Cultura impresa y cultura política en Colombia, 1920-1946

The research explores the relationship between political culture and print culture in Colombia between 1920 and 1946. In this period liberals, conservatives, socialists and communists found in the production, circulation and consumption of print a scenario that defined their ways of doing and acting...

Full description

Autores:
Caro Peralta, Edgar Andrés
Tipo de recurso:
Doctoral thesis
Fecha de publicación:
2022
Institución:
Universidad de los Andes
Repositorio:
Séneca: repositorio Uniandes
Idioma:
spa
OAI Identifier:
oai:repositorio.uniandes.edu.co:1992/58381
Acceso en línea:
http://hdl.handle.net/1992/58381
Palabra clave:
Cultura impresa
Política
Efímeros
Tipógrafos
Libreros
Cultura política
Industria gráfica
Industria editorial
Historia
Rights
openAccess
License
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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dc.title.none.fl_str_mv Cultura impresa y cultura política en Colombia, 1920-1946
title Cultura impresa y cultura política en Colombia, 1920-1946
spellingShingle Cultura impresa y cultura política en Colombia, 1920-1946
Cultura impresa
Política
Efímeros
Tipógrafos
Libreros
Cultura política
Industria gráfica
Industria editorial
Historia
title_short Cultura impresa y cultura política en Colombia, 1920-1946
title_full Cultura impresa y cultura política en Colombia, 1920-1946
title_fullStr Cultura impresa y cultura política en Colombia, 1920-1946
title_full_unstemmed Cultura impresa y cultura política en Colombia, 1920-1946
title_sort Cultura impresa y cultura política en Colombia, 1920-1946
dc.creator.fl_str_mv Caro Peralta, Edgar Andrés
dc.contributor.advisor.none.fl_str_mv Arias Trujillo, José Ricardo
dc.contributor.author.none.fl_str_mv Caro Peralta, Edgar Andrés
dc.contributor.jury.none.fl_str_mv Rivera, Sebastian
Murillo, Juan David
Muñoz Rojas, Catalina
dc.subject.keyword.none.fl_str_mv Cultura impresa
Política
Efímeros
Tipógrafos
Libreros
topic Cultura impresa
Política
Efímeros
Tipógrafos
Libreros
Cultura política
Industria gráfica
Industria editorial
Historia
dc.subject.armarc.none.fl_str_mv Cultura política
Industria gráfica
Industria editorial
dc.subject.themes.es_CO.fl_str_mv Historia
description The research explores the relationship between political culture and print culture in Colombia between 1920 and 1946. In this period liberals, conservatives, socialists and communists found in the production, circulation and consumption of print a scenario that defined their ways of doing and acting in public life. Following the approach of material history of the political, the materiality, sociability and spatiality of the communication circuit of the printed matter in which typographers, editors, announcers, booksellers and readers intervene are reconstructed. From this perspective, the materiality of the production of the graphic arts industry and the participation of different traditions of the national political culture in its modernization process are reconstructed. In light of the definition of the contexture of the typographic industry and the development of capitalism of the printed matter in Colombia, the different printed supports that were used are explored: books, newspapers, magazines and a wide range of ephemeral items such as almanacs, brochures, billboards and advertising posters that have not been considered with sufficient attention by local historiography. Likewise, some print trade spaces are reconstructed, such as bookstores and a varied set of reading practices that are defined by the material characteristics of printed matter and the multiplication of sociability spaces that range from town houses, public squares, streets and modern public transport systems. All these elements warn new ways to think about the configuration of political modernity and the ways of participating in the public sphere in which literate and non-literate interact and define the meaning of politics in the study period.
publishDate 2022
dc.date.accessioned.none.fl_str_mv 2022-06-29T17:01:46Z
dc.date.available.none.fl_str_mv 2022-06-29T17:01:46Z
dc.date.issued.none.fl_str_mv 2022-06-01
dc.type.es_CO.fl_str_mv Trabajo de grado - Doctorado
dc.type.driver.none.fl_str_mv info:eu-repo/semantics/doctoralThesis
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dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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dc.format.extent.es_CO.fl_str_mv 402 páginas
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dc.publisher.es_CO.fl_str_mv Universidad de los Andes
dc.publisher.program.es_CO.fl_str_mv Doctorado en Historia
dc.publisher.faculty.es_CO.fl_str_mv Facultad de Ciencias Sociales
dc.publisher.department.es_CO.fl_str_mv Departamento de Historia
