Adiós al Huila: memoria, violencia y bambuco en Colombia (1951, 1957, 1969)

Traditional music is one of the means in which the hegemonic, non-hegemonic, counter-hegemonic and resistance imaginaries that inhabit a specific community are revealed. Therefore, this investigation seeks to identify some of the hegemonic and non-hegemonic imaginaries in the community of Huila that can be found in the bambuco. The period between 1950 and 1970 was selected because those were decades characterized by significative events in the Colombian history like La Violencia, the dictatorship of General Gustavo Rojas Pinilla and the Frente Nacional. Consequently, the object of study are three bambucos composed by Jorge Villamil and performed by Emeterio y Felipe Los Tolimenses. The bambucos are Adiós al Huila (1951), El retorno de José Dolores (19857) and El barcino (1969). I want to identify the hegemonic and non-hegemonic imaginaries related with the landscape and gender roles, as well as analyze the processes that determine the allusions to the past.--Taken from the Degree Document Format.

• Autores: Santana Bejarano, Daniela
• Fecha de publicación: 2020
• Institución: Universidad de los Andes
• Repositorio: Séneca: repositorio Uniandes
• Idioma: spa
• OAI Identifier: oai:repositorio.uniandes.edu.co:1992/50827
• Acceso en línea: http://hdl.handle.net/1992/50827
• Palabra clave: Música folclórica; Memoria colectiva; Imaginarios; Estudios de género; Villamil Cordovez, Jorge; Lenguas y Cultura
• Rights: openAccess
• License: http://creativecommons.org/licenses/by/4.0/