Si me fuera a despedir de ti

Si me fuera a despedir de ti, sabiendo quién eres, igualmente pensaría que me das más de lo que quitas. Me quitas horas de vida de la vejez que pueda que no conozca, pero son horas de plenitud las que sí me das. Porque veo a la gente de momentos; el resto del tiempo estoy con los ojos cerrados, o ta...

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Autores:: Del Castillo Salazar, Sarah

Tipo de recurso:: Trabajo de grado de pregrado

Fecha de publicación:: 2025

Institución:: Universidad de los Andes

Repositorio:: Séneca: repositorio Uniandes

Idioma:: spa

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dc.title.spa.fl_str_mv	Si me fuera a despedir de ti
dc.title.alternative.eng.fl_str_mv	If I had to say goodbye
title	Si me fuera a despedir de ti
spellingShingle	Si me fuera a despedir de ti Clubbing Disc jockey Despedida Documental Escena techno Instalación fotográfica Fotografía Wolfgang Tillmans Diseño
title_short	Si me fuera a despedir de ti
title_full	Si me fuera a despedir de ti
title_fullStr	Si me fuera a despedir de ti
title_full_unstemmed	Si me fuera a despedir de ti
title_sort	Si me fuera a despedir de ti
dc.creator.fl_str_mv	Del Castillo Salazar, Sarah
dc.contributor.advisor.none.fl_str_mv	Gumbel, Alexander Rudolf
dc.contributor.author.none.fl_str_mv	Del Castillo Salazar, Sarah
dc.contributor.jury.none.fl_str_mv	Diaz Rivera, Nestor Felipe Nieman Janssen, Christian Job
dc.subject.keyword.eng.fl_str_mv	Clubbing Disc jockey
topic	Clubbing Disc jockey Despedida Documental Escena techno Instalación fotográfica Fotografía Wolfgang Tillmans Diseño
dc.subject.keyword.spa.fl_str_mv	Despedida Documental Escena techno Instalación fotográfica Fotografía
dc.subject.keyword.deu.fl_str_mv	Wolfgang Tillmans
dc.subject.themes.none.fl_str_mv	Diseño
description	Si me fuera a despedir de ti, sabiendo quién eres, igualmente pensaría que me das más de lo que quitas. Me quitas horas de vida de la vejez que pueda que no conozca, pero son horas de plenitud las que sí me das. Porque veo a la gente de momentos; el resto del tiempo estoy con los ojos cerrados, o tapándome la boca con la mano. No estoy en presencia de nadie, sino de una masa en sincronía de la que hago parte. Soy un bultico de músculo, grasa y piel que sonríe con la idea de hacer parte del momento. Si me fuera a despedir de ti, es una instalación fotográfica que documenta el fenómeno de club techno junto a las personas que viven alrededor de este circuito musical en la ciudad de Bogotá. Retratando el preámbulo de la noche, la consecuente subida al clímax y la llegada del desasosiego, que nos obliga a todos a despedir la fiesta de nuestra propia manera.
publishDate	2025
dc.date.accessioned.none.fl_str_mv	2025-01-31T14:05:31Z
dc.date.available.none.fl_str_mv	2025-01-31T14:05:31Z
dc.date.issued.none.fl_str_mv	2025-01-30
dc.type.none.fl_str_mv	Trabajo de grado - Pregrado
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dc.relation.references.none.fl_str_mv	Alvial, M. (2022, September 9). WOLFGANG TILLMANS: AFTER DARK x PIN–UP x CLUB GLAM. PIN-UP Magazine. https://www.pinupmagazine.org/articles/pin- up-magazine-wolfgang-tillmans-party-club-glam Amsterdam University of Applied Sciences, & Digital Society School. (2015). Design Method Toolkit: Break up/Love letter. Digital Society School. https://toolkits. dss.cloud/design/method-card/break-uplove-letter/ Anderson, M. (2022). Wolfgang Tillmans: Older, Wiser, Cooler. The New York Times. https://www.nytimes.com/2022/08/29/arts/design/tillmans-moma-photogra- phy-germany-politics-culture.html Balcells, B. (2024). Nan Goldin y la fotografía para sobrevivir. Harpo Magazine. https://harpomagazine.com/nan-goldin/ Barros, B. (2019, October 23). Entrevista \| A busca pela teorização da festa de Leo Felipe. Noize