Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
Contemporary Berlin, a city scarred by the twentieth century, displays its past on almost every street corner, it would seem. The upheavals it has experienced have not just been political, but have also been accompanied by a series of radical physical transformations in the built environment. A larg...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 2016
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15738
- Palabra clave:
- Urban memory
Visual culture
Berlin
Urbanismo
Cultura urbana
Cultura visual
- Rights
- License
- Abierto (Texto Completo)
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dc.title.spa.fl_str_mv |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
title |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
spellingShingle |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 Urban memory Visual culture Berlin Urbanismo Cultura urbana Cultura visual |
title_short |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
title_full |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
title_fullStr |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
title_full_unstemmed |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
title_sort |
Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 |
dc.subject.spa.fl_str_mv |
Urban memory Visual culture Berlin |
topic |
Urban memory Visual culture Berlin Urbanismo Cultura urbana Cultura visual |
dc.subject.lemb.spa.fl_str_mv |
Urbanismo Cultura urbana Cultura visual |
description |
Contemporary Berlin, a city scarred by the twentieth century, displays its past on almost every street corner, it would seem. The upheavals it has experienced have not just been political, but have also been accompanied by a series of radical physical transformations in the built environment. A large body of literature has been produced on the sophisticated memory work that has been undertaken in Germany, and Berlin in particular. One of those authors, Aleida Assmann, asserts that German places of memory cannot be adequately understood through Pierre Nora’s model of lieux de mémoire, in which modernity’s process of accelerated renewal and obsolescence generates, in a compensatory reaction, the proliferation of museums and sites of memory. Assmann ascribes this to the fact that the traumatic sites are the locations of acts of atrocity that surpass human understanding.1 Contemporary Berlin’s memory landscape has been read almost exclusively through its expression of Germany’s troubled national past, be it National Socialism or the German Democratic Republic. This book is not primarily concerned with the narrative elaborations of identity that take place around sites of National Socialist atrocity in Berlin. That work has been done, by amongst others, Brian Ladd and Rudy Koshar, as well as Andrew Webber, who takes a psycho-topographical approach to the city in Berlin. City of the Twentieth Century, Karen Till, who focuses on the