Creativity and science in contemporary argentine literature : between romanticism and formalism
In British and North American literature since the 1960s, models and the- ories from mathematics and science – incompleteness, uncertainty, entropy, chaos, and complexity – have most often been put to use in forging apoca- lyptic visions of social and cultural decay or of an incomprehensible univers...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 2014
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16022
- Acceso en línea:
- https://www.jstor.org/stable/j.ctv6cfqzs
http://hdl.handle.net/20.500.12010/16022
https://doi.org/10.2307/j.ctv6cfqzs
- Palabra clave:
- Argentine literature
Piglia, Ricardo
Romanticism
Literatura Argentina -- Historia y crítica
Ciencia en la literatura
Formalismo (Arte)
- Rights
- License
- Abierto (Texto Completo)
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oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/16022 |
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dc.title.spa.fl_str_mv |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
title |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
spellingShingle |
Creativity and science in contemporary argentine literature : between romanticism and formalism Argentine literature Piglia, Ricardo Romanticism Literatura Argentina -- Historia y crítica Ciencia en la literatura Formalismo (Arte) |
title_short |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
title_full |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
title_fullStr |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
title_full_unstemmed |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
title_sort |
Creativity and science in contemporary argentine literature : between romanticism and formalism |
dc.subject.spa.fl_str_mv |
Argentine literature Piglia, Ricardo Romanticism |
topic |
Argentine literature Piglia, Ricardo Romanticism Literatura Argentina -- Historia y crítica Ciencia en la literatura Formalismo (Arte) |
dc.subject.lemb.spa.fl_str_mv |
Literatura Argentina -- Historia y crítica Ciencia en la literatura Formalismo (Arte) |
description |
In British and North American literature since the 1960s, models and the- ories from mathematics and science – incompleteness, uncertainty, entropy, chaos, and complexity – have most often been put to use in forging apoca- lyptic visions of social and cultural decay or of an incomprehensible universe that lies beyond the limits of our science. These theories seem to speak to a postmodern skepticism concerning any genuine advance in knowledge and, at the same time, any possibility of artistic regeneration. They have lent force to the postmodern sense of an ending, or impasse, bringing to a halt the drive of modernist progress towards greater knowledge, freedom, and creativity. This is the vision assembled in the fiction of Thomas Pynchon and J. G. Ballard, for example, in which the uncertainty principle renders futile all human efforts to understand the unhomely universe in which we are trapped, and the thermodynamic process of entropy seems to command an inexorable decline in every area of psychological, social, and cultural experience. |
publishDate |
2014 |
dc.date.created.none.fl_str_mv |
2014 |
dc.date.accessioned.none.fl_str_mv |
2020-11-25T14:54:43Z |
dc.date.available.none.fl_str_mv |
2020-11-25T14:54:43Z |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2f33 |
format |
http://purl.org/coar/resource_type/c_2f33 |
dc.identifier.isbn.none.fl_str_mv |
978-1-55238-770-2 |
dc.identifier.other.none.fl_str_mv |
https://www.jstor.org/stable/j.ctv6cfqzs |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/16022 |
dc.identifier.doi.none.fl_str_mv |
https://doi.org/10.2307/j.ctv6cfqzs |
identifier_str_mv |
978-1-55238-770-2 |
url |
https://www.jstor.org/stable/j.ctv6cfqzs http://hdl.handle.net/20.500.12010/16022 https://doi.org/10.2307/j.ctv6cfqzs |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.creativecommons.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc-nd/4.0/ |
rights_invalid_str_mv |
Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf2 |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
University of Calgary Press |
institution |
Universidad de Bogotá Jorge Tadeo Lozano |
bitstream.url.fl_str_mv |
https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16022/1/UofCPress_CreativityScience_2014.pdf https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16022/2/license.txt https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16022/3/UofCPress_CreativityScience_2014.pdf.jpg |
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bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositorio Institucional - Universidad Jorge Tadeo Lozano |
repository.mail.fl_str_mv |
expeditio@utadeo.edu.co |
_version_ |
1814213695602950144 |
spelling |
2020-11-25T14:54:43Z2020-11-25T14:54:43Z2014978-1-55238-770-2https://www.jstor.org/stable/j.ctv6cfqzshttp://hdl.handle.net/20.500.12010/16022https://doi.org/10.2307/j.ctv6cfqzsIn British and North American literature since the 1960s, models and the- ories from mathematics and science – incompleteness, uncertainty, entropy, chaos, and complexity – have most often been put to use in forging apoca- lyptic visions of social and cultural decay or of an incomprehensible universe that lies beyond the limits of our science. These theories seem to speak to a postmodern skepticism concerning any genuine advance in knowledge and, at the same time, any possibility of artistic regeneration. They have lent force to the postmodern sense of an ending, or impasse, bringing to a halt the drive of modernist progress towards greater knowledge, freedom, and creativity. This is the vision assembled in the fiction of Thomas Pynchon and J. G. Ballard, for example, in which the uncertainty principle renders futile all human efforts to understand the unhomely universe in which we are trapped, and the thermodynamic process of entropy seems to command an inexorable decline in every area of psychological, social, and cultural experience.application/pdfengUniversity of Calgary PressArgentine literaturePiglia, RicardoRomanticismLiteratura Argentina -- Historia y críticaCiencia en la literaturaFormalismo (Arte)Creativity and science in contemporary argentine literature : between romanticism and formalismAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Page, JoannaORIGINALUofCPress_CreativityScience_2014.pdfUofCPress_CreativityScience_2014.pdfVer libroapplication/pdf7515498https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16022/1/UofCPress_CreativityScience_2014.pdfac672101a0ee95f0d71696275796c745MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16022/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAILUofCPress_CreativityScience_2014.pdf.jpgUofCPress_CreativityScience_2014.pdf.jpgIM Thumbnailimage/jpeg16507https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/16022/3/UofCPress_CreativityScience_2014.pdf.jpgac564c5a7ee4b4ae12a5e4056f231132MD53open access20.500.12010/16022oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/160222021-02-25 17:36:02.211open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.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 |