Brazil. https://noize.com.br/a-busca-pela-teorizacao-da-festa-de- leo-felipe-entrevista-livro-a-historia-universal-do-after/#1 Bläsing, M. (2010, January 30). Panorama Bar Berlin. Room Division. https:// www.roomdivision.com/panorama-bar-berlin/ Burns, S. (2020, January 7). Nan Goldin Pays Homage to Lost Friends. Frieze Magazine. https://www.frieze.com/article/nan-goldin-pays-homage-lost-friends Casco, F. (2021, May 23). Todas las fiestas sin mañana. La odisea (fotográfica) de Nan Goldin. El Nacional Paraguay. https://elnacional.com.py/cultura/2021/05/23/ todas-las-fiestas-sin-manana-la-odisea-fotografica-de-nan-goldin/ CC/magazine. (2023, March 26). La belleza y el dolor: Nan Goldin y su lucha contra los Sacker. CC/Studio. https://ccmagazine.es/es/la-belleza-y-el-dolor-el-con- movedor-documental-sobre-nan-goldin-y-su-lucha-contra-los-sackler/ Cerasuolo, N. (2024, February 14). Of Beauty and Pain: Nan Goldin at Stedelijk Museum. The Amsterdammer. https://theamsterdammer.org/2024/02/14/culture/of- beauty-and-pain-nan-goldin-at-stedelijk-museum/ Coatman, A. (2017, February 17). In the studio with Wolfgang Tillmans RA. Royal Academy of Arts. https://www.royalacademy.org.uk/article/magazine-in-the-stu- dio-wolfgang-tillmans Delaney, J., Klein, K., & Heard, T. (2017, October 15). Photographers in Focus: Wolfgang Tillmans. Nowness. https://www.nowness.com/series/photogra- phers-in-focus/wolfgang-tillmans Delgado, N. (2022). Nan’s Life: A guide to know the artist (N. Vanegas, Ed.). Universidad de los Andes. https://www.behance.net/gallery/147883445/-Nans-Life- A-guide-to-know-the-artist Eliasson, O. (2003). The weather project. In Tate Modern. Tate Modern. https:// olafureliasson.net/exhibition/the-weather-project-2003 Enright, R. (2022, October). The Body’s Mystery and Journey. Border Crossings Magazine. https://bordercrossingsmag.com/article/the-bodys-mystery-and-journey Enright, R., & Walsh, M. (2021, August). Ends and Beginnings: The Generative Photographs of Nan Goldin. Border Crossings Magazine. https://bordercrossing- smag.com/article/ends-and-beginnings-the-generative-photographs-of-nan-goldin Farago, J. (2022). The Disappearing World of Wolfgang Tillmans. The New York Times. https://www.nytimes.com/2022/09/08/arts/design/moma-wolfgang-till- mans-review.html Felipe, L. (2022). Historial Universal del After (A. Ponce de León, Ed.; Efectos Colaterales). Caja Negra Editora. https://cajanegraeditora.com.ar/libros/historia-uni- versal-del-after/ Fincke, A. (2014, January 27). 6 Designers Break Up With Once-Cherished Products. Co.Design. https://www.fastcompany.com/3025448/6-designers-break- up-with-once-cherished-products Flynn, P. (2010, November). Wolfgang Tillmans - The particularities of the artist who makes the ordinary extraordinary. Fantastic Man. https://www.fantasticman. com/articles/wolfgang-tillmans/ Fraenkel Gallery. (2024). Nan Goldin. FRÆNKEL ARTISTS. https://fraenkelgallery. com/artists/nan-goldin Galaxina, A. (2023). LA BALADA DE NAN GOLDIN: A PROPÓSITO DE LA BELLE- ZA Y EL DOLOR. Revista Minerva. https://cbamadrid.es/revistaminerva/articulo. php?id=947 Goldin, N. (1986). The ballad of sexual dependency (M. Heiferman, M. Holborn, & S. Fletcher, Eds.) [Book]. Aperture Foundation. Goldin, N. (2008). The devil’s playground (John. Jenkinson, Ed.) [Book]. Phaidon. Goldin, N. (2024). The Museum of Contemporary Art: Nan Goldin. MOCA. https://www.moca.org/artist/nan-goldin Graf, S. (2023). Who Is Nan Goldin? TheCollector. https://www.thecollector.com/ nan-goldin-artist-activist-intimate-photographs/ Guélaud, P., & Knight, A. (2018). Archives of Women Artists Research & Exhibi- tions: Nan Goldin. Dictionnaire Universel Des Créatrices. https://awarewomenartists. com/en/artiste/nan-goldin/ Hegemann, D. (1991). Tresor Berlin Foundation. https://tresorberlin.com Hess, L. (2020, July 14). Wolfgang Tillmans Is Holding an Artist