Sobre la mimesis forense: de la tradición a la transformación
Este artículo tiene como propósito analizar y dar cuenta de las raíces estéticas de la disciplina jurídica contemporánea. El concepto que permite iniciar una reconstrucción de estas raíces es el de mimesis. Puesto que, a través de este concepto, la tradición griega se hace presente en las reflexione...
- Autores:
-
Beltran Bolivar, Isaac
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2024
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
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- spa
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- oai:repositorio.uniandes.edu.co:1992/74814
- Acceso en línea:
- https://hdl.handle.net/1992/74814
- Palabra clave:
- Filosofía clásica
Estética clásica
Teoría crítica
Estética moderna
Oratoria forense
Filosofía
Derecho
Arte
- Rights
- openAccess
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- Attribution-NonCommercial 4.0 International
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Sobre la mimesis forense: de la tradición a la transformación |
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Sobre la mimesis forense: de la tradición a la transformación |
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Sobre la mimesis forense: de la tradición a la transformación Filosofía clásica Estética clásica Teoría crítica Estética moderna Oratoria forense Filosofía Derecho Arte |
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Sobre la mimesis forense: de la tradición a la transformación |
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Sobre la mimesis forense: de la tradición a la transformación |
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Sobre la mimesis forense: de la tradición a la transformación |
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Sobre la mimesis forense: de la tradición a la transformación |
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Sobre la mimesis forense: de la tradición a la transformación |
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Beltran Bolivar, Isaac |
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Lema Habash, Nicolas Guillermo |
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Beltran Bolivar, Isaac |
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Ariza Rodríguez, Sergio Reinel |
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Filosofía clásica Estética clásica Teoría crítica Estética moderna Oratoria forense |
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Filosofía clásica Estética clásica Teoría crítica Estética moderna Oratoria forense Filosofía Derecho Arte |
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Filosofía Derecho Arte |
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Este artículo tiene como propósito analizar y dar cuenta de las raíces estéticas de la disciplina jurídica contemporánea. El concepto que permite iniciar una reconstrucción de estas raíces es el de mimesis. Puesto que, a través de este concepto, la tradición griega se hace presente en las reflexiones contemporáneas acerca del carácter estético de diversas manifestaciones creativas, más allá de las bellas artes. Por medio de un recorrido no exhaustivo de fuentes que trabajan con el concepto de mimesis, y de la mano de la obra de Teodoro Adorno alrededor del mismo concepto, se busca construir una interpretación de la mimesis, como concepto, anclada en la tradición filosófica que resalta las dimensiones estéticas y miméticas del fenómeno antecedente a la disciplina jurídica moderna: la oratoria forense ateniense. |
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Adorno, Theodor W. Aesthetic Theory. Translated by Robert Kentor-Hullot. Minneapolis: University of Minnesota Press, 1997. Adorno, Theodor W., and Max Horkheimer. Dialectica de La Ilustración. Translated by Juan Jose Sanchez. Madrid: Editorial Trotta, 2023. Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightment as Mass Deception.” In Dialectic of Enlightment. Frankfurt: Standford University Press, 2002. Aertsen, Jan. “Beauty in the Middle Ages: A Forgotten Transcendental?” Medieval Philosophy & Theology 1 (1991): 68–97. https://doi-org.ezproxy.uniandes.edu.co/10.5840/medievalpt199115. Aeschines. Aeschines with an English Translation. Translated by Charles Darwin Adams. Cambridge, Massachussetts: Harvard University Press, 1919. http://data.perseus.org/citations/urn:cts:greekLit:tlg0026.tlg002.perseus-grc1:1. Agustin. Soliloquios y Manual. Madrid: Ediciones Atlas, 1944. Agustine. De Libero Arbitrio, De Vera Religione, The Soliloquies. Translated by John Burleigh. The Library of Christian Classics. Vol. IV. Philadelphia, 1953. Agustine. The City of God. New York: Random House, 1950. Albertini, Tamara. Marsilio Ficino: Das Problem Der Vermittlung von Denken Und Welt in Einer Metaphysik Der Einfachheit. München: W. Fink Verlag, 1997. Angella, Marco. “On Reification and Extreme Violence. Mimesis, Play and Power in Adorno.” Critical Horizons 22, no. 4 (2021): 402–19. https://doi.org/10.1080/14409917.2021.1957352. Arancibia, Juan Pablo. “Tragedia y Democracia Griega: El in-Fortunio de La Stasis.” Revista de Filosofía 77, no. 2020 (2022): 19–39. Aristóteles. Ética Nicomáquea. 2a ed. Madrid: Gredos, 1994. Aristóteles. Poética De Aristóteles. Translated by Valentín García. Madrid: Editorial Gredos, 1974. Aristóteles de Estagira. Politeia (La Política). Translated by Manuel Briceño Jauregui. 1a ed. Bogotá: Publicaciones del Instituto Caro y Cuervo, 1989. Bacon, Francis. Selected Philosophical Works. Edited by Rose-Mary Sargent. Indianapolis: Hackett Publishing Company, 1999. https://doi.org/10.1086/385396. Ball, Milner. “The Play’s the Thing: An Unscientific Reflection on Courts under the Rubric of Theater.” Stanford Law Review 28, no. 1 (1975): 81–116. Baumgarten, Gottlieb Alexander. Reflections on Poetry: Meditationes Philosophicae de Nonnullis Ad Poema Pertinentibus. Translated by Karl Aschenbrenner and William Hölther. University of California Press, 2022. Beardsley, Monroe. Aesthetics from Classical Greece to the Present. New York: The University of Alabama Press, 1975. Boileau-Despréaux, Nicolas. L’art Poétique. Paris: Hachette Livre, 1683. Bolaños, Kristoffer. “Plato on the Responsible Use of Poetry and Fiction in The Republic and The Laws.” Kritike 11, no. 2 (2017): 241–56. https://www.kritike.org/journal/issue_21/bolanos_december2017.pdf. Buckler, John. “Demosthenes and Aeschines.” In Demosthenes: Statesman and Orator, edited by Ian Worthington. New Yor: Routledge, n.d. Buckler, John, and Hans Beck. Central Greece and the Politics of Power in the Fourth Century BC. Cambridge: Cambridge University Press, 2008. Carey, Christopher. “Legal Space in Classical Athens.” Greece and Rome 41, no. 2 (1994): 172–86. Carey, Christopher. “Style, Persona and Performance in Aeschines’ Prosecution of Timarchus.” In The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric, edited by Sophia Papaioannou, Andreas Serafim, and Beatrice da Vela. Boston: Brill, 2017. Cluley, Robert, and Stephen Dunne. “From Commodity Fetishism to Commodity Narcissism.” Marketing Theory 12, no. 3 (2012): 251–65. https://doi.org/10.1177/1470593112451395. Deleuze, Gilles, and Felix Guattari. Qu’est-Ce Que La Philosophie? Les Éditions de Minuit, 2013. Demosthenes. Demosthenes with an English Translation. Translated by C. A. Vince and J. H. Vince. Cambridge, Massachussetts: Harvard University Press, 1926. http://data.perseus.org/citations/urn:cts:greekLit:tlg0014.tlg019.perseus-eng1:1. Derrida, Jacques. Force de Loi: Le “Fondament Mystique de l’autorité.” Paris: Éditions Galilée, 1994. Dewey, John. Art as Experience. New York: Perigee Books, 1934. Dewey, John. “Logical Method and the Law.” The Essential Dewey, Volume 1 (1998) 211, no. 1 (1924): 17–27. https://doi.org/10.17684/i15A211en. Dolin, Kieran. Law and Literature. Edited by Kieran Dolin. Cambridge Critical Concepts. Cambridge: Cambridge University Press, 2018. Eco, Umberto. Arte y Belleza En La Estetica Medieval. Translated by Helena Lozano Miralles. 