The organization of craft Work Identities, meanings, and materiality
On encountering the West midway through the nineteenth century, Japan was diverted, reluctantly, from the long- travelled, twisting paths that it had been following into its own interior for centuries. These westernising forces came embodied in the black ships of Commodore Matthew Perry. As well as...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 2019
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/14970
- Acceso en línea:
- http://hdl.handle.net/20.500.12010/14970
- Palabra clave:
- Craft work
Meanings and materiality
Artes industriales
Artesanías
Aficiones
- Rights
- License
- Abierto (Texto Completo)
| Summary: | On encountering the West midway through the nineteenth century, Japan was diverted, reluctantly, from the long- travelled, twisting paths that it had been following into its own interior for centuries. These westernising forces came embodied in the black ships of Commodore Matthew Perry. As well as troops, they were carrying letters from the US government insisting (as was the way with this enthusiastic, upstart nation) that it be allowed to establish trading ports along the Japanese coast. After much procrastination (or so it seemed from a Western point of view) the Shogunate acceded, and the islands changed irrevocably. For one, the political turmoil that ensued overturned the Shogunate and enacted the country of Japan. The destinies of different dynastic prefectures that had historically gathered in little more than loose alignments became braided in increasingly tighter and more intricate patterns. As the ports were established and grew in size and wealth, new political and social structures also emerged in an attempt to administer them. Without any explicit design the islands found themselves acting together. |
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