William Shakespeare y John Fletcher: precursores del fanfiction

El fanfiction, de manera simplificada, es la escritura ficcional realizada por fanáticos en condición de aficionado. Con la era digital este ejercicio se ha ido popularizando y su caracterización negativa ha disminuido. Una manera que la disciplina de los fan studies aborda el estudio de fanfiction...

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Autores:
Vargas García, Daniela
Tipo de recurso:
Trabajo de grado de pregrado
Fecha de publicación:
2023
Institución:
Universidad de los Andes
Repositorio:
Séneca: repositorio Uniandes
Idioma:
spa
OAI Identifier:
oai:repositorio.uniandes.edu.co:1992/64395
Acceso en línea:
http://hdl.handle.net/1992/64395
Palabra clave:
Fanfiction
Literatura inglesa
Fans
Fandom
Fanworks
Reinterpretación
Literatura
Rights
openAccess
License
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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dc.title.none.fl_str_mv William Shakespeare y John Fletcher: precursores del fanfiction
title William Shakespeare y John Fletcher: precursores del fanfiction
spellingShingle William Shakespeare y John Fletcher: precursores del fanfiction
Fanfiction
Literatura inglesa
Fans
Fandom
Fanworks
Reinterpretación
Literatura
title_short William Shakespeare y John Fletcher: precursores del fanfiction
title_full William Shakespeare y John Fletcher: precursores del fanfiction
title_fullStr William Shakespeare y John Fletcher: precursores del fanfiction
title_full_unstemmed William Shakespeare y John Fletcher: precursores del fanfiction
title_sort William Shakespeare y John Fletcher: precursores del fanfiction
dc.creator.fl_str_mv Vargas García, Daniela
dc.contributor.advisor.none.fl_str_mv Vaughan Caro, Nicolás
dc.contributor.author.none.fl_str_mv Vargas García, Daniela
dc.contributor.jury.none.fl_str_mv Arboleda Lozada, Diego Augusto
dc.subject.keyword.none.fl_str_mv Fanfiction
Literatura inglesa
Fans
Fandom
Fanworks
Reinterpretación
topic Fanfiction
Literatura inglesa
Fans
Fandom
Fanworks
Reinterpretación
Literatura
dc.subject.themes.es_CO.fl_str_mv Literatura
description El fanfiction, de manera simplificada, es la escritura ficcional realizada por fanáticos en condición de aficionado. Con la era digital este ejercicio se ha ido popularizando y su caracterización negativa ha disminuido. Una manera que la disciplina de los fan studies aborda el estudio de fanfiction en el mundo académico es reconocer a las obras creadas por fanáticos como artefactos literarios. Este trabajo investigativo busca pensar y analizar la idea de que algunos autores canónicos de la literatura "William Shakespeare y John Fletcher" cumplen la función de precursores de esta actividad. Se estableció una definición amplia de fanfiction, teniendo en cuenta sus matices, y luego se analizó la obra seleccionada, The Two Noble Kinsmen, para establecer las conexiones con posibles textos fuente y las relaciones con las actuales características del fanfiction.
publishDate 2023
dc.date.accessioned.none.fl_str_mv 2023-01-31T18:14:48Z
dc.date.available.none.fl_str_mv 2023-01-31T18:14:48Z
dc.date.issued.none.fl_str_mv 2023-01-31
dc.type.es_CO.fl_str_mv Trabajo de grado - Pregrado
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dc.relation.references.es_CO.fl_str_mv 10 Crisp Facts about Money during Shakespeare's Time. OUPblog, 9 de enero de 2016, https://blog.oup.com/2016/01/facts-money-shakespeare-elizabethan-england-economy/.
Arduinna. Slash Fiction Is Like a Banquet. 1999, https://trickster.org/arduinna/banquet.html.
Aristóteles y Horacio. Artes poéticas. Editado por Aníbal González, Visor Libros, 2003.
Bacon-Smith, Camille. Enterprising Women: Television Fandom and the Creation of Popular Myth. University of Pennsylvania Press, 1992.
Bloom, Harold. Shakespeare: the Invention of the Human. Riverhead Books, 1998.
Brooks, Geraldine. March. Penguin books, 2005.
Busse, Kristina. The Return of the Author: Ethos and Identity Politics. Framing Fan Fiction: Literary and Social Practices in Fan Fiction Communities, University of Iowa Press, 2017, pp. 19-38.
Chaucer, Geoffrey. 1.2 The Knight's Tale. Harvard's Geoffrey Chaucer Website, https://chaucer.fas.harvard.edu/pages/knights-tale-0. Accedido 30 de noviembre de 2022.
Coppa, Francesca. A Brief History of Media Fandom. Fan Fiction and Fan Communities in the Age of the Internet: New Essays, McFarland & Co, 2006, pp. 41-59.
Coppa, Francesca, editor. The Fanfiction Reader: Folk Tales for the Digital Age. University of Michigan Press, 2017.