2a ed. Editorial Lumen, 1999. Eco, Umberto. On Beauty: A History of a Western Idea. Translated by Alastair McEwen. London: Secker & Warburg, 2004. Else, Gerald. Aristotle’s Poetics: The Argument. Cambridge, Massachussetts: Harvard University Press, 1957. Else, Gerald. “‘Imitation’ in the Fifth Century.” Classical Philology 53, no. 2 (1958): 73–90. https://www.jstor.org/stable/266651. Escobar Moncada, Jairo. “Mímesis En Pláton y Adorno.” Eidos, no. 20 (2014): 173–221. Farenga, Vincent. Citizen and Self in Ancient Greece: Individuals Performing Justice and the Law. Cambridge: Cambridge University Press, 2006. Ficino, Marsilio. Commentaire Sur Le Banquet de Platon. Translated by Raymond Marcel. Paris: Société d’Edition “Les Belles Lettres,” 1956. Gagarin, Michael. “Telling Stories in Athenian Law.” Transactions of the American Philological Association 133, no. 2 (2003): 197–207. https://www.jstor.org/stable/20054085. Goethe, Johann Wolfgang Von. Essays on Art and Literature. Edited by John Gearey. Translated by Ellen von Nardroff and Ernest von Nardroff. 1a ed. Princeton: Princeton University Press, 1986. Goethe, Johann Wolfgang Von. Über Wahrheit Und Wahrscheinlichkeit Der Kunstwerke. Bern: Projekt Gutenberg, 1797. https://www.projekt-gutenberg.org/goethe/ks92-97/chap011.html. Gombrich, Ernst. La historia del arte. Translated by Rafael Torroella Santos. 16th ed. Nueva York: Phaidon Press Limited, 2019. Göran, Sörbom. Mimesis and Art: Studies in the Origin and Early Development of an Aesthetic Vocabulary. Estocolmo: Svenska Bokförlaget, 1966. Herrreras Maldonado, Enrique. “Auge y Declive de La ‘Democracia Ateniense’ a Través Del Teatro Griego.” Araucaria, no. 46 (2021): 47–70. https://doi.org/10.12795/araucaria.2021.i46.03. Hesk, Jonathon. “The Rhetoric of Anti-Rhetoric: Athenian Oratory.” In Deception and Democracy in Classical Athens. Cambridge: Cambridge University Press, 2000. Horkheimer, Max, Theodor W. Adorno, and Edmund Jephcott. “The Culture Industry: Enlightenment as Mass Deception.” In Dialectic of Enlightment, 405–23. Frankfurt: Standford University Press, 2017. https://doi.org/10.7312/kul-17602-005. Hughes, Fiona. “Taste as Productive Mimesis.” Journal of the British Society for Phenomenology 37, no. 3 (2006): 308–26. https://doi.org/10.1080/00071773.2006.11006593. Hume, David. Ensayos Morales, Políticos y Literarios. Translated by Carlos Martín Ramírez. Madrid: Liberty Fund, Editorial Trotta, 2011. Irrera, Elena. “Love of Beauty in Airstotle’s Politics: The Case of Ostracism.” Lo Sguardo - Rivista Di Filosofia 2, no. 27 (2018). Jaeger, Werner. Demosténes: La Agonía de Grecia. Translated by Eduardo Nicol. 1a ed. Ciudad de México: Fondo de Cultura Economica, 1938. Janaway, Christopher. “Plato and the Arts.” In A Companion to Plato, edited by Hugh Benson. Oxford: Wiley-Blackwell, 2009. Juan-Navarro, Santiago. “The Power of Mimesis and the Mimesis of Power : Plato’s Concept of Imitation and His Judgment on the Value of Poetry and the Arts.” STVDIVM, no. 13 (2007): 97–108. Kamtekar, Rachana. “Plato on Education and Art.” In The Oxford Handbook of Plato, edited by Gail Fine, 1st ed. New York: Oxford University Press, 2008. Kant, Immanuel. Prolegómenos a Toda Metafísica Del Povernir; Observaciones Sobre El Sentimiento de Los Bello y Lo Sublime; Crítica Del Juicio. Buenos Aires: Editorial Porrúa, 1991. Koller, Hermann. Die Mimesis in Der Antike: Nachahmung, Darstellung, Ausdruck. Edited by A Franckae. Bern: Dissertationes Bernenses, 1954. Kurihara, Asako. “Personal Enmity as Motivation in Forensic Speeches.” The Classical Quarterly 53, no. 2 (2003). https://www.jstor.org/stable/3556215. Lacoue-Labarthe, Philippe. Typography: Mimesis, Philosophy, Politics. Edited by Christopher Fynsk. Boston: Harvard University Press, 1989. Lanni, Adriaan. “Spectator Sport or Serious Politics? Οι Περιεστηκοτες and the Athenian Lawcourts.” The Journal of Hellenic Studies 117 (1997): 183–89. Lessing, Ephraim Gotthold. Laokoon, Oder