institution Universidad de los Andes
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spelling Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Arias Trujillo, José Ricardovirtual::8745-1Caro Peralta, Edgar Andrésb4b1c73f-db0b-4159-98c4-60d6d4b92cbc600Rivera, SebastianMurillo, Juan DavidMuñoz Rojas, Catalina2022-06-29T17:01:46Z2022-06-29T17:01:46Z2022-06-01http://hdl.handle.net/1992/58381instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/The research explores the relationship between political culture and print culture in Colombia between 1920 and 1946. In this period liberals, conservatives, socialists and communists found in the production, circulation and consumption of print a scenario that defined their ways of doing and acting in public life. Following the approach of material history of the political, the materiality, sociability and spatiality of the communication circuit of the printed matter in which typographers, editors, announcers, booksellers and readers intervene are reconstructed. From this perspective, the materiality of the production of the graphic arts industry and the participation of different traditions of the national political culture in its modernization process are reconstructed. In light of the definition of the contexture of the typographic industry and the development of capitalism of the printed matter in Colombia, the different printed supports that were used are explored: books, newspapers, magazines and a wide range of ephemeral items such as almanacs, brochures, billboards and advertising posters that have not been considered with sufficient attention by local historiography. Likewise, some print trade spaces are reconstructed, such as bookstores and a varied set of reading practices that are defined by the material characteristics of printed matter and the multiplication of sociability spaces that range from town houses, public squares, streets and modern public transport systems. All these elements warn new ways to think about the configuration of political modernity and the ways of participating in the public sphere in which literate and non-literate interact and define the meaning of politics in the study period.La investigación explora la relación entre cultura política y cultura impresa en Colombia entre 1920 y 1946. En este periodo liberales, conservadores, socialistas y comunistas encontraron en la producción, circulación y consumo de impresos un escenario que definió sus formas de hacer y de actuar en la vida pública. Siguiendo el enfoque de historia material de lo político, se reconstruye la materialidad, sociabilidad y espacialidad del circuito de comunicación de los impresos en el que intervienen tipógrafos, editores, voceadores, libreros y lectores. A partir de esta perspectiva, se reconstruye la materialidad de la producción de la industria de las artes gráficas y la participación de distintas tradiciones de la cultura política nacional en su proceso de modernización. A la luz de la definición de la contextura de la industria tipográfica y del desarrollo del capitalismo de los impresos en Colombia, se exploran los distintos soportes impresos que fueron utilizados: libros, periódicos, revistas y un conjunto amplio de efímeros como almanaques, folletos, carteles y afiches de publicidad que no han sido considerados con suficiente atención por la historiografía local. Asimismo, se reconstruyen algunos espacios de comercio de impresos como las librerías y un conjunto variado de prácticas de lectura que están definidas por las características materiales de los impresos y la multiplicación de espacios de sociabilidad que van desde las casas del pueblo, las plazas públicas, las calles y los modernos sistemas de transporte. Todos estos elementos advierten nuevas formas para pensar la configuración de la modernidad política y los mecanismos de participación en la esfera pública en la que letrados y no letrados interactúan y definen el sentido de lo político en el periodo de estudio.Doctor en HistoriaDoctorado402 páginasapplication/pdfspaUniversidad de los AndesDoctorado en HistoriaFacultad de Ciencias SocialesDepartamento de HistoriaCultura impresa y cultura política en Colombia, 1920-1946Trabajo de grado - Doctoradoinfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_db06Texthttps://purl.org/redcol/resource_type/TDCultura impresaPolíticaEfímerosTipógrafosLibrerosCultura políticaIndustria gráficaIndustria editorialHistoria201310245Publicationc0a93598-bc2f-47c6-871e-ed3926a4b21cvirtual::8745-1c0a93598-bc2f-47c6-871e-ed3926a4b21cvirtual::8745-1https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0000032778virtual::8745-1LICENSElicense.txtlicense.txttext/plain; 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