Cyborgs in Latin America
From the late nineteenth century, robots and artificial humans have gathered at the periphery of Latin American cultural production. Eduardo Holmberg’s robots from his 1879 novella Horacio Kalibang o los autómatas took center stage in the work of an author who never arrived at the center of Argentin...
- Autores:
- Tipo de recurso:
- Book
- Fecha de publicación:
- 2010
- Institución:
- Universidad de Bogotá Jorge Tadeo Lozano
- Repositorio:
- Expeditio: repositorio UTadeo
- Idioma:
- eng
- OAI Identifier:
- oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/15789
- Acceso en línea:
- https://link.springer.com/book/10.1057/9780230109773
http://hdl.handle.net/20.500.12010/15789
- Palabra clave:
- Cyborgs
Automatización en la literatura
Robótica en la litaratura
Robots en la literatura
- Rights
- License
- Abierto (Texto Completo)
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dc.title.spa.fl_str_mv |
Cyborgs in Latin America |
title |
Cyborgs in Latin America |
spellingShingle |
Cyborgs in Latin America Cyborgs Automatización en la literatura Robótica en la litaratura Robots en la literatura |
title_short |
Cyborgs in Latin America |
title_full |
Cyborgs in Latin America |
title_fullStr |
Cyborgs in Latin America |
title_full_unstemmed |
Cyborgs in Latin America |
title_sort |
Cyborgs in Latin America |
dc.subject.spa.fl_str_mv |
Cyborgs |
topic |
Cyborgs Automatización en la literatura Robótica en la litaratura Robots en la literatura |
dc.subject.lemb.spa.fl_str_mv |
Automatización en la literatura Robótica en la litaratura Robots en la literatura |
description |
From the late nineteenth century, robots and artificial humans have gathered at the periphery of Latin American cultural production. Eduardo Holmberg’s robots from his 1879 novella Horacio Kalibang o los autómatas took center stage in the work of an author who never arrived at the center of Argentina’s literary circles. A couple of decades later, Horacio Quiroga, an author whose production has an important place in the Latin American literary canon, kept his novella Hombre artificial (1909) at the edge of his own oeuvre, publishing it as a serial under a pseudonym. While writers and artists have returned to the idea of technological life in a variety of venues since then, from Ernesto Sabato’s scientific and technological paranoia (Hombre y engranajes 1951) to Julio Cortázar’s fear of a cybernetic revolution (Rayuela 1963), only recently has a consideration of corporeal identity at the encounter of the mechanical and the organic occupied a central space in Latin American culture. These earlier works presented the various robots, artificial life forms, and technophilia as harbingers of a failing civilization, of the effects of scientific hubris and the uncritical acceptance of new technologies. Holmberg’s robots were metaphors for the dangers he saw in uncontrolled immigration in nineteenth-century Argentina; Quiroga’s artificial man was a retelling of the Frankenstein story. |
publishDate |
2010 |
dc.date.created.none.fl_str_mv |
2010 |
dc.date.accessioned.none.fl_str_mv |
2020-11-18T17:38:45Z |
dc.date.available.none.fl_str_mv |
2020-11-18T17:38:45Z |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2f33 |
format |
http://purl.org/coar/resource_type/c_2f33 |
dc.identifier.isbn.none.fl_str_mv |
978–0–230–10390–0 |
dc.identifier.other.none.fl_str_mv |
https://link.springer.com/book/10.1057/9780230109773 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/20.500.12010/15789 |
dc.identifier.doi.none.fl_str_mv |
10.26530/OAPEN_392747 |
identifier_str_mv |
978–0–230–10390–0 10.26530/OAPEN_392747 |
url |
https://link.springer.com/book/10.1057/9780230109773 http://hdl.handle.net/20.500.12010/15789 |
dc.language.iso.spa.fl_str_mv |
eng |
language |
eng |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Abierto (Texto Completo) |
dc.rights.creativecommons.none.fl_str_mv |
https://creativecommons.org/licenses/by-nc-nd/3.0/ |
rights_invalid_str_mv |
Abierto (Texto Completo) https://creativecommons.org/licenses/by-nc-nd/3.0/ http://purl.org/coar/access_right/c_abf2 |
dc.format.extent.spa.fl_str_mv |
225 páginas |
dc.format.mimetype.spa.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Palgrave Macmillan |
institution |
Universidad de Bogotá Jorge Tadeo Lozano |
bitstream.url.fl_str_mv |
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bitstream.checksumAlgorithm.fl_str_mv |
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repository.name.fl_str_mv |
Repositorio Institucional - Universidad Jorge Tadeo Lozano |
repository.mail.fl_str_mv |
expeditio@utadeo.edu.co |
_version_ |
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spelling |
2020-11-18T17:38:45Z2020-11-18T17:38:45Z2010978–0–230–10390–0https://link.springer.com/book/10.1057/9780230109773http://hdl.handle.net/20.500.12010/1578910.26530/OAPEN_392747From the late nineteenth century, robots and artificial humans have gathered at the periphery of Latin American cultural production. Eduardo Holmberg’s robots from his 1879 novella Horacio Kalibang o los autómatas took center stage in the work of an author who never arrived at the center of Argentina’s literary circles. A couple of decades later, Horacio Quiroga, an author whose production has an important place in the Latin American literary canon, kept his novella Hombre artificial (1909) at the edge of his own oeuvre, publishing it as a serial under a pseudonym. While writers and artists have returned to the idea of technological life in a variety of venues since then, from Ernesto Sabato’s scientific and technological paranoia (Hombre y engranajes 1951) to Julio Cortázar’s fear of a cybernetic revolution (Rayuela 1963), only recently has a consideration of corporeal identity at the encounter of the mechanical and the organic occupied a central space in Latin American culture. These earlier works presented the various robots, artificial life forms, and technophilia as harbingers of a failing civilization, of the effects of scientific hubris and the uncritical acceptance of new technologies. Holmberg’s robots were metaphors for the dangers he saw in uncontrolled immigration in nineteenth-century Argentina; Quiroga’s artificial man was a retelling of the Frankenstein story.225 páginasapplication/pdfengPalgrave MacmillanCyborgsAutomatización en la literaturaRobótica en la litaraturaRobots en la literaturaCyborgs in Latin AmericaAbierto (Texto Completo)https://creativecommons.org/licenses/by-nc-nd/3.0/http://purl.org/coar/access_right/c_abf2http://purl.org/coar/resource_type/c_2f33Brown, J. AndrewTHUMBNAIL392747.pdf.jpg392747.pdf.jpgIM Thumbnailimage/jpeg12120https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15789/3/392747.pdf.jpg463101755e07deeeba6f2e1a9b6bef97MD53open accessORIGINAL392747.pdf392747.pdfVer libroapplication/pdf1780514https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15789/1/392747.pdf115f64ff8e30067968995b0e1076057eMD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-82938https://expeditiorepositorio.utadeo.edu.co/bitstream/20.500.12010/15789/2/license.txtabceeb1c943c50d3343516f9dbfc110fMD52open access20.500.12010/15789oai:expeditiorepositorio.utadeo.edu.co:20.500.12010/157892021-02-25 20:53:41.837open accessRepositorio Institucional - Universidad Jorge Tadeo Lozanoexpeditio@utadeo.edu.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 |