Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012

Contemporary Berlin, a city scarred by the twentieth century, displays its past on almost every street corner, it would seem. The upheavals it has experienced have not just been political, but have also been accompanied by a series of radical physical transformations in the built environment. A larg...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2016
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15738
Acceso en línea:
https://www.jstor.org/stable/j.ctv8pzdcv
http://hdl.handle.net/20.500.12010/15738
Palabra clave:
Urban memory
Visual culture
Berlin
Urbanismo
Cultura urbana
Cultura visual
Rights
License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
title Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
spellingShingle Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
Urban memory
Visual culture
Berlin
Urbanismo
Cultura urbana
Cultura visual
title_short Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
title_full Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
title_fullStr Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
title_full_unstemmed Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
title_sort Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012
dc.subject.spa.fl_str_mv Urban memory
Visual culture
Berlin
topic Urban memory
Visual culture
Berlin
Urbanismo
Cultura urbana
Cultura visual
dc.subject.lemb.spa.fl_str_mv Urbanismo
Cultura urbana
Cultura visual
description Contemporary Berlin, a city scarred by the twentieth century, displays its past on almost every street corner, it would seem. The upheavals it has experienced have not just been political, but have also been accompanied by a series of radical physical transformations in the built environment. A large body of literature has been produced on the sophisticated memory work that has been undertaken in Germany, and Berlin in particular. One of those authors, Aleida Assmann, asserts that German places of memory cannot be adequately understood through Pierre Nora’s model of lieux de mémoire, in which modernity’s process of accelerated renewal and obsolescence generates, in a compensatory reaction, the proliferation of museums and sites of memory. Assmann ascribes this to the fact that the traumatic sites are the locations of acts of atrocity that surpass human understanding.1 Contemporary Berlin’s memory landscape has been read almost exclusively through its expression of Germany’s troubled national past, be it National Socialism or the German Democratic Republic. This book is not primarily concerned with the narrative elaborations of identity that take place around sites of National Socialist atrocity in Berlin. That work has been done, by amongst others, Brian Ladd and Rudy Koshar, as well as Andrew Webber, who takes a psycho-topographical approach to the city in Berlin. City of the Twentieth Century, Karen Till, who focuses on the politics of contemporary place-making in The New Berlin, Jennifer Jordan, who investigates processes of place-making in Structures of Memory in relation to the demands of ‘real estate’, and Janet Ward, who devotes a section to Holocaust memorial architecture in her study of Post-Wall Berlin. The validity of this earlier work is assured. This engagement with the material past has in earlier work generally been framed in terms of ‘remembering well’. 2 What might it mean to remember well, beyond the frame of national trauma?
publishDate 2016
dc.date.created.none.fl_str_mv 2016
dc.date.accessioned.none.fl_str_mv 2020-11-17T20:51:02Z
dc.date.available.none.fl_str_mv 2020-11-17T20:51:02Z
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dc.identifier.isbn.none.fl_str_mv 978 90 4852 704 5
dc.identifier.other.none.fl_str_mv https://www.jstor.org/stable/j.ctv8pzdcv
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/15738
dc.identifier.doi.none.fl_str_mv 10.5117/9789089648532
identifier_str_mv 978 90 4852 704 5
10.5117/9789089648532
url https://www.jstor.org/stable/j.ctv8pzdcv
http://hdl.handle.net/20.500.12010/15738
dc.language.iso.spa.fl_str_mv eng
language eng
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rights_invalid_str_mv Abierto (Texto Completo)
https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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dc.format.extent.spa.fl_str_mv 213 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Amsterdam University Press
institution Universidad de Bogotá Jorge Tadeo Lozano
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spelling 2020-11-17T20:51:02Z2020-11-17T20:51:02Z2016978 90 4852 704 5https://www.jstor.org/stable/j.ctv8pzdcvhttp://hdl.handle.net/20.500.12010/1573810.5117/9789089648532Contemporary Berlin, a city scarred by the twentieth century, displays its past on almost every street corner, it would seem. The upheavals it has experienced have not just been political, but have also been accompanied by a series of radical physical transformations in the built environment. A large body of literature has been produced on the sophisticated memory work that has been undertaken in Germany, and Berlin in particular. One of those authors, Aleida Assmann, asserts that German places of memory cannot be adequately understood through Pierre Nora’s model of lieux de mémoire, in which modernity’s process of accelerated renewal and obsolescence generates, in a compensatory reaction, the proliferation of museums and sites of memory. Assmann ascribes this to the fact that the traumatic sites are the locations of acts of atrocity that surpass human understanding.1 Contemporary Berlin’s memory landscape has been read almost exclusively through its expression of Germany’s troubled national past, be it National Socialism or the German Democratic Republic. This book is not primarily concerned with the narrative elaborations of identity that take place around sites of National Socialist atrocity in Berlin. That work has been done, by amongst others, Brian Ladd and Rudy Koshar, as well as Andrew Webber, who takes a psycho-topographical approach to the city in Berlin. City of the Twentieth Century, Karen Till, who focuses on the politics of contemporary place-making in The New Berlin, Jennifer Jordan, who investigates processes of place-making in Structures of Memory in relation to the demands of ‘real estate’, and Janet Ward, who devotes a section to Holocaust memorial architecture in her study of Post-Wall Berlin. The validity of this earlier work is assured. This engagement with the material past has in earlier work generally been framed in terms of ‘remembering well’. 2 What might it mean to remember well, beyond the frame of national trauma?213 páginasapplication/pdfengAmsterdam University PressUrban memoryVisual cultureBerlinUrbanismoCultura urbanaCultura visualUrban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012Abierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/4.0/legalcodehttp://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Lindner, ChristophWard, SimonORIGINAL1004105.pdf1004105.pdfVer libroapplication/pdf1938833https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15738/1/1004105.pdfbf5b646a869489d5033087e8a1b4df08MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15738/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open accessTHUMBNAIL1004105.pdf.jpg1004105.pdf.jpgIM Thumbnailimage/jpeg11493https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15738/3/1004105.pdf.jpg33093c56ef4b1fb658146d02c61e18bdMD53open access20.500.12010/15738oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/157382021-02-25 22:11:14.343open accessRepositorio Institucional - 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