Dates and Sources | The Two Noble Kinsmen | Royal Shakespeare Company. https://www.rsc.org.uk/the-two-noble-kinsmen/about-the-play/dates-and-sources. Accedido 28 de noviembre de 2022.
Eyles, Allen. Sherlock Holmes: A Centenary Celebration. New York : Harper & Row, 1986. Internet Archive, http://archive.org/details/sherlockholmesce0000eyle.
Fiske, John. The Cultural Economy of Fandom. The Adoring Audience: Fan Culture and Popular Media, Routledge, 1992, pp. 30-49.
Frazer Lamb, Patricia, y Diana L. Veith. Romantic Myth, Transcendence, and Star Trek Zines. Erotic Universe: Sexuality and Fantastic Literature, editado por Donald Palumbo, Praeger, 1986, pp. 236-55.
Gillespie, Nick, y Joshua Swain. Fan Fiction vs. Copyright - Q&A with Rebecca Tushnet. Reason.Com, 20 de julio de 2012, https://reason.com/2012/07/20/fan-fiction-vs- copyright-qa-with-rebecca/.
Giovanni Boccaccio (1313-1375). Harvard's Geoffrey Chaucer Website, https://chaucer.fas.harvard.edu/pages/giovanni-boccaccio-1313-1375. Accedido 5 de diciembre de 2022.
Goff, Moira. Two Noble Kinsmen - Shakespeare in Quarto. The British Library, https://www.bl.uk/treasures/shakespeare/noble.html. Accedido 29 de noviembre de 2022.
Grahame-Smith, Seth. Pride and Prejudice and Zombies. Quirk Books ; distributed in North America by Chronicle Books, 2009.
Grossman, Lev. The Boy Who Lived Forever. TIME, 2011.
Hellekson, Karen. A Fannish Field of Value: Online Fan Gift Culture. Cinema Journal, vol. 48, no 4, 2009, pp. 113-18.
Hellekson, Karen, y Kristina Busse, editores. Fan Fiction and Fan Communities in the Age of the Internet: New Essays. McFarland & Co, 2006.
Hellekson, Karen, y Kristina Busse, editores. The Fan Fiction Studies Reader. University of Iowa Press, 2014.
James, E. L. Fifty Shades of Grey. 1st Vintage Books ed, Vintage Books, 2012.
Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. Routledge, 1992.
Jones, Bethan. Fifty Shades of Exploitation: Fan Labor and Fifty Shades of Grey. Transformative Works and Cultures, vol. 15, marzo de 2014. journal.transformativeworks.org, https://doi.org/10.3983/twc.2014.0501.
Kastan, David Scott, editor. A Companion to Shakespeare. Blackwell Publishers, 1999.
Lewis, Lisa A., editor. The Adoring Audience: Fan Culture and Popular Media. Routledge, 1992.
Lichtenberg, Jacqueline, et al. Star Trek Lives! Corgi, 1975.
Lilly, N. E. ¿What is Speculative Fiction? Green Tentacles, 2002, http://www.greententacles.com/articles/5/26/.
Maguire, Gregory. Wicked: The Life and Times of the Wicked Witch of the West. Harper-Collins Publishers, Inc., 1995.
Measuring Fair Use: The Four Factors - Copyright Overview by Rich Stim - Stanford Copyright and Fair Use Center. https://fairuse.stanford.edu/overview/fair-use/four-factors/. Accedido 29 de octubre de 2022.
Mehl, Dieter. A Modern Perspective: The Two Noble Kinsmen | The Folger SHAKESPEARE. 31 de marzo de 2019, https://shakespeare.folger.edu/shakespeares-works/the-two-noble- kinsmen/the-two-noble-kinsmen-a-modern-perspective/.
Mowat, Barbara, y Paul Werstine. An Introduction to This Text: The Two Noble Kinsmen | The Folger SHAKESPEARE. 31 de marzo de 2019, https://shakespeare.folger.edu/shakespeares-works/the-two-noble-kinsmen/an- introduction-to-this-text/.
Neilson, William Allan, y Ashley Horace Thorndike. Facts about Shakespeare. Bibliobazaar, 2007.
Newitz, Annalee. Naomi Novik Says Fanfic Is Part of Literary History - and Reveals What's next for Temeraire. Gizmodo, 9 de septiembre de 2010, https://gizmodo.com/naomi- novik-says-fanfic-is-part-of-literary-history-a-5634183.
Pabón, Tomás. Cardenio en Cervantes, Shakespeare y Fletcher. Centro Virtual Cervantes, p. 8, https://cvc.cervantes.es/literatura/cervantistas/congresos/cg_II/cg_II_33.pdf.
Penley, Constance. Feminism, Psychoanalysis, and the Study of the Popular Culture. Cultural Studies, editado por Lawrence Grossberg et al., Routledge, 1991, pp. 479-500.
Pratt, Robert A. Chaucer's Use of the Teseida. PMLA, vol. 62, no 3, 1947, pp. 598-621. JSTOR, https://doi.org/10.2307/459300.
