MusicGen Music generation model as a tool for artistic creation
The current work is an exploration on how to re purpose AI driven technologies to generate music, in a way that prioritizes the artistic endeavour of musical composition. A particular concept, which is hereby addressed, is the idea of agency of decision in the creative process. The study will center...
- Autores:
-
Tovar García, Diego Alejandro
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2024
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- eng
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/73824
- Acceso en línea:
- https://hdl.handle.net/1992/73824
- Palabra clave:
- AI
Music
Generative Music
Deep Learning
Machine Learning
Convolusional Autoencoder
Art
Ingeniería
Arte
Música
- Rights
- embargoedAccess
- License
- https://repositorio.uniandes.edu.co/static/pdf/aceptacion_uso_es.pdf
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|
dc.title.eng.fl_str_mv |
MusicGen Music generation model as a tool for artistic creation |
title |
MusicGen Music generation model as a tool for artistic creation |
spellingShingle |
MusicGen Music generation model as a tool for artistic creation AI Music Generative Music Deep Learning Machine Learning Convolusional Autoencoder Art Ingeniería Arte Música |
title_short |
MusicGen Music generation model as a tool for artistic creation |
title_full |
MusicGen Music generation model as a tool for artistic creation |
title_fullStr |
MusicGen Music generation model as a tool for artistic creation |
title_full_unstemmed |
MusicGen Music generation model as a tool for artistic creation |
title_sort |
MusicGen Music generation model as a tool for artistic creation |
dc.creator.fl_str_mv |
Tovar García, Diego Alejandro |
dc.contributor.advisor.none.fl_str_mv |
Manrique Piramanrique, Rubén Francisco |
dc.contributor.author.none.fl_str_mv |
Tovar García, Diego Alejandro |
dc.subject.keyword.none.fl_str_mv |
AI Music Generative Music Deep Learning Machine Learning Convolusional Autoencoder Art |
topic |
AI Music Generative Music Deep Learning Machine Learning Convolusional Autoencoder Art Ingeniería Arte Música |
dc.subject.themes.none.fl_str_mv |
Ingeniería Arte Música |
description |
The current work is an exploration on how to re purpose AI driven technologies to generate music, in a way that prioritizes the artistic endeavour of musical composition. A particular concept, which is hereby addressed, is the idea of agency of decision in the creative process. The study will center on the execution of a spatial intervention where the sound experience will be built from user-given-prompts describing the space they roam. The code for the project can be found at https://github.com/Didage/spatial-music-gen. |
publishDate |
2024 |
dc.date.accessioned.none.fl_str_mv |
2024-02-02T18:13:35Z |
dc.date.issued.none.fl_str_mv |
2024-02-01 |
dc.date.accepted.none.fl_str_mv |
2024-02-01 |
dc.type.none.fl_str_mv |
Trabajo de grado - Pregrado |
dc.type.driver.none.fl_str_mv |
info:eu-repo/semantics/bachelorThesis |
dc.type.version.none.fl_str_mv |
info:eu-repo/semantics/acceptedVersion |
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http://purl.org/coar/resource_type/c_7a1f |
dc.type.content.none.fl_str_mv |
Text |
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http://purl.org/redcol/resource_type/TP |
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http://purl.org/coar/resource_type/c_7a1f |
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acceptedVersion |
dc.identifier.uri.none.fl_str_mv |
https://hdl.handle.net/1992/73824 |
dc.identifier.instname.none.fl_str_mv |
instname:Universidad de los Andes |
dc.identifier.reponame.none.fl_str_mv |
reponame:Repositorio Institucional Séneca |
dc.identifier.repourl.none.fl_str_mv |
repourl:https://repositorio.uniandes.edu.co/ |
url |
https://hdl.handle.net/1992/73824 |
identifier_str_mv |
instname:Universidad de los Andes reponame:Repositorio Institucional Séneca repourl:https://repositorio.uniandes.edu.co/ |
dc.language.iso.none.fl_str_mv |
eng |
language |
eng |
dc.relation.references.none.fl_str_mv |
