Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance

Drawing on multisited ethnographic fieldwork and performance analysis, this book centers on an insular community of Smarta brahmin men from the Kuchipudi village in Telugu-speaking South India, who are required to don strī-vēṣam (woman’s guise) and impersonate female characters from Hindu religio...

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Autores:
Tipo de recurso:
Book
Fecha de publicación:
2019
Institución:
Universidad de Bogotá Jorge Tadeo Lozano
Repositorio:
Expeditio: repositorio UTadeo
Idioma:
eng
OAI Identifier:
oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/18547
Acceso en línea:
https://directory.doabooks.org/handle/20.500.12854/38591
http://hdl.handle.net/20.500.12010/18547
Palabra clave:
Impersonation
Kuchipudi
Brahmin masculinity
Danza - Aspectos religiosos
Danza
Brahmanismo
Rights
License
Abierto (Texto Completo)
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dc.title.spa.fl_str_mv Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
title Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
spellingShingle Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
Impersonation
Kuchipudi
Brahmin masculinity
Danza - Aspectos religiosos
Danza
Brahmanismo
title_short Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
title_full Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
title_fullStr Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
title_full_unstemmed Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
title_sort Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance
dc.subject.spa.fl_str_mv Impersonation
Kuchipudi
Brahmin masculinity
topic Impersonation
Kuchipudi
Brahmin masculinity
Danza - Aspectos religiosos
Danza
Brahmanismo
dc.subject.lemb.spa.fl_str_mv Danza - Aspectos religiosos
Danza
Brahmanismo
description Drawing on multisited ethnographic fieldwork and performance analysis, this book centers on an insular community of Smarta brahmin men from the Kuchipudi village in Telugu-speaking South India, who are required to don strī-vēṣam (woman’s guise) and impersonate female characters from Hindu religious narratives. According to the hagiography of Siddhendra, the founding saint of Kuchipudi dance, every brahmin man from a hereditary Kuchipudi family must don strī-vēṣam at least once in his life, a prescription that still resonates in the village today. Impersonation, the term used to indicate the donning of gender guise (vēṣam), is not simply a performative mandate for Kuchipudi brahmin men but also a practice of power that creates normative ideals of brahmin masculinity in village performance and everyday life. However, the construction of brahmin masculinity against the backdrop of impersonation is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian “classical” dance tradition. By shifting from village to urban and transnational spaces, the book traces the technologies of normativity that create, sustain, and undermine normative ideals of gender, caste, and sexuality through the embodied practice of impersonation in contemporary South India.
publishDate 2019
dc.date.created.none.fl_str_mv 2019
dc.date.accessioned.none.fl_str_mv 2021-04-07T20:20:46Z
dc.date.available.none.fl_str_mv 2021-04-07T20:20:46Z
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.none.fl_str_mv 9780520301665
dc.identifier.other.none.fl_str_mv https://directory.doabooks.org/handle/20.500.12854/38591
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/20.500.12010/18547
dc.identifier.doi.none.fl_str_mv 10.1525/luminos.72
identifier_str_mv 9780520301665
10.1525/luminos.72
url https://directory.doabooks.org/handle/20.500.12854/38591
http://hdl.handle.net/20.500.12010/18547
dc.language.iso.spa.fl_str_mv eng
language eng
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.local.spa.fl_str_mv Abierto (Texto Completo)
dc.rights.creativecommons.none.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
rights_invalid_str_mv Abierto (Texto Completo)
http://creativecommons.org/licenses/by-nc-nd/4.0/
http://purl.org/coar/access_right/c_abf2
dc.format.extent.spa.fl_str_mv 245 páginas
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv University of California Press
institution Universidad de Bogotá Jorge Tadeo Lozano
bitstream.url.fl_str_mv https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/18547/1/impersonations.pdf
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spelling 2021-04-07T20:20:46Z2021-04-07T20:20:46Z20199780520301665https://directory.doabooks.org/handle/20.500.12854/38591http://hdl.handle.net/20.500.12010/1854710.1525/luminos.72Drawing on multisited ethnographic fieldwork and performance analysis, this book centers on an insular community of Smarta brahmin men from the Kuchipudi village in Telugu-speaking South India, who are required to don strī-vēṣam (woman’s guise) and impersonate female characters from Hindu religious narratives. According to the hagiography of Siddhendra, the founding saint of Kuchipudi dance, every brahmin man from a hereditary Kuchipudi family must don strī-vēṣam at least once in his life, a prescription that still resonates in the village today. Impersonation, the term used to indicate the donning of gender guise (vēṣam), is not simply a performative mandate for Kuchipudi brahmin men but also a practice of power that creates normative ideals of brahmin masculinity in village performance and everyday life. However, the construction of brahmin masculinity against the backdrop of impersonation is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian “classical” dance tradition. By shifting from village to urban and transnational spaces, the book traces the technologies of normativity that create, sustain, and undermine normative ideals of gender, caste, and sexuality through the embodied practice of impersonation in contemporary South India.245 páginasapplication/pdfengUniversity of California PressImpersonationKuchipudiBrahmin masculinityDanza - Aspectos religiososDanzaBrahmanismoImpersonations : The Artifice of Brahmin Masculinity in South Indian DanceAbierto (Texto Completo)http://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Mruthinti Kamath, HarshitaORIGINALimpersonations.pdfimpersonations.pdfVer documentoapplication/pdf14099473https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/18547/1/impersonations.pdf9b51b62a868e44f1fafdd2ff74e7c026MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/18547/2/license.txtbaba314677a6b940f072575a13bb6906MD52open accessTHUMBNAILimpersonations.pdf.jpgimpersonations.pdf.jpgIM Thumbnailimage/jpeg24829https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/18547/3/impersonations.pdf.jpg158d68e655bb031ac38cf19c9141018fMD53open access20.500.12010/18547oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/185472021-04-07 23:01:15.433open accessRepositorio Institucional - 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