Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX
Letters in 19th century English literature are a frequent item. They are texts written by characters that can break into the middle of a story or form a novel by themselves. Because they are texts within a whole that is the novel, the letters are constituted as an apparently hermetic unit that is cl...
- Autores:
-
Abadía Alvarado, Sara Victoria
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2020
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/51201
- Acceso en línea:
- http://hdl.handle.net/1992/51201
- Palabra clave:
- Austen, Jane
Richardson, Samuel
Shelley, Mary Wollstonecraft
Cartas en la literatura
Literatura inglesa
Literatura
- Rights
- openAccess
- License
- Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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dc.title.spa.fl_str_mv |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
title |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
spellingShingle |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX Austen, Jane Richardson, Samuel Shelley, Mary Wollstonecraft Cartas en la literatura Literatura inglesa Literatura |
title_short |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
title_full |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
title_fullStr |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
title_full_unstemmed |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
title_sort |
Lectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIX |
dc.creator.fl_str_mv |
Abadía Alvarado, Sara Victoria |
dc.contributor.advisor.none.fl_str_mv |
Montilla Vargas, Claudia |
dc.contributor.author.none.fl_str_mv |
Abadía Alvarado, Sara Victoria |
dc.contributor.jury.none.fl_str_mv |
Alzate Cadavid, Carolina |
dc.subject.armarc.none.fl_str_mv |
Austen, Jane Richardson, Samuel Shelley, Mary Wollstonecraft Cartas en la literatura Literatura inglesa |
topic |
Austen, Jane Richardson, Samuel Shelley, Mary Wollstonecraft Cartas en la literatura Literatura inglesa Literatura |
dc.subject.themes.none.fl_str_mv |
Literatura |
description |
Letters in 19th century English literature are a frequent item. They are texts written by characters that can break into the middle of a story or form a novel by themselves. Because they are texts within a whole that is the novel, the letters are constituted as an apparently hermetic unit that is closed and independent. They seem unalterable and self-sufficient, but in reality they are fictions that affect both the text in which they are framed, and the frame that affects how it is read. Works such as Samuel Richardson's Pamela, Jane Austen's Pride and Prejudice, and Mary Shelley's Frankenstein present particular uses of letters that appeal to the reader. They give meaning to the work as a whole by establishing a correspondence between its parts. Taking the above into account, it is worth asking what this particular type of correspondence established between the reader and the text through letters consists of. And also, in what way does diminishing or reinforcing the hermeticism of the letters change the reading of the novels?. |
publishDate |
2020 |
dc.date.issued.none.fl_str_mv |
2020 |
dc.date.accessioned.none.fl_str_mv |
2021-08-10T18:15:28Z |
dc.date.available.none.fl_str_mv |
2021-08-10T18:15:28Z |
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Trabajo de grado - Pregrado |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_7a1f |
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http://hdl.handle.net/1992/51201 |
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23027.pdf |
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reponame:Repositorio Institucional Séneca |
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http://hdl.handle.net/1992/51201 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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Universidad de los Andes |
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Literatura |
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Facultad de Artes y Humanidades |
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Departamento de Humanidades y Literatura |
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Universidad de los Andes |
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Universidad de los Andes |
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Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Montilla Vargas, Claudiavirtual::5985-1Abadía Alvarado, Sara Victoria365962d3-9588-47c9-ab49-268fa8bb84ba500Alzate Cadavid, Carolina2021-08-10T18:15:28Z2021-08-10T18:15:28Z2020http://hdl.handle.net/1992/5120123027.pdfinstname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Letters in 19th century English literature are a frequent item. They are texts written by characters that can break into the middle of a story or form a novel by themselves. Because they are texts within a whole that is the novel, the letters are constituted as an apparently hermetic unit that is closed and independent. They seem unalterable and self-sufficient, but in reality they are fictions that affect both the text in which they are framed, and the frame that affects how it is read. Works such as Samuel Richardson's Pamela, Jane Austen's Pride and Prejudice, and Mary Shelley's Frankenstein present particular uses of letters that appeal to the reader. They give meaning to the work as a whole by establishing a correspondence between its parts. Taking the above into account, it is worth asking what this particular type of correspondence established between the reader and the text through letters consists of. And also, in what way does diminishing or reinforcing the hermeticism of the letters change the reading of the novels?.Las cartas en la literatura inglesa del siglo XIX son un elemento frecuente. Son textos escritos por personajes que pueden irrumpir en medio de un relato o conformar ellas solas una obra. Porque son textos dentro de un todo que es la novela, las cartas se constituyen como una unidad en apariencia hermética, es decir, cerrada e independiente, inalterable y autosuficiente, pero en realidad son ficciones que afectan tanto el texto en el que se enmarcan como el marco afecta su lectura. Obras como Pamela de Samuel Richardson, Pride and Prejudice de Jane Austen y Frankenstein de Mary Shelley presentan usos particulares de las cartas que apelan al lector para que dé un sentido a la obra en su totalidad por medio del establecimiento de una correspondencia entre sus partes. Teniendo en cuenta lo anterior cabe preguntarse en qué consiste este tipo particular de correspondencia que se establece entre el lector y el texto a través de las cartas.LiteratoPregrado46 hojasapplication/pdfspaUniversidad de los AndesLiteraturaFacultad de Artes y HumanidadesDepartamento de Humanidades y LiteraturaLectura por correspondencia : análisis de las cartas como ficción apelativa en tres novelas del siglo XIXTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/TPAusten, JaneRichardson, SamuelShelley, Mary WollstonecraftCartas en la literaturaLiteratura inglesaLiteratura201711754Publicationhttps://scholar.google.es/citations?user=K-vuHicAAAAJvirtual::5985-10000-0001-6982-9720virtual::5985-1https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0000291340virtual::5985-1ce5ee5a8-c31c-4c19-958b-694720815144virtual::5985-1ce5ee5a8-c31c-4c19-958b-694720815144virtual::5985-1TEXT23027.pdf.txt23027.pdf.txtExtracted texttext/plain82797https://repositorio.uniandes.edu.co/bitstreams/c733a9af-1fbd-46c8-a5cf-7def63c7444a/downloadfddb29377b92373bd2610bbce612d15bMD54ORIGINAL23027.pdfapplication/pdf337728https://repositorio.uniandes.edu.co/bitstreams/065ecaa4-06d2-45e0-95aa-9a789944efbf/download8347f95dc44c06d1c26319a54b075ad3MD51THUMBNAIL23027.pdf.jpg23027.pdf.jpgIM Thumbnailimage/jpeg5176https://repositorio.uniandes.edu.co/bitstreams/2d1f2c2d-3df7-41e2-9504-1d3cc3217ded/download93391bdfaf67415b5999e0a4b31cb377MD551992/51201oai:repositorio.uniandes.edu.co:1992/512012024-03-13 13:04:25.195http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co |