Poster Sale to Support Queer Nightlife in NYC. Vogue. https://www.vogue.com/article/between- bridges-wolfgang-tillmans-artist-poster-sale-nyc-queer-nightlife Hoffmann, H., & Hoffmann, F. (2019). NO PHOTOS ON THE DANCE FLOOR! Berlin 1989 – Today. In C/O Berlin. https://www.co-berlin.org/en/program/exhibi- tions/no-photos-dance-floor Howard, E. (2017). NAN GOLDIN: THE BALLAD OF SEXUAL DEPENDENCY. Kids of Dada. https://www.kidsofdada.com/blogs/magazine/17427081-nan-gol- din-the-ballad-of-sexual-dependency Huxley, A. (2018). Las puertas de la percepción: cielo e infierno (M. de Hernani, Ed.; Primera edición.) [Book]. Debolsillo. Jones, T. (2001). Smile i-D: fashion and style: the best from 20 years of i-D (T. Jones, Ed.) [Book]. Taschen. Kale, S. (2018, November 12). MAMBA NEGRA: THE LEADING LIGHT OF SAO PAULO’S DANCE MUSIC SCENE. Boiler Room. https://boilerroom.tv/article/con- temporary-scenes-mamba-negra Karsten, T., Erhard, A., & Room Division. (2010). Panorama Bar by Studio Karhard. Studio Karhard. https://www.karhard.de/projects/panorama-bar Klaassen, O. (n.d.). Swimming against the hetero- and homonormative tide: a queer reading of Wolfgang Tillmans’ photo installation (2004–2009) in the Panorama Bar at Berlin’s Berghain. UCL Digital Press UK. https://ucldigitalpress.co.uk/Book/ Article/87/111/6508/ Kratsch, C. (2015, August 26). Berghain Inside Fotos. Imago. https://www.ima- go-images.de/fotos-bilder/berghain-inside Künzel, T. (2012). Sub Berlin - The Story of Tresor (Documentary). Tresor Founda- tion. https://www.youtube.com/watch?v=iiuJhq-z2LE Las Entendidas. (2023, March 14). ‘La belleza y el dolor’: Nan Goldin o la fotógra- fa que estrechó su arte hacia el activismo. Vogue Spain. https://www.vogue.es/ living/articulos/la-belleza-y-el-dolor-documental-nan-goldin Leuffen, M., & Hegemann, D. (2022, June 28). Could club culture have achieved world peace? WIP Magazine. https://theface.com/music/carhartt-wip-maga- zine-tresor-berlin-techno Lim, C., & Schmitt, R. A. (2018, September 16). Sound of Berlin Documentary. Embassy One. https://www.youtube.com/watch?v=BF-fTJolMSM Lloyd-Smith, H. (2023, July 17). Artist Nan Goldin confronts power and account- ability in the US opioid crisis. Wallpaper* Magazine. https://www.wallpaper.com/art/ nan-goldin-pain-interview Martin, B., & Hanington, B. (2012). Universal methods of design: 100 ways to research complex problems, develop innovative ideas, and design effective solutions (Rockport Publishers). Rockport Publishers. https://books.google.com.co/books/ about/Universal_Methods_of_Design.html?id=uZ8uzWAcdxEC&redir_esc=y Martin, C. (2017, February 17). Poetry and politics at Wolfgang Tillmans’ Tate Modern show. CNN. https://edition.cnn.com/style/article/wolfgang-tillmans-2017- tate-modern/index.html McGarvie, J. (2023, July 5). Tresor: A Story of Survival. Resident Advisor. https:// www.youtube.com/watch?v=-Q09nP62VnU Morris, K. (2019, September 19). In Pictures: Berlin’s Ever-Thriving Club Scene. Frieze Magazine. https://www.frieze.com/article/pictures-berlins-ever-thriving-club- scene Nation, P., Fisher, J., & Higginson, D. (2011, December 2). Real Scenes: Berlin. Resident Advisor. https://www.youtube.com/watch?v=KXfK7H2eFl8 Olunkwa, E. (2022, September 8). WOLFGANG TILLMANS AND HIS ARCHIVE OF 1:10 EXHIBITION MOCK-UPS. PIN-UP Magazine. https://www.pinupmagazine. org/articles/wolfgang-tillmans-interview-emmanuel-olunkwa Ossler, N. (2015, October 12). Berghain, short documentary. https://www.you- tube.com/watch?v=0buhM4bbAx4 Pestarino, J. (2023, May 30). Nan Goldin: Toda la belleza y el dolor. Revista Desbandada. https://revistadesbandada.com/2023/05/30/nan-goldin-all-the-beau- ty-and-the-bloodshed/ Peyton-Jones, J., Ulrich Obrist, H., & O’Brien, S. (2012). Wolfgang Tillmans (J. Peyton-Jones, H. Ulrich Obrist, & S. O’Brien, Eds.) [Book]. Banco de