling 2020-11-25T20:33:56Z2020-11-25T20:33:56Z2013978-17-809-3223-1https://www.bloomsburycollections.com/book/making-sense-of-suburbia-through-popular-culture/ch3-the-sound-of-the-suburbshttp://hdl.handle.net/20.500.12010/16051http://dx.doi.org/10.5040/9781472544759.ch-003From hip hop’s urban violence and anti-police messages to earlier examples, for example the Jam’s ‘In the City’ there has been an abiding pop fascination with urban imagery in pop and denigration of the suburb, as seen on the Sex Pistols’ track ‘Satellite’ in which Rotten snarls ‘I don’t like where you come from/It’s just a satellite of London.’ Nonetheless there is a rich vein of pop documenting post-war suburbia on both sides of the Atlantic dating from 1960s beat combos, through 1970s punk via Th e Pet Shop Boys in the 1980s with their single ‘Suburbia’ and 1990s grunge up to the award-winning 2010 album by Canadian indie outfi t Arcade Fire Th e Suburbs . In tone these have oscillated between a commiseration of suburban drudgery and a celebration of the periphery and its possibilities. Pop has long had a centrality in post-war youth culture off ering escape routes to its practitioners and to its listeners, alternatives to their routine surroundings in the form of emotional escapism. Th e suburbs have not only been spaces where pop music is listened, to or consumed but it has also been the inspiration and locale in which much pop was created or produced. Pop’s practitioners frequently have been drawn from suburban locations which have provided much impetus to pop’s messages and meanings. It has both refl ected the suburban surroundings of its creators and provided a soundtrack for its suburban listeners whose lives were played out in box bedrooms at the edges of cities. Th e signifi cance of place and its relationship to popular music at large is a growing area of academic enquiry. Socio-spatial interest in pop soundtracks appears to have intensifi ed in an era of increased globalization within the music industry: perhaps because of the inescapable pull of such tendencies. Studies concentrating on the signifi cance of the ‘local’ usually in music-making have included those of Bennett ( 2000 ), Finnegan ( 1989 ) and Forn ä s and Lindberg ( 1995 ) but each concentrated on their own locales rather looking at the broader category of suburbia. Th is chapter attempts to address this imbalance by looking at the fi eld of suburban pop and how music has refl ected multiple suburbias and how in tone it has shift ed from optimism to ennui.29 páginasapplication/pdfengBloomsbury AcademicTh e Sound of the SuburbsOut of NowhereCultura popularSuburbiosVida suburbanaThe sound of the suburbs: noise from out of nowhere?Abierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_3248Huq, RupaORIGINAL9781472544759.ch-003.pdf9781472544759.ch-003.pdfVer capítuloapplication/pdf475410https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16051/1/9781472544759.ch-003.pdf1f639a570f0c32032d5323316767fb58MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16051/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAIL9781472544759.ch-003.pdf.jpg9781472544759.ch-003.pdf.jpgIM Thumbnailimage/jpeg5751https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16051/3/9781472544759.ch-003.pdf.jpg7d9b31cdf747fd0edaeca06f37f23bb7MD53open access20.500.12010/16051oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/160512021-02-24 21:47:57.165open accessRepositorio Institucional - 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