politics of contemporary place-making in The New Berlin, Jennifer Jordan, who investigates processes of place-making in Structures of Memory in relation to the demands of ‘real estate’, and Janet Ward, who devotes a section to Holocaust memorial architecture in her study of Post-Wall Berlin. The validity of this earlier work is assured. This engagement with the material past has in earlier work generally been framed in terms of ‘remembering well’. 2 What might it mean to remember well, beyond the frame of national trauma? |
publishDate |
2016 |
dc.date.created.none.fl_str_mv |
2016 |
dc.date.accessioned.none.fl_str_mv |
2020-11-17T20:51:02Z |
dc.date.available.none.fl_str_mv |
2020-11-17T20:51:02Z |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2f33 |
format |
http://purl.org/coar/resource_type/c_2f33 |
dc.identifier.isbn.none.fl_str_mv |
978 90 4852 704 5 |
dc.identifier.other.none.fl_str_mv |
https://www.jstor.org/stable/j.ctv8pzdcv |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/15738 |
dc.identifier.doi.none.fl_str_mv |
10.5117/9789089648532 |
identifier_str_mv |
978 90 4852 704 5 10.5117/9789089648532 |
url |
https://www.jstor.org/stable/j.ctv8pzdcv http://hdl.handle.net/20.500.12010/15738 |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.creativecommons.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
rights_invalid_str_mv |
Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode http://purl.org/coar/access_right/c_abf2 |
dc.format.extent.spa.fl_str_mv |
213 páginas |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Amsterdam University Press |
institution |
Universidad de Bogotá Jorge Tadeo Lozano |
bitstream.url.fl_str_mv |
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bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositorio Institucional - Universidad Jorge Tadeo Lozano |
repository.mail.fl_str_mv |
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2020-11-17T20:51:02Z2020-11-17T20:51:02Z2016978 90 4852 704 5https://www.jstor.org/stable/j.ctv8pzdcvhttp://hdl.handle.net/20.500.12010/1573810.5117/9789089648532Contemporary Berlin, a city scarred by the twentieth century, displays its past on almost every street corner, it would seem. The upheavals it has experienced have not just been political, but have also been accompanied by a series of radical physical transformations in the built environment. A large body of literature has been produced on the sophisticated memory work that has been undertaken in Germany, and Berlin in particular. One of those authors, Aleida Assmann, asserts that German places of memory cannot be adequately understood through Pierre Nora’s model of lieux de mémoire, in which modernity’s process of accelerated renewal and obsolescence generates, in a compensatory reaction, the proliferation of museums and sites of memory. Assmann ascribes this to the fact that the traumatic sites are the locations of acts of atrocity that surpass human understanding.1 Contemporary