Copet, J., Kreuk, F., Gat, I., Remez, T., Kant, D., Synnaeve, G., Adi, Y., D ́efossez, A.: Simple and controllable music generation (6 2023), http://arxiv.org/abs/2306.05284 Copland, A.: What to listen for in music. New American Library, New York (1953) D ́efossez, A., Copet, J., Synnaeve, G., Adi, Y.: High fidelity neural audio compres-sion (10 2022), http://arxiv.org/abs/2210.13438 Hadjeres, G., Pachet, F., Nielsen, F.: Deepbach: a steerable model for bach chorales generation (12 2016), http://arxiv.org/abs/1612.01010 Hernandez-Olivan, C., Beltran, J.R.: Music composition with deep learning: A review (8 2021), http://arxiv.org/abs/2108.12290 Huang, A., Wu, R.: Deep learning for music (6 2016), http://arxiv.org/abs/1606.04930 Iosafat, D.: On sonification of place: Psychosonography and urban portrait (4 2009). https://doi.org/10.1017/S1355771809000077 Klein, G.: Site-sounds: On strategies of sound art in public space (4 2009). https://doi.org/10.1017/S1355771809000132 Maurer, J.: A brief history of algorithmic composition (1999), https://ccrma.stanford.edu/ blackrse/algorithm.html Tittel, C.: Sound art as sonification, and the artistic treatment of features in our surroundings (4 2009). https://doi.org/10.1017/S1355771809000089 |
dc.rights.uri.none.fl_str_mv |
https://repositorio.uniandes.edu.co/static/pdf/aceptacion_uso_es.pdf |
dc.rights.accessrights.none.fl_str_mv |
info:eu-repo/semantics/embargoedAccess |
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dc.format.extent.none.fl_str_mv |
14 páginas |
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dc.publisher.none.fl_str_mv |
Universidad de los Andes |
dc.publisher.program.none.fl_str_mv |
Ingeniería de Sistemas y Computación |
dc.publisher.faculty.none.fl_str_mv |
Facultad de Ingeniería |
dc.publisher.department.none.fl_str_mv |
Departamento de Ingeniería Sistemas y Computación |
publisher.none.fl_str_mv |
Universidad de los Andes |
institution |
Universidad de los Andes |
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Manrique Piramanrique, Rubén FranciscoTovar García, Diego Alejandro2024-02-02T18:13:35Z2024-02-012024-02-01https://hdl.handle.net/1992/73824instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/The current work is an exploration on how to re purpose AI driven technologies to generate music, in a way that prioritizes the artistic endeavour of musical composition. A particular concept, which is hereby addressed, is the idea of agency of decision in the creative process. The study will center on the execution of a spatial intervention where the sound experience will be built from user-given-prompts describing the space they roam. The code for the project can be found at https://github.com/Didage/spatial-music-gen.Ingeniero de Sistemas y ComputaciónPregrado14 páginasapplication/pdfengUniversidad de los AndesIngeniería de Sistemas y ComputaciónFacultad de IngenieríaDepartamento de Ingeniería Sistemas y Computaciónhttps://repositorio.uniandes.edu.co/static/pdf/aceptacion_uso_es.pdfinfo:eu-repo/semantics/embargoedAccesshttp://purl.org/coar/access_right/c_f1cfMusicGen Music generation model as a tool for artistic creationTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPAIMusicGenerative MusicDeep LearningMachine LearningConvolusional AutoencoderArtIngenieríaArteMúsicaCopet, J., Kreuk, F., Gat, I., Remez, T., Kant, D., Synnaeve, G.,Adi, Y., D ́efossez, A.: Simple and controllable music generation (6 2023), http://arxiv.org/abs/2306.05284Copland, A.: What to listen for in music. New American Library, New York (1953)D ́efossez, A., Copet, J., Synnaeve, G., Adi, Y.: High fidelity neural audio compres-sion (10 2022), http://arxiv.org/abs/2210.13438Hadjeres, G., Pachet, F., Nielsen, F.: Deepbach: a steerable model for bach chorales generation (12 2016), http://arxiv.org/abs/1612.01010Hernandez-Olivan, C., Beltran, J.R.: Music composition with deep learning: A review (8 2021), http://arxiv.org/abs/2108.12290Huang, A., Wu, R.: Deep learning for music (6 2016), http://arxiv.org/abs/1606.04930Iosafat, D.: On sonification of place: Psychosonography and urban portrait (4 2009). https://doi.org/10.1017/S1355771809000077Klein, G.: Site-sounds: On strategies of sound art in public space (4 2009). https://doi.org/10.1017/S1355771809000132Maurer, J.: A brief history of algorithmic composition (1999), https://ccrma.stanford.edu/ blackrse/algorithm.htmlTittel, C.: Sound art as sonification, and the artistic treatment of features in our surroundings (4 2009). https://doi.org/10.1017/S1355771809000089201512531PublicationORIGINALMusicGenMusicGenerationModelAsAToolForArtisticCreation.pdfMusicGenMusicGenerationModelAsAToolForArtisticCreation.pdfRestricción de acceso indefinida.application/pdf806009https://repositorio.uniandes.edu.co/bitstreams/e0b8324c-c12e-473a-a53f-5283467e7952/download2b3efb77e8d8214af333310430a0d591MD51autorizacion tesis_alejandro.pdfautorizacion tesis_alejandro.pdfHIDEapplication/pdf375006https://repositorio.uniandes.edu.co/bitstreams/c16e4b53-ee2c-44d3-b874-bed8334b38fb/downloadf7fe6225cb3c074f675c56308ff87ed2MD52LICENSElicense.txtlicense.txttext/plain; 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