Ocular fixations modulate audiovisual semantic congruency when standing in an upright position
Introduction: Multisensory audiovisual semantic congruency is the process by which visual information is perceived as integrated to auditory stimuli, because both coincide in terms of simultaneity and semantic correspondence. This study was aimed at establishing whether visual percepts, which semant...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2020
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/27714
- Acceso en línea:
- https://doi.org/10.14349/sumapsi.2021.v28.n1.6
http://hdl.handle.net/20.500.12010/27714
http://expeditiorepositorio.utadeo.edu.co
- Palabra clave:
- Crossmodal semantic
Congruency
Ocular fixations
Semántica
Análisis del discurso
Teoría de la información
- Rights
- License
- Abierto (Texto Completo)
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dc.title.spa.fl_str_mv |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
dc.title.alternative.spa.fl_str_mv |
Las fijaciones oculares modulan la congruencia semántica audiovisual cuando el cuerpo está en una posición erguida |
title |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
spellingShingle |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position Crossmodal semantic Congruency Ocular fixations Semántica Análisis del discurso Teoría de la información |
title_short |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
title_full |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
title_fullStr |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
title_full_unstemmed |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
title_sort |
Ocular fixations modulate audiovisual semantic congruency when standing in an upright position |
dc.subject.spa.fl_str_mv |
Crossmodal semantic Congruency Ocular fixations |
topic |
Crossmodal semantic Congruency Ocular fixations Semántica Análisis del discurso Teoría de la información |
dc.subject.lemb.spa.fl_str_mv |
Semántica Análisis del discurso Teoría de la información |
description |
Introduction: Multisensory audiovisual semantic congruency is the process by which visual information is perceived as integrated to auditory stimuli, because both coincide in terms of simultaneity and semantic correspondence. This study was aimed at establishing whether visual percepts, which semantically correspond to auditory stimuli, are associated with ocular fixations in modulating bottom-up areas while keeping a body posture alignment between the up-direction and the idiotropic axes, as well as in another orientation corresponding to a vectorial opposition between the up-direction and the head idiotropic axis. Method: Two groups (one for each position) were selected from a sample of 88 people. A bistable image was presented on a screen of a fixed 120 Hz eye-tracker device, providing background auditory stimuli so as to establish semantic congruencies and their relations to ocular fixations. Results: It was found that audiovisual semantic congruency is associated with fixations when idiotropic vectors are aligned with the up direction. Fixations manifested in bottom-up modulating areas are not associated with multisensory audiovisual semantic congruency when the head idiotropic vector is parallel with the gravity vector. Eye fixations decrease significantly if the head idiotropic axis is aligned with the gravity vector. Conclusion: It is concluded that body position can affect visual perceptual processes involved in the occurrence of semantic congruency. © 2021 Fundación Universitaria Konrad Lorenz. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). |
publishDate |
2020 |
dc.date.created.none.fl_str_mv |
2020 |
dc.date.accessioned.none.fl_str_mv |
2022-07-21T15:21:12Z |
dc.date.available.none.fl_str_mv |
2022-07-21T15:21:12Z |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.local.spa.fl_str_mv |
Artículo |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
format |
http://purl.org/coar/resource_type/c_6501 |
dc.identifier.issn.spa.fl_str_mv |
2145-9797 |
dc.identifier.other.spa.fl_str_mv |
https://doi.org/10.14349/sumapsi.2021.v28.n1.6 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/27714 |
dc.identifier.repourl.spa.fl_str_mv |
http://expeditiorepositorio.utadeo.edu.co |
dc.identifier.doi.spa.fl_str_mv |
https://doi.org/10.14349/sumapsi.2021.v28.n1.6 |
dc.identifier.orcid.spa.fl_str_mv |
|
identifier_str_mv |
2145-9797 |
url |
https://doi.org/10.14349/sumapsi.2021.v28.n1.6 http://hdl.handle.net/20.500.12010/27714 http://expeditiorepositorio.utadeo.edu.co |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
rights_invalid_str_mv |
Abierto (Texto Completo) http://purl.org/coar/access_right/c_abf2 |
dc.format.extent.spa.fl_str_mv |
9 páginas |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.format.rda.spa.fl_str_mv |
1 recurso en línea (archivo de texto) |
dc.coverage.spatial.spa.fl_str_mv |
Colombia |
dc.publisher.spa.fl_str_mv |
Suma Psicológica |
institution |
Universidad de Bogotá Jorge Tadeo Lozano |
bitstream.url.fl_str_mv |
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Repositorio Institucional - Universidad Jorge Tadeo Lozano |
