Imbricaciones
This body of art work consists of the overlapping of analogous drawings (30), animations (one minute and a half) and digital art (72) in a 10 minutes video, in which I intended to capture (in a non-verbal language) the contrast between my outer and inner worlds from the impulse of creating visual re...
- Autores:
-
Quintana Rodríguez, Valeria
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2020
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/51212
- Acceso en línea:
- http://hdl.handle.net/1992/51212
- Palabra clave:
- Arte y tecnología
Diseño gráfico
Medios digitales
Comunicación visual en el arte
Arte
- Rights
- openAccess
- License
- Attribution-NonCommercial-NoDerivatives 4.0 Internacional
| Summary: | This body of art work consists of the overlapping of analogous drawings (30), animations (one minute and a half) and digital art (72) in a 10 minutes video, in which I intended to capture (in a non-verbal language) the contrast between my outer and inner worlds from the impulse of creating visual representations. I am interested in putting my femininity and the stories that I have built around my corporeality at stake through a more sensorial process. It is an intertwining of emotions and experiences that contribute to my understanding of the world and my past. For some time I have been working with the body as a memory file. It is from this starting point that I want to delve into my gender identity as a woman. Just like memory, drawing rather than being something linear, is shaped by small fragments - sometimes illegible - that make sense when put together. In my body I save both the happiness and disappointment of the women of my family, especially my mother and my grandmother and my own. |
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