Berlin’s memory landscape has been read almost exclusively through its expression of Germany’s troubled national past, be it National Socialism or the German Democratic Republic. This book is not primarily concerned with the narrative elaborations of identity that take place around sites of National Socialist atrocity in Berlin. That work has been done, by amongst others, Brian Ladd and Rudy Koshar, as well as Andrew Webber, who takes a psycho-topographical approach to the city in Berlin. City of the Twentieth Century, Karen Till, who focuses on the politics of contemporary place-making in The New Berlin, Jennifer Jordan, who investigates processes of place-making in Structures of Memory in relation to the demands of ‘real estate’, and Janet Ward, who devotes a section to Holocaust memorial architecture in her study of Post-Wall Berlin. The validity of this earlier work is assured. This engagement with the material past has in earlier work generally been framed in terms of ‘remembering well’. 2 What might it mean to remember well, beyond the frame of national trauma?213 páginasapplication/pdfengAmsterdam University PressUrban memoryVisual cultureBerlinUrbanismoCultura urbanaCultura visualUrban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012Abierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/legalcodehttp://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Lindner, ChristophWard, SimonORIGINAL1004105.pdf1004105.pdfVer libroapplication/pdf1938833https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15738/1/1004105.pdfbf5b646a869489d5033087e8a1b4df08MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15738/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAIL1004105.pdf.jpg1004105.pdf.jpgIM Thumbnailimage/jpeg11493https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15738/3/1004105.pdf.jpg33093c56ef4b1fb658146d02c61e18bdMD53open access20.500.12010/15738oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/157382021-02-25 22:11:14.343open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.coQXV0b3Jpem8gYWwgU2lzdGVtYSBkZSBCaWJsaW90ZWNhcyBVbml2ZXJzaWRhZCBkZSBCb2dvdMOhIEpvcmdlIFRhZGVvIExvemFubyBwYXJhIHF1ZSBjb24gZmluZXMgYWNhZMOpbWljb3MsIHByZXNlcnZlLCBjb25zZXJ2ZSwgb3JnYW5pY2UsIGVkaXRlIHkgbW9kaWZpcXVlIHRlY25vbMOzZ2ljYW1lbnRlIGVsIGRvY3VtZW50byBhbnRlcmlvcm1lbnRlIGNhcmdhZG8gYWwgUmVwb3NpdG9yaW8gSW5zdGl0dWNpb25hbCBFeHBlZGl0aW8KCkV4Y2VwdHVhbmRvIHF1ZSBlbCBkb2N1bWVudG8gc2VhIGNvbmZpZGVuY2lhbCwgYXV0b3Jpem8gYSB1c3VhcmlvcyBpbnRlcm5vcyB5IGV4dGVybm9zIGRlIGxhIEluc3RpdHVjacOzbiBhIGNvbnN1bHRhciB5IHJlcHJvZHVjaXIgZWwgY29udGVuaWRvIGRlbCBkb2N1bWVudG8gcGFyYSBmaW5lcyBhY2Fkw6ltaWNvcyBudW5jYSBwYXJhIHVzb3MgY29tZXJjaWFsZXMsIGN1YW5kbyBtZWRpYW50ZSBsYSBjb3JyZXNwb25kaWVudGUgY2l0YSBiaWJsaW9ncsOhZmljYSBzZSBsZSBkZSBjcsOpZGl0byBhIGxhIG9icmEgeSBzdShzKSBhdXRvcihzKS4KCkV4Y2VwdHVhbmRvIHF1ZSBlbCBkb2N1bWVudG8gc2VhIGNvbmZpZGVuY2lhbCwgYXV0b3Jpem8gYXBsaWNhciBsYSBsaWNlbmNpYSBkZWwgZXN0w6FuZGFyIGludGVybmFjaW9uYWwgQ3JlYXRpdmUgQ29tbW9ucyAoQXR0cmlidXRpb24tTm9uQ29tbWVyY2lhbC1Ob0Rlcml2YXRpdmVzIDQuMCBJbnRlcm5hdGlvbmFsKSBxdWUgaW5kaWNhIHF1ZSBjdWFscXVpZXIgcGVyc29uYSBwdWVkZSB1c2FyIGxhIG9icmEgZGFuZG8gY3LDqWRpdG8gYWwgYXV0b3IsIHNpbiBwb2RlciBjb21lcmNpYXIgY29uIGxhIG9icmEgeSBzaW4gZ2VuZXJhciBvYnJhcyBkZXJpdmFkYXMuCgpFbCAobG9zKSBhdXRvcihlcykgY2VydGlmaWNhKG4pIHF1ZSBlbCBkb2N1bWVudG8gbm8gaW5mcmluZ2UgbmkgYXRlbnRhIGNvbnRyYSBkZXJlY2hvcyBpbmR1c3RyaWFsZXMsIHBhdHJpbW9uaWFsZXMsIGludGVsZWN0dWFsZXMsIG1vcmFsZXMgbyBjdWFscXVpZXIgb3RybyBkZSB0ZXJjZXJvcywgYXPDrSBtaXNtbyBkZWNsYXJhbiBxdWUgbGEgVW5pdmVyc2lkYWQgSm9yZ2UgVGFkZW8gTG96YW5vIHNlIGVuY3VlbnRyYSBsaWJyZSBkZSB0b2RhIHJlc3BvbnNhYmlsaWRhZCBjaXZpbCwgYWRtaW5pc3RyYXRpdmEgeS9vIHBlbmFsIHF1ZSBwdWVkYSBkZXJpdmFyc2UgZGUgbGEgcHVibGljYWNpw7NuIGRlbCB0cmFiYWpvIGRlIGdyYWRvIHkvbyB0ZXNpcyBlbiBjYWxpZGFkIGRlIGFjY2VzbyBhYmllcnRvIHBvciBjdWFscXVpZXIgbWVkaW8uCgpFbiBjdW1wbGltaWVudG8gY29uIGxvIGRpc3B1ZXN0byBlbiBsYSBMZXkgMTU4MSBkZSAyMDEyIHkgZXNwZWNpYWxtZW50ZSBlbiB2aXJ0dWQgZGUgbG8gZGlzcHVlc3RvIGVuIGVsIEFydMOtY3VsbyAxMCBkZWwgRGVjcmV0byAxMzc3IGRlIDIwMTMsIGF1dG9yaXpvIGEgbGEgVW5pdmVyc2lkYWQgSm9yZ2UgVGFkZW8gTG96YW5vIGEgcHJvY2VkZXIgY29uIGVsIHRyYXRhbWllbnRvIGRlIGxvcyBkYXRvcyBwZXJzb25hbGVzIHBhcmEgZmluZXMgYWNhZMOpbWljb3MsIGhpc3TDs3JpY29zLCBlc3RhZMOtc3RpY29zIHkgYWRtaW5pc3RyYXRpdm9zIGRlIGxhIEluc3RpdHVjacOzbi4gRGUgY29uZm9ybWlkYWQgY29uIGxvIGVzdGFibGVjaWRvIGVuIGVsIGFydMOtY3VsbyAzMCBkZSBsYSBMZXkgMjMgZGUgMTk4MiB5IGVsIGFydMOtY3VsbyAxMSBkZSBsYSBEZWNpc2nDs24gQW5kaW5hIDM1MSBkZSAxOTkzLCBhY2xhcmFtb3MgcXVlIOKAnExvcyBkZXJlY2hvcyBtb3JhbGVzIHNvYnJlIGVsIHRyYWJham8gc29uIHByb3BpZWRhZCBkZSBsb3MgYXV0b3Jlc+KAnSwgbG9zIGN1YWxlcyBzb24gaXJyZW51bmNpYWJsZXMsIGltcHJlc2NyaXB0aWJsZXMsIGluZW1iYXJnYWJsZXMgZSBpbmFsaWVuYWJsZXMuCgpDb24gZWwgcmVnaXN0cm8gZW4gbGEgcMOhZ2luYSwgYXV0b3Jpem8gZGUgbWFuZXJhIGV4cHJlc2EgYSBsYSBGVU5EQUNJw5NOIFVOSVZFUlNJREFEIERFIEJPR09Uw4EgSk9SR0UgVEFERU8gTE9aQU5PLCBlbCB0cmF0YW1pZW50byBkZSBtaXMgZGF0b3MgcGVyc29uYWxlcyBwYXJhIHByb2Nlc2FyIG8gY29uc2VydmFyLCBjb24gZmluZXMgZXN0YWTDrXN0aWNvcywgZGUgY29udHJvbCBvIHN1cGVydmlzacOzbiwgYXPDrSBjb21vIHBhcmEgZWwgZW52w61vIGRlIGluZm9ybWFjacOzbiB2w61hIGNvcnJlbyBlbGVjdHLDs25pY28sIGRlbnRybyBkZWwgbWFyY28gZXN0YWJsZWNpZG8gcG9yIGxhIExleSAxNTgxIGRlIDIwMTIgeSBzdXMgZGVjcmV0b3MgY29tcGxlbWVudGFyaW9zIHNvYnJlIFRyYXRhbWllbnRvIGRlIERhdG9zIFBlcnNvbmFsZXMuIEVuIGN1YWxxdWllciBjYXNvLCBlbnRpZW5kbyBxdWUgcG9kcsOpIGhhY2VyIHVzbyBkZWwgZGVyZWNobyBhIGNvbm9jZXIsIGFjdHVhbGl6YXIsIHJlY3RpZmljYXIgbyBzdXByaW1pciBsb3MgZGF0b3MgcGVyc29uYWxlcyBtZWRpYW50ZSBlbCBlbnbDrW8gZGUgdW5hIGNvbXVuaWNhY2nDs24gZXNjcml0YSBhbCBjb3JyZW8gZWxlY3Ryw7NuaWNvIHByb3RlY2Npb25kYXRvc0B1dGFkZW8uZWR1LmNvLgoKTGEgRlVOREFDScOTTiBVTklWRVJTSURBRCBERSBCT0dPVMOBIEpPUkdFIFRBREVPIExPWkFOTyBubyB1dGlsaXphcsOhIGxvcyBkYXRvcyBwZXJzb25hbGVzIHBhcmEgZmluZXMgZGlmZXJlbnRlcyBhIGxvcyBhbnVuY2lhZG9zIHkgZGFyw6EgdW4gdXNvIGFkZWN1YWRvIHkgcmVzcG9uc2FibGUgYSBzdXMgZGF0b3MgcGVyc29uYWxlcyBkZSBhY3VlcmRvIGNvbiBsYSBkaXJlY3RyaXogZGUgUHJvdGVjY2nDs24gZGUgRGF0b3MgUGVyc29uYWxlcyBxdWUgcG9kcsOhIGNvbnN1bHRhciBlbjogaHR0cDovL3d3dy51dGFkZW8uZWR1LmNvL2VzL2xpbmsvZGVzY3VicmUtbGEtdW5pdmVyc2lkYWQvMi9kb2N1bWVudG9zCg== |