Imbricaciones
This body of art work consists of the overlapping of analogous drawings (30), animations (one minute and a half) and digital art (72) in a 10 minutes video, in which I intended to capture (in a non-verbal language) the contrast between my outer and inner worlds from the impulse of creating visual re...
- Autores:
-
Quintana Rodríguez, Valeria
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2020
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/51212
- Acceso en línea:
- http://hdl.handle.net/1992/51212
- Palabra clave:
- Arte y tecnología
Diseño gráfico
Medios digitales
Comunicación visual en el arte
Arte
- Rights
- openAccess
- License
- Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Ospina Villalba, Lucasvirtual::6472-1Quintana Rodríguez, Valeriabaa36943-12dd-440f-b09a-fb700dd1ed1a5002021-08-10T18:15:54Z2021-08-10T18:15:54Z2020http://hdl.handle.net/1992/5121223376.pdfinstname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/This body of art work consists of the overlapping of analogous drawings (30), animations (one minute and a half) and digital art (72) in a 10 minutes video, in which I intended to capture (in a non-verbal language) the contrast between my outer and inner worlds from the impulse of creating visual representations. I am interested in putting my femininity and the stories that I have built around my corporeality at stake through a more sensorial process. It is an intertwining of emotions and experiences that contribute to my understanding of the world and my past. For some time I have been working with the body as a memory file. It is from this starting point that I want to delve into my gender identity as a woman. Just like memory, drawing rather than being something linear, is shaped by small fragments - sometimes illegible - that make sense when put together. In my body I save both the happiness and disappointment of the women of my family, especially my mother and my grandmother and my own.La obra consiste en las imbricaciones de dibujos analogos (30), animaciones (un minuto y medio) y arte digital (72) en los que he plasmado (en un lenguaje no verbal) la contraposición de mis mundos exteriores e interiores desde el impulso de hacer arte. Me interesa poner en juego mi feminidad y los relatos que he construido alrededor de mi corporeidad. Se trata de un entrelace de emociones y experiencias que contribuyen a mi entendimiento del mundo y de mi pasado. Desde hace un tiempo vengo trabajando el cuerpo como un archivo de memoria. Es desde ahí donde quiero ahondar sobre mi identidad de género, mujer. Así como la memoria, el dibujo no se trata de algo lineal sino de pequeños fragmentos -a veces ilegibles- que cobran sentido en un conjunto de elementos. En mi cuerpo se albergan felicidades y decepciones no solo mías, sino de las mujeres de mi familia, especialmente mi mamá y mi abuela.Maestro en ArtePregrado85 hojasapplication/pdfspaUniversidad de los AndesArteFacultad de Artes y HumanidadesDepartamento de ArteImbricacionesTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/TPArte y tecnologíaDiseño gráficoMedios digitalesComunicación visual en el arteArte201426894Publicationca5846f4-13d0-4c15-b7ff-5348663a50e9virtual::6472-1ca5846f4-13d0-4c15-b7ff-5348663a50e9virtual::6472-1https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0000592897virtual::6472-1TEXT23376.pdf.txt23376.pdf.txtExtracted texttext/plain64080https://repositorio.uniandes.edu.co/bitstreams/b5fca96d-ccfa-4283-9c0c-f2487d5d0884/download5c415cd1d2ba4e6640bc527682376ef6MD54ORIGINAL23376.pdfapplication/pdf51019385https://repositorio.uniandes.edu.co/bitstreams/7d705171-a7bc-4c89-91ac-4ea3dde6c98a/download622164e2a8ad28092aa60d8e104718f3MD51THUMBNAIL23376.pdf.jpg23376.pdf.jpgIM Thumbnailimage/jpeg36718https://repositorio.uniandes.edu.co/bitstreams/ae8cc20c-d51d-41f5-abfb-7b4f1c3af09a/download95f88faced4a033d11816fe5802aad9eMD551992/51212oai:repositorio.uniandes.edu.co:1992/512122024-03-13 13:11:32.134http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co |
| dc.title.spa.fl_str_mv |
Imbricaciones |
| title |
Imbricaciones |
| spellingShingle |
Imbricaciones Arte y tecnología Diseño gráfico Medios digitales Comunicación visual en el arte Arte |
| title_short |
Imbricaciones |
| title_full |
Imbricaciones |
| title_fullStr |
Imbricaciones |
| title_full_unstemmed |
Imbricaciones |
| title_sort |
Imbricaciones |
| dc.creator.fl_str_mv |
Quintana Rodríguez, Valeria |
| dc.contributor.advisor.none.fl_str_mv |
Ospina Villalba, Lucas |
| dc.contributor.author.none.fl_str_mv |
Quintana Rodríguez, Valeria |
| dc.subject.armarc.none.fl_str_mv |
Arte y tecnología Diseño gráfico Medios digitales Comunicación visual en el arte |
| topic |
Arte y tecnología Diseño gráfico Medios digitales Comunicación visual en el arte Arte |
| dc.subject.themes.none.fl_str_mv |
Arte |
| description |
This body of art work consists of the overlapping of analogous drawings (30), animations (one minute and a half) and digital art (72) in a 10 minutes video, in which I intended to capture (in a non-verbal language) the contrast between my outer and inner worlds from the impulse of creating visual representations. I am interested in putting my femininity and the stories that I have built around my corporeality at stake through a more sensorial process. It is an intertwining of emotions and experiences that contribute to my understanding of the world and my past. For some time I have been working with the body as a memory file. It is from this starting point that I want to delve into my gender identity as a woman. Just like memory, drawing rather than being something linear, is shaped by small fragments - sometimes illegible - that make sense when put together. In my body I save both the happiness and disappointment of the women of my family, especially my mother and my grandmother and my own. |
| publishDate |
2020 |
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2020 |
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2021-08-10T18:15:54Z |
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2021-08-10T18:15:54Z |
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Trabajo de grado - Pregrado |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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info:eu-repo/semantics/bachelorThesis |
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http://purl.org/coar/resource_type/c_7a1f |
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Text |
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http://purl.org/redcol/resource_type/TP |
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http://purl.org/coar/resource_type/c_7a1f |
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http://hdl.handle.net/1992/51212 |
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23376.pdf |
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instname:Universidad de los Andes |
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reponame:Repositorio Institucional Séneca |
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repourl:https://repositorio.uniandes.edu.co/ |
| url |
http://hdl.handle.net/1992/51212 |
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23376.pdf instname:Universidad de los Andes reponame:Repositorio Institucional Séneca repourl:https://repositorio.uniandes.edu.co/ |
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spa |
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spa |
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Attribution-NonCommercial-NoDerivatives 4.0 Internacional |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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info:eu-repo/semantics/openAccess |
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openAccess |
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85 hojas |
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application/pdf |
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Universidad de los Andes |
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Arte |
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Facultad de Artes y Humanidades |
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Departamento de Arte |
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Universidad de los Andes |
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Universidad de los Andes |
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