Über Die Grenzen Der Malerrei Und Poesie. Berlin: Verlag, 1766. Lukacs, Georg. Historia y Conciencia de Clase. Madrid: Ediciones R y R, 2024. Lukacs, Georg. The Specificity of the Aesthetic. Translated by Erik Bachman. Vol. 1. Cambridge: Brill, 2023. Marx, Karl. Capital I. 4a ed. Ciudad de México: Fondo de Cultura Economica, 1859. O’Connel, Peter. “Vision and Performance in the Courts of Classical Athens.” In The Rhetoric of Seeing in Attic Forensic Oratory. Austin: University of Texas Press, 2017. Orozco, Dairo. “The Quest for a Poetics of Goodness in Plato and Aristotle.” Ideas y Valores 61, no. 150 (2012): 179–202. Osborne, Robin. “Law in Action in Classical Athens.” The Journal of Hellenic Studies 105 (1985): 40–58. http://www.jstor.com/stable/631521. Parush, Adi. “The Courtroom as Theater and the Theater as Courtroom in Ancient Athens.” Israel Law Review 34, no. 1 (2001): 118–37. Paudyal, Bed P. “Mimesis in Adorno ’ s Aesthetic Theory.” Journal of Philosophy 4, no. 8 (2009). Pinchard, Bruno. “Reviewed Work ( s ): Marsilio Ficino , Das Problem Der Vermittlung von Denken Und Welt in Einer Metaphysik Der Einfachheit by Tamara Albertini.” Blibliothèque d’Humanisme et Renaissance 62, no. 2 (2000): 436–37. https://www.jstor.org/stable/20678721. Platón. Diálogos I. Apología, Critón, Eutifrón, Ion, Lisis, Cármenides, Hipias Menor, Hipias Mayor, Laques, Protágoras. Translated by Emilio Lledó Iñigo and Julio Calonge Ruiz. Madrid: Biblioteca Clásica Gredos, 1981. Platón. Diálogos IV. República. Vol. 94. Biblioteca Clásica Gredos, 1988. Platón. Plato: Complete Works. Edited by John Cooper and D.S Hutchinson. 1st ed. Indianápolis: Hackett Publishing Company, 1997. Potolsky, Matthew. Mimesis. 1st ed. New York: Routledge, 2006. https://doi.org/10.4324/9780203401002. Rollinson, Philip. “Muthos and Mimesis in Humanist Critical Theory.” Classical Bulletin 73, no. 2 (1997): 149–53. http://dx.doi.org/10.1016/j.jaci.2012.05.050. Sansone, David. Greek Drama and the Invention of Rhetoric. Oxford: Wiley-Blackwell, 2012. Serafim, Andreas. “Revisiting Sexual Invective: Demosthenes as Kinaidos in Aeschines’ Speeches.” Classics Ireland 23–24 (2016): 1–30. https://www.jstor.org/stable/26530658. Shaftesbury, Anthony. Second Character of the Language of Forms. Edited by Benjamin Rand. Cambridge: Cambridge University Press, 1914. Sundahl, Mark. “When Literature Becomes Law: An Example From Ancient Greece.” Texas Wesleyan Law Review 12, no. 1 (2005): 331–41. Todd, Stephen. “The Use and Abuse of the Attic Orators Author.” Cambridge University Press on Behalf of The Classical Association 37, no. 2 (1990): 159–78. https://www.jstor.org/stable/643044. Tornel, Marcos. “Tragedia Griega y Justicia: Un Análisis de Las Ideas.” Publicación de La Carrera de Derecho Instituto de Investgiaciones, Seminarios y Tesis: Universidad Mayor de San Andrés, no. 2011 (2021): 71–90. Ventarola, Barbara. “Aristóteles y La Vanguardia: Nueva Aproximación a Una Relación Complicada.” In Mímesis, Acción, Ficción: Contextos y Consecuencias de La Poética de Aristóteles, 189–227. Kassel: Edition Reichenberger, 2021. Vergara Recreo, Silvia. Demóstenes vs. Esquines: El Léxico Irreligioso Como Estrategia Retórico-Política. 1st ed. Madrid: Clásicos Dykinson, 2023. Vinci, Leonardo da. Tratado de La Pintura. 2a ed. Buenos Aires: Editorial Losada, 1944. Watson Schipper, Edith. “Mimesis in the Arts in Plato’s Laws.” The Journal of Aesthetics and Art Criticism 22, no. 2 (1963). https://www.jstor.org/stable/427755. Westwood, Guy. The Rhetoric of the Past in Demosthenes and Aeschines: Oratory, History, and Politics in Classical Athens. Oxford: Oxford University Press, 2020. https://doi.org/10.1093/oso/9780198857037.001.0001. Wiles, David. Greek Theatre Performance: An Introduction. Cambridge: Cambridge University Press, 2000. Wohl, Victoria. Law’s Cosmos: Juridical Discourse in Athenian Forensic Oratory. New York: Cambridge University Press, 2010. Worthington, Ian. By the Spear. Philip II, Alexander the Great, and the Rise and Fall of the Macedonian Empire. Oxford: Oxford University Press, 2016. Worthington, Ian. Demosthenes of the Athens and the Fall of Classical Greece. Oxford: Oxford University Press, 2013. Young, Edward. Conjectures on Original Composition. Washington: Library of Congress, 1886. Zuidervaart, Lambert. Introduction. Edited by Tom Huhn and Lambert Zuidervaart. The Semblance of Subjectivity: Essays in Adorno’s Aesthetic Theory. Cambridge, Massachussetts: MIT Press, 1997. |