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Colombia2022-07-21T15:21:12Z2022-07-21T15:21:12Z20202145-9797https://doi.org/10.14349/sumapsi.2021.v28.n1.6http://hdl.handle.net/20.500.12010/27714http://expeditiorepositorio.utadeo.edu.cohttps://doi.org/10.14349/sumapsi.2021.v28.n1.6Introduction: Multisensory audiovisual semantic congruency is the process by which visual information is perceived as integrated to auditory stimuli, because both coincide in terms of simultaneity and semantic correspondence. This study was aimed at establishing whether visual percepts, which semantically correspond to auditory stimuli, are associated with ocular fixations in modulating bottom-up areas while keeping a body posture alignment between the up-direction and the idiotropic axes, as well as in another orientation corresponding to a vectorial opposition between the up-direction and the head idiotropic axis. Method: Two groups (one for each position) were selected from a sample of 88 people. A bistable image was presented on a screen of a fixed 120 Hz eye-tracker device, providing background auditory stimuli so as to establish semantic congruencies and their relations to ocular fixations. Results: It was found that audiovisual semantic congruency is associated with fixations when idiotropic vectors are aligned with the up direction. Fixations manifested in bottom-up modulating areas are not associated with multisensory audiovisual semantic congruency when the head idiotropic vector is parallel with the gravity vector. Eye fixations decrease significantly if the head idiotropic axis is aligned with the gravity vector. Conclusion: It is concluded that body position can affect visual perceptual processes involved in the occurrence of semantic congruency. © 2021 Fundación Universitaria Konrad Lorenz. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/).Introducción: La congruencia semántica audiovisual es el proceso por el cual información de una modalidad sensorial visual se percibe como integrada a estímulos auditivos, porque coinciden en términos de simultaneidad y correspondencia semántica. Este estudio tuvo por objeto establecer si los perceptos visuales que se corresponden semánticamente a estímulos auditivos están asociados con las fijaciones oculares realizadas en áreas de modulación bottom-up, tanto en una postura corporal definida por la alineación entre la dirección vertical hacia arriba y los ejes vectoriales idiotrópicos, como en otra orientación definida por una oposición vectorial entre la vertical hacia arriba y el eje idiotrópico de la cabeza. Método: Dos grupos fueron seleccionados (uno por cada posición), tomados de una muestra de 88 personas. Los datos se obtuvieron por medio de un dispositivo fijo de registro de movimientos oculares de 120 Hz. Una imagen biestable se presentó, proporcionando estímulos auditivos de fondo para producir congruencias semánticas y establecer su relación con las fijaciones oculares. Resultados: Se encontró que la congruencia semántica audiovisual está asociada con áreas de fijación ocular cuando los vectores idiotrópicos están alineados con la dirección vertical ascendente. Las fijaciones oculares en áreas de modulación bottom-up no están asociadas con la congruencia semántica audiovisual cuando el vector idiotrópico de la cabeza está alineado con el vector gravitacional. En esta última posición, la cantidad de fijaciones oculares es signif icativamente menor. Conclusión: La posición del cuerpo puede afectar procesos perceptuales visuales que, a su vez, inciden en el efecto de congruencia semántica. © 2021 Fundación Universitaria Konrad Lorenz. Este es un artículo Open Access bajo la licencia CC BY-NC-ND (http://creativecommons.org/licenses/by-nc-nd/4.0/).9 páginasapplication/pdf1 recurso en línea (archivo de texto)engSuma PsicológicaCrossmodal semanticCongruencyOcular fixationsSemánticaAnálisis del discursoTeoría de la informaciónOcular fixations modulate audiovisual semantic congruency when standing in an upright positionLas fijaciones oculares modulan la congruencia semántica audiovisual cuando el cuerpo está en una posición erguidaArtículoinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Abierto (Texto Completo)http://purl.org/coar/access_right/c_abf2Rodríguez-Martínez, GuillermoCastillo-Parra, HenryRosa, Pedro J.Marroquín-Ciendúa, FernandoORIGINAL0121-4381-sumps-28-01-43.pdf0121-4381-sumps-28-01-43.pdfVer documentoapplication/pdf920618https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/27714/1/0121-4381-sumps-28-01-43.pdfc41f74f136a7cf499c05ea18e5fea3d3MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/27714/2/license.txtbaba314677a6b940f072575a13bb6906MD52open accessTHUMBNAIL0121-4381-sumps-28-01-43.pdf.jpg0121-4381-sumps-28-01-43.pdf.jpgIM Thumbnailimage/jpeg13478https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/27714/3/0121-4381-sumps-28-01-43.pdf.jpg46f4a64cc790822ca6f3dd501ad98b9fMD53open access20.500.12010/27714oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/277142022-07-22 03:05:38.219open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditiorepositorio@utadeo.edu.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 |