la República, Museo de Arte. Recoaro, N. (2022, September 16). Historia universal del after: viaje al fin de la noche brasileña. Tiempo Argentino. https://www.tiempoar.com.ar/cultura/historia- universal-del-after-viaje-al-fin-de-la-noche-brasilena/ Rosenthal, N., & Archer, M. (2000). Apocalypse: beauty and horror in contem- porary art (N. Rosenthal, M. Archer, & Royal Academy of Arts (Gran Bretaña), Eds.) [Book]. Royal Academy of Arts. Ryan, C. (2022, October 5). Looking for New Ways of Looking. MOMA. https:// www.moma.org/magazine/articles/787 Sánchez, M., & Arias, E. (2017). Taller Agosto. https://talleragosto.com Sayej, N. (2018, February 1). Wolfgang Tillmans photographs his friends being vulnerable. I-D. https://i-d.co/article/wolfgang-tillmans-photographs-his-friends-be- ing-vulnerable/ Schijen, S. (2019, June 27). El resurgimiento del voguing, el baile del Orgullo Gay inspirado en las páginas de Vogue. Vogue México. https://www.vogue.mx/esti- lo-de-vida/articulo/el-voguing-que-es-baile-historia Schjeldahl, P. (2022, October 3). Stilled Life: The photography of Wolfgang Tillmans. The New Yorker. https://www.newyorker.com/magazine/2022/10/10/ the-polymorphous-genius-of-wolfgang-tillmans Schulze, M. (2024, September 20). What is Wolfgang Tillmans’ Still Life series all about? Public Delivery Seoul Korea. https://publicdelivery.org/wolfgang-tillmans-still- life/ Shafaieh, C. (2018, October 13). Wolfgang Tillmans: ‘When I see borders, they trigger me.’ The Irish Times. https://www.irishtimes.com/culture/art-and-design/visu- al-art/wolfgang-tillmans-when-i-see-borders-they-trigger-me-1.3657459 Solarat, C. (2021, May 21). Nan Goldin, la fotógrafa que retrató la intimidad en la escena underground neoyorquina. Cultura Inquieta. https://culturainquieta.com/ arte/fotografia/nan-goldin-la-fotografa-que-retrato-la-intimidad-en-la-escena-under- ground-neoyorquina/ Spens, M. (2010, July 8). Wolfgang Tillmans: A Photographer at Large. Stu- dio International Foundation. https://www.studiointernational.com/wolfgang-till- mans-a-photographer-at-large Stein, N. (2014, July 1). In Dialogue: Wolfgang Tillmans. Philadelphia Museum of Art. https://philamuseum.org/calendar/exhibition/in-dialogue-wolfgang-tillmans Tillmans, W. (2016, April 29). Wolfgang Tillmans at Galerie Buchholz, Berlin. Galerie Buchholz. https://www.contemporaryartdaily.com/project/wolfgang-till- mans-at-galerie-buchholz-berlin-9742 Tillmans, W. (2019). Art Basel Wolfgang Tillmans. Art Basel. https://www.artbasel. com/catalog/artist/6932/Wolfgang-Tillmans Tillmans, W. (2024). Wolfgang Tillmans. https://tillmans.co.uk Tom, S. (2015a). Aurora Bar at Tresor (after party view). Flickr. https://flic.kr/p/rkWnJi Tom, S. (2015b). Smokers Lounge - Chill’in Space - Tresor (Berlin). Flickr. https:// flic.kr/p/reJ7oE Tykwer, T. (1998, August 20). Lola Rennt. Lucky Red Distribuzione. https://mubi. com/en/co/films/run-lola-run Ugelvig, J. (2015, June 29). WOLFGANG TILLMANS ON THE ART OF PHOTOG- RAPHY. 1GRANARY. https://1granary.com/industry/wolfgang-tillmans-on-the-art-of- photography/#&gid=1&pid=18 Verwoert, J. (2018, August 14). “I have a duty to preserve it” - Why Tillmans still shoots nightlife. Phaidon. https://www.phaidon.com/agenda/photography/arti- cles/2018/august/14/i-have-a-duty-to-preserve-it-why-tillmans-still-shoots-nightlife/ Vonpie, E. (2016, July 18). Tresor As Seen By The Techno Scene Community. Medium. https://medium.com/@technoscene/tresor-as-seen-by-the-techno-scene- community-9433349a2ac Waite, T. (2020, August 12). Berghain will exhibit art by Olafur Eliasson, Wolfgang Tillmans, and more. Dazed. https://www.dazeddigital.com/art-photography/arti- cle/50101/1/berghain-berlin-exhibit-art-by-olafur-eliasson-wolfgang-tillmans-and- more Wallace, M. (2019, September 27). Delve into 30 years of Berlin’s hedonistic tech- no