Rhys, Jean. Wide Sargasso Sea. W. W. Norton & Company, independent publishers since 1923, 2016.
Russ, Joanna. Pornography by Women, For Women, With Love. Magic Mommas, Trembling Sisters, Puritans and Perverts, Crossing Pr, 1985, pp. 79-99.
Sandvoss, Cornel. The Death of a Reader Literary Theory and the Study of Texts in Popular Culture. The Fan Fiction Studies Reader, University of Iowa Press, 2014, pp. 61-74.
Shakespeare, William. Complete Works: The RSC Shakespeare. Editado por Jonathan Bate y Eric Rasmussen, Macmillan, 2007.
Shakespeare, William. The Norton Shakespeare. Editado por Stephen Greenblatt, 1st ed, W.W. Norton, 1997.
Shakespeare, William, y John Fletcher. The Two Noble Kinsmen. Editado por Robert Kean Turner y Patricia Tatspaugh, Cambridge University Press, 2012.
Sokolova, Boika. Shakespeare's Money. Shakespeare Birthplace Trust, https://www.shakespeare.org.uk/explore-shakespeare/podcasts/60-minutes- shakespeare/shakespeares-money/. Accedido 29 de noviembre de 2022.
Stoppard, Tom. Rosencrantz & Guildenstern Are Dead. Editado por Henry Popkin, 50th anniversary edition, 2. Auflage, Grove Press, 2018.
The Two Noble Kinsmen. 7 de febrero de 2015, https://www.folger.edu/two-noble-kinsmen.
The Woman's Prize, or The Tamer Tamed by John Fletcher. The British Library, The British Library, https://www.bl.uk/collection-items/the-womans-prize-or-the-tamer-tamed-by- john-fletcher. Accedido 5 de diciembre de 2022.
Verba, Joan Marie. Boldly Writing: A Trek Fan and Fanfiction History 1967-1987. Second edition, FTL Publications, 2003.
Wanenchak, Sarah. Fifty Shades of Grey and the Ethics of Fannish Prosumption - Cyborgology. https://thesocietypages.org/cyborgology/2012/06/06/fifty-shades-of-grey-and-the-ethics- of-fannish-prosumption/. Accedido 30 de octubre de 2022.
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spelling Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Vaughan Caro, Nicolásvirtual::15016-1Vargas García, Danielabab12c3d-30e6-495d-8b2f-db7b743f0765600Arboleda Lozada, Diego Augusto2023-01-31T18:14:48Z2023-01-31T18:14:48Z2023-01-31http://hdl.handle.net/1992/64395instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/El fanfiction, de manera simplificada, es la escritura ficcional realizada por fanáticos en condición de aficionado. Con la era digital este ejercicio se ha ido popularizando y su caracterización negativa ha disminuido. Una manera que la disciplina de los fan studies aborda el estudio de fanfiction en el mundo académico es reconocer a las obras creadas por fanáticos como artefactos literarios. Este trabajo investigativo busca pensar y analizar la idea de que algunos autores canónicos de la literatura "William Shakespeare y John Fletcher" cumplen la función de precursores de esta actividad. Se estableció una definición amplia de fanfiction, teniendo en cuenta sus matices, y luego se analizó la obra seleccionada, The Two Noble Kinsmen, para establecer las conexiones con posibles textos fuente y las relaciones con las actuales características del fanfiction.Fanfiction, in a simplified manner, is a work of fiction written by fans as amateurs. With the digital age, this activity has popularized, and its negative characterization has diminished. A way the discipline of fan studies tackles the study of fanfiction in the academic world is to recognize the works created by fans as literary artifacts. This thesis seeks to think and analyze the idea that some canonic literature authors, such as William Shakespeare and John Fletcher, serve as precursors of this activity. A broad definition of fanfiction was stablished, considering its nuances, and then the selected work, The Two Noble Kinsmen, was analyzed so connections with possible source texts and its relationship with current fanfiction characteristics could be corroborated.LiteratoPregrado59 páginasapplication/pdfspaUniversidad de los AndesLiteraturaFacultad de Artes y HumanidadesDepartamento de Humanidades y LiteraturaWilliam Shakespeare y John Fletcher: precursores del fanfictionTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPFanfictionLiteratura inglesaFansFandomFanworksReinterpretaciónLiteratura10 Crisp Facts about Money during Shakespeare's Time. OUPblog, 9 de enero de 2016, https://blog.oup.com/2016/01/facts-money-shakespeare-elizabethan-england-economy/.Arduinna. Slash Fiction Is Like a Banquet. 1999, https://trickster.org/arduinna/banquet.html.Aristóteles y Horacio. Artes poéticas. Editado por Aníbal González, Visor Libros, 2003.Bacon-Smith, Camille. Enterprising Women: Television Fandom and the Creation of Popular Myth. University of Pennsylvania Press, 1992.Bloom, Harold. Shakespeare