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Lema Habash, Nicolas Guillermovirtual::19454-1Beltran Bolivar, IsaacAriza Rodríguez, Sergio Reinel2024-07-30T21:51:26Z2024-07-30T21:51:26Z2024-07-26https://hdl.handle.net/1992/74814instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Este artículo tiene como propósito analizar y dar cuenta de las raíces estéticas de la disciplina jurídica contemporánea. El concepto que permite iniciar una reconstrucción de estas raíces es el de mimesis. Puesto que, a través de este concepto, la tradición griega se hace presente en las reflexiones contemporáneas acerca del carácter estético de diversas manifestaciones creativas, más allá de las bellas artes. Por medio de un recorrido no exhaustivo de fuentes que trabajan con el concepto de mimesis, y de la mano de la obra de Teodoro Adorno alrededor del mismo concepto, se busca construir una interpretación de la mimesis, como concepto, anclada en la tradición filosófica que resalta las dimensiones estéticas y miméticas del fenómeno antecedente a la disciplina jurídica moderna: la oratoria forense ateniense.Pregrado66 páginasapplication/pdfspaUniversidad de los AndesFilosofíaFacultad de Ciencias SocialesDepartamento de FilosofíaAttribution-NonCommercial 4.0 Internationalhttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Sobre la mimesis forense: de la tradición a la transformaciónTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPFilosofía clásicaEstética clásicaTeoría críticaEstética modernaOratoria forenseFilosofíaDerechoArteAdorno, Theodor W. Aesthetic Theory. Translated by Robert Kentor-Hullot. Minneapolis: University of Minnesota Press, 1997.Adorno, Theodor W., and Max Horkheimer. Dialectica de La Ilustración. Translated by Juan Jose Sanchez. Madrid: Editorial Trotta, 2023.Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightment as Mass Deception.” In Dialectic of Enlightment. Frankfurt: Standford University Press, 2002.Aertsen, Jan. “Beauty in the Middle Ages: A Forgotten Transcendental?” Medieval Philosophy & Theology 1 (1991): 68–97. https://doi-org.ezproxy.uniandes.edu.co/10.5840/medievalpt199115.Aeschines. Aeschines with an English Translation. Translated by Charles Darwin Adams. Cambridge, Massachussetts: Harvard University Press, 1919. http://data.perseus.org/citations/urn:cts:greekLit:tlg0026.tlg002.perseus-grc1:1.Agustin. Soliloquios y Manual. Madrid: Ediciones Atlas, 1944.Agustine. De Libero Arbitrio, De Vera Religione, The Soliloquies. Translated by John Burleigh. The Library of Christian Classics. Vol. IV. Philadelphia, 1953.Agustine. The City of God. New York: Random House, 1950.Albertini, Tamara. Marsilio Ficino: Das Problem Der Vermittlung von Denken Und Welt in Einer Metaphysik Der Einfachheit. München: W. Fink Verlag, 1997.Angella, Marco. “On Reification and Extreme Violence. Mimesis, Play and Power in Adorno.” Critical Horizons 22, no. 4 (2021): 402–19. https://doi.org/10.1080/14409917.2021.1957352.Arancibia, Juan Pablo. “Tragedia y Democracia Griega: El in-Fortunio de La Stasis.” Revista de Filosofía 77, no. 2020 (2022): 19–39.Aristóteles. Ética Nicomáquea. 2a ed. Madrid: Gredos, 1994.Aristóteles. Poética De Aristóteles. Translated by Valentín García. Madrid: Editorial Gredos, 1974.Aristóteles de Estagira. Politeia (La Política). Translated by Manuel Briceño Jauregui. 1a ed. Bogotá: Publicaciones del Instituto Caro y Cuervo, 1989.Bacon, Francis. Selected Philosophical Works. Edited by Rose-Mary Sargent. 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