scene. Hunger Magazine. https://hungermag.com/editorial/delve-into-30-years- of-berlins-hedonistic-techno-scene Witt, E. (2018, September 3). The Life and Art of Wolfgang Tillmans. The New Yorker. https://www.newyorker.com/magazine/2018/09/10/the-life-and-art-of-wolf- gang-tillmans Zacarias, D. (2020, April 29). Moments of Stillness in Wolfgang Tillmans’s “Los Angeles Installation.” LACMA Los Angeles County Museum of Art. https://unframed. lacma.org/2020/04/29/moments-stillness-wolfgang-tillmanss-los-angeles-installation Zevi, C. (2015, September 16). Wolfgang Tillmans’s Early Film Debut at The Kitchen Was a Packed, Sweaty Mess. Artnet. https://news.artnet.com/art-world/ wolfgang-tillmans-early-films-kitchen-333196
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spelling	Gumbel, Alexander Rudolfvirtual::22882-1Del Castillo Salazar, SarahDiaz Rivera, Nestor FelipeNieman Janssen, Christian Jobvirtual::22883-12025-01-31T14:05:31Z2025-01-31T14:05:31Z2025-01-30https://hdl.handle.net/1992/75895instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Si me fuera a despedir de ti, sabiendo quién eres, igualmente pensaría que me das más de lo que quitas. Me quitas horas de vida de la vejez que pueda que no conozca, pero son horas de plenitud las que sí me das. Porque veo a la gente de momentos; el resto del tiempo estoy con los ojos cerrados, o tapándome la boca con la mano. No estoy en presencia de nadie, sino de una masa en sincronía de la que hago parte. Soy un bultico de músculo, grasa y piel que sonríe con la idea de hacer parte del momento. Si me fuera a despedir de ti, es una instalación fotográfica que documenta el fenómeno de club techno junto a las personas que viven alrededor de este circuito musical en la ciudad de Bogotá. Retratando el preámbulo de la noche, la consecuente subida al clímax y la llegada del desasosiego, que nos obliga a todos a despedir la fiesta de nuestra propia manera.Pregrado284 páginasapplication/pdfspaUniversidad de los AndesDiseñoFacultad de Arquitectura y DiseñoDepartamento de DiseñoAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Si me fuera a despedir de tiIf I had to say goodbyeTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPClubbingDisc jockeyDespedidaDocumentalEscena technoInstalación fotográficaFotografíaWolfgang TillmansDiseñoAlvial, M. (2022, September 9). WOLFGANG TILLMANS: AFTER DARK x PIN–UP x CLUB GLAM. PIN-UP Magazine. https://www.pinupmagazine.org/articles/pin- up-magazine-wolfgang-tillmans-party-club-glamAmsterdam University of Applied Sciences, & Digital Society School. (2015). Design Method Toolkit: Break up/Love letter. Digital Society School. https://toolkits. dss.cloud/design/method-card/break-uplove-letter/Anderson, M. (2022). Wolfgang Tillmans: Older, Wiser, Cooler. The New York Times. https://www.nytimes.com/2022/08/29/arts/design/tillmans-moma-photogra- phy-germany-politics-culture.htmlBalcells, B. (2024). Nan Goldin y la fotografía para sobrevivir. Harpo Magazine. https://harpomagazine.com/nan-goldin/Barros, B. (2019, October 23). Entrevista \| A busca pela teorização da festa de Leo Felipe. Noize Brazil. https://noize.com.br/a-busca-pela-teorizacao-da-festa-de- leo-felipe-entrevista-livro-a-historia-universal-do-after/#1Bläsing, M. (2010, January 30). Panorama Bar Berlin. Room Division. https:// www.roomdivision.com/panorama-bar-berlin/Burns, S. (2020, January 7). Nan Goldin Pays Homage to Lost Friends. Frieze Magazine. https://www.frieze.com/article/nan-goldin-pays-homage-lost-friendsCasco, F. (2021, May 23). Todas las fiestas sin mañana. La odisea (fotográfica) de Nan Goldin. El Nacional Paraguay. https://elnacional.com.py/cultura/2021/05/23/ todas-las-fiestas-sin-manana-la-odisea-fotografica-de-nan-goldin/CC/magazine. (2023, March 26). La belleza y el dolor: Nan Goldin y su lucha contra los Sacker. CC/Studio. https://ccmagazine.es/es/la-belleza-y-el-dolor-el-con- movedor-documental-sobre-nan-goldin-y-su-lucha-contra-los-sackler/Cerasuolo, N. (2024, February 14). Of Beauty and Pain: Nan Goldin at Stedelijk Museum. The Amsterdammer. https://theamsterdammer.org/2024/02/14/culture/of- beauty-and-pain-nan-goldin-at-stedelijk-museum/Coatman, A. (2017, February 17). In the studio with Wolfgang Tillmans RA. Royal Academy of Arts. https://www.royalacademy.org.uk/article/magazine-in-the-stu- dio-wolfgang-tillmansDelaney, J., Klein, K., & Heard, T. (2017, October 15). Photographers in Focus: Wolfgang Tillmans. Nowness. https://www.nowness.com/series/photogra- phers-in-focus/wolfgang-tillmansDelgado, N. (2022). Nan’s Life: A guide to know the artist (N. Vanegas, Ed.). Universidad de los Andes. https://www.behance.net/gallery/147883445/-Nans-Life- A-guide-to-know-the-artistEliasson, O. (2003). The weather project. In Tate Modern. Tate Modern. https:// olafureliasson.net/exhibition/the-weather-project-2003Enright, R. (2022, October). The Body’s Mystery and Journey. Border Crossings Magazine. https://bordercrossingsmag.com/article/the-bodys-mystery-and-journeyEnright, R., & Walsh, M. (2021, August). Ends and Beginnings: The Generative Photographs of Nan Goldin. Border Crossings Magazine. https://bordercrossing- smag.com/article/ends-and-beginnings-the-generative-photographs-of-nan-goldinFarago, J. (2022). The Disappearing World of Wolfgang Tillmans. The New York Times. https://www.nytimes.com/2022/09/08/arts/design/moma-wolfgang-till- mans-review.htmlFelipe, L. (2022). Historial Universal del After (A. Ponce de León, Ed.; Efectos Colaterales). Caja Negra Editora. https://cajanegraeditora.com.ar/libros/historia-uni- versal-del-after/Fincke, A. (2014, January 27). 6 Designers Break Up With Once-Cherished Products. Co.Design. https://www.fastcompany.com/3025448/6-designers-break- up-with-once-cherished-productsFlynn, P. (2010, November). Wolfgang Tillmans - The particularities of the artist who makes the ordinary extraordinary. Fantastic Man. https://www.fantasticman. com/articles/wolfgang-tillmans/Fraenkel Gallery. (2024). Nan Goldin. FRÆNKEL ARTISTS. https://fraenkelgallery. com/artists/nan-goldinGalaxina, A. (2023). LA BALADA DE NAN GOLDIN: A PROPÓSITO DE LA BELLE- ZA Y EL DOLOR. Revista Minerva. https://cbamadrid.es/revistaminerva/articulo. php?id=947Goldin, N. (1986). The ballad of sexual dependency (M. Heiferman, M. Holborn, & S. Fletcher, Eds.) [Book]. Aperture Foundation.Goldin, N. (2008). The devil’s playground (John. Jenkinson, Ed.) [Book]. Phaidon. Goldin, N. (2024). The Museum of Contemporary Art: Nan Goldin. MOCA. https://www.moca.org/artist/nan-goldinGraf, S. (2023). Who Is Nan Goldin? TheCollector. https://www.thecollector.com/ nan-goldin-artist-activist-intimate-photographs/Guélaud, P., & Knight, A. (2018). Archives of Women Artists Research & Exhibi- tions: Nan Goldin. Dictionnaire Universel Des Créatrices. https://awarewomenartists. com/en/artiste/nan-goldin/Hegemann, D. (1991). Tresor Berlin Foundation. https://tresorberlin.comHess, L. (2020, July 14). Wolfgang Tillmans Is Holding an Artist Poster Sale to Support Queer Nightlife in NYC. Vogue. https://www.vogue.com/article/between- bridges-wolfgang-tillmans-artist-poster-sale-nyc-queer-nightlifeHoffmann, H., & Hoffmann, F. (2019). NO PHOTOS ON THE DANCE FLOOR! Berlin 1989 – Today. In C/O Berlin. https://www.co-berlin.org/en/program/exhibi- tions/no-photos-dance-floorHoward, E. (2017). NAN GOLDIN: THE BALLAD OF SEXUAL DEPENDENCY. Kids of Dada. https://www.kidsofdada.com/blogs/magazine/17427081-nan-gol- din-the-ballad-of-sexual-dependencyHuxley, A. (2018). Las puertas de la percepción: cielo e infierno (M. de Hernani, Ed.; Primera edición.) [Book]. Debolsillo.Jones, T. (2001). Smile i-D: fashion and style: the best from 20 years of i-D (T. Jones, Ed.) [Book]. Taschen.Kale, S. (2018, November 12). MAMBA NEGRA: THE LEADING LIGHT OF SAO PAULO’S DANCE MUSIC SCENE. Boiler Room. https://boilerroom.tv/article/con- temporary-scenes-mamba-negraKarsten, T., Erhard, A., & Room Division. (2010). Panorama Bar by Studio Karhard. Studio Karhard. https://www.karhard.de/projects/panorama-barKlaassen, O. (n.d.). Swimming against the hetero- and homonormative tide: a queer reading of Wolfgang Tillmans’ photo installation (2004–2009) in the Panorama Bar at Berlin’s Berghain. UCL Digital Press UK. https://ucldigitalpress.co.uk/Book/ Article/87/111/6508/Kratsch, C. (2015, August 26). Berghain Inside Fotos. Imago. https://www.ima- go-images.de/fotos-bilder/berghain-insideKünzel, T. (2012). Sub Berlin - The Story of Tresor (Documentary). Tresor Founda- tion. https://www.youtube.com/watch?v=iiuJhq-z2LELas Entendidas. (2023, March 14). ‘La belleza y el dolor’: Nan Goldin o la fotógra- fa que estrechó su arte hacia el activismo. Vogue Spain. https://www.vogue.es/ living/articulos/la-belleza-y-el-dolor-documental-nan-goldinLeuffen, M., & Hegemann, D. (2022, June 28). Could club culture have achieved world peace? WIP Magazine. https://theface.com/music/carhartt-wip-maga- zine-tresor-berlin-technoLim, C., & Schmitt, R. A. (2018, September 16). Sound of Berlin Documentary. Embassy One. https://www.youtube.com/watch?v=BF-fTJolMSMLloyd-Smith, H. (2023, July 17). Artist Nan Goldin confronts power and account- ability in the US opioid crisis. Wallpaper* Magazine. https://www.wallpaper.com/art/ nan-goldin-pain-interviewMartin, B., & Hanington, B. (2012). Universal methods of design: 100 ways to research complex problems, develop innovative ideas, and design effective solutions (Rockport Publishers). Rockport Publishers. https://books.google.com.co/books/ about/Universal_Methods_of_Design.html?id=uZ8uzWAcdxEC&redir_esc=yMartin, C. (2017, February 17). Poetry and politics at Wolfgang Tillmans’ Tate Modern show. CNN. https://edition.cnn.com/style/article/wolfgang-tillmans-2017- tate-modern/index.htmlMcGarvie, J. (2023, July 5). Tresor: A Story of Survival. Resident Advisor. https:// www.youtube.com/watch?v=-Q09nP62VnUMorris, K. (2019, September 19). In Pictures: Berlin’s Ever-Thriving Club Scene. Frieze Magazine. https://www.frieze.com/article/pictures-berlins-ever-thriving-club- sceneNation, P., Fisher, J., & Higginson, D. (2011, December 2). Real Scenes: Berlin. Resident Advisor. https://www.youtube.com/watch?v=KXfK7H2eFl8Olunkwa, E. (2022, September 8). WOLFGANG TILLMANS AND HIS ARCHIVE OF 1:10 EXHIBITION MOCK-UPS. PIN-UP Magazine. https://www.pinupmagazine. org/articles/wolfgang-tillmans-interview-emmanuel-olunkwaOssler, N. (2015, October 12). Berghain, short documentary. https://www.you- tube.com/watch?v=0buhM4bbAx4Pestarino, J. (2023, May 30). Nan Goldin: Toda la belleza y el dolor. Revista Desbandada. https://revistadesbandada.com/2023/05/30/nan-goldin-all-the-beau- ty-and-the-bloodshed/Peyton-Jones, J., Ulrich Obrist, H., & O’Brien, S. (2012). Wolfgang Tillmans (J. Peyton-Jones, H. Ulrich Obrist, & S. O’Brien, Eds.) [Book]. Banco de la República, Museo de Arte.Recoaro, N. (2022, September 16). Historia universal del after: viaje al fin de la noche brasileña. Tiempo Argentino. https://www.tiempoar.com.ar/cultura/historia- universal-del-after-viaje-al-fin-de-la-noche-brasilena/Rosenthal, N., & Archer, M. (2000). Apocalypse: beauty and horror in contem- porary art (N. Rosenthal, M. Archer, & Royal Academy of Arts (Gran Bretaña), Eds.) [Book]. Royal Academy of Arts.Ryan, C. (2022, October 5). Looking for New Ways of Looking. MOMA. https:// www.moma.org/magazine/articles/787Sánchez, M., & Arias, E. (2017). Taller Agosto. https://talleragosto.comSayej, N. (2018, February 1). Wolfgang Tillmans photographs his friends being vulnerable. I-D. https://i-d.co/article/wolfgang-tillmans-photographs-his-friends-be- ing-vulnerable/Schijen, S. (2019, June 27). El resurgimiento del voguing, el baile del Orgullo Gay inspirado en las páginas de Vogue. Vogue México. https://www.vogue.mx/esti- lo-de-vida/articulo/el-voguing-que-es-baile-historiaSchjeldahl, P. (2022, October 3). Stilled Life: The photography of Wolfgang Tillmans. The New Yorker. https://www.newyorker.com/magazine/2022/10/10/ the-polymorphous-genius-of-wolfgang-tillmansSchulze, M. (2024, September 20). What is Wolfgang Tillmans’ Still Life series all about? Public Delivery Seoul Korea. https://publicdelivery.org/wolfgang-tillmans-still- life/Shafaieh, C. (2018, October 13). Wolfgang Tillmans: ‘When I see borders, they trigger me.’ The Irish Times. https://www.irishtimes.com/culture/art-and-design/visu- al-art/wolfgang-tillmans-when-i-see-borders-they-trigger-me-1.3657459Solarat, C. (2021, May 21). Nan Goldin, la fotógrafa que retrató la intimidad enla escena underground neoyorquina. Cultura Inquieta. https://culturainquieta.com/ arte/fotografia/nan-goldin-la-fotografa-que-retrato-la-intimidad-en-la-escena-under- ground-neoyorquina/Spens, M. (2010, July 8). Wolfgang Tillmans: A Photographer at Large. Stu- dio International Foundation. https://www.studiointernational.com/wolfgang-till- mans-a-photographer-at-largeStein, N. (2014, July 1). In Dialogue: Wolfgang Tillmans. Philadelphia Museum of Art. https://philamuseum.org/calendar/exhibition/in-dialogue-wolfgang-tillmansTillmans, W. (2016, April 29). Wolfgang Tillmans at Galerie Buchholz, Berlin. Galerie Buchholz. https://www.contemporaryartdaily.com/project/wolfgang-till- mans-at-galerie-buchholz-berlin-9742Tillmans, W. (2019). Art Basel Wolfgang Tillmans. Art Basel. https://www.artbasel. com/catalog/artist/6932/Wolfgang-TillmansTillmans, W. (2024). Wolfgang Tillmans. https://tillmans.co.ukTom, S. (2015a). Aurora Bar at Tresor (after party view). Flickr. https://flic.kr/p/rkWnJiTom, S. (2015b). Smokers Lounge - Chill’in Space - Tresor (Berlin). Flickr. https:// flic.kr/p/reJ7oETykwer, T. (1998, August 20). Lola Rennt. Lucky Red Distribuzione. https://mubi. com/en/co/films/run-lola-runUgelvig, J. (2015, June 29). WOLFGANG TILLMANS ON THE ART OF PHOTOG- RAPHY. 1GRANARY. https://1granary.com/industry/wolfgang-tillmans-on-the-art-of- photography/#&gid=1&pid=18Verwoert, J. (2018, August 14). “I have a duty to preserve it” - Why Tillmans still shoots nightlife. Phaidon. https://www.phaidon.com/agenda/photography/arti- cles/2018/august/14/i-have-a-duty-to-preserve-it-why-tillmans-still-shoots-nightlife/Vonpie, E. (2016, July 18). Tresor As Seen By The Techno Scene Community. Medium. https://medium.com/@technoscene/tresor-as-seen-by-the-techno-scene- community-9433349a2acWaite, T. (2020, August 12). Berghain will exhibit art by Olafur Eliasson, Wolfgang Tillmans, and more. Dazed. https://www.dazeddigital.com/art-photography/arti- cle/50101/1/berghain-berlin-exhibit-art-by-olafur-eliasson-wolfgang-tillmans-and- moreWallace, M. (2019, September 27). Delve into 30 years of Berlin’s hedonistic tech- no scene. Hunger Magazine. https://hungermag.com/editorial/delve-into-30-years- of-berlins-hedonistic-techno-sceneWitt, E. (2018, September 3). The Life and Art of Wolfgang Tillmans. The New Yorker. https://www.newyorker.com/magazine/2018/09/10/the-life-and-art-of-wolf- gang-tillmansZacarias, D. (2020, April 29). Moments of Stillness in Wolfgang Tillmans’s “Los Angeles Installation.” LACMA Los Angeles County Museum of Art. https://unframed. lacma.org/2020/04/29/moments-stillness-wolfgang-tillmanss-los-angeles-installationZevi, C. (2015, September 16). Wolfgang Tillmans’s Early Film Debut at The Kitchen Was a Packed, Sweaty Mess. 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Si me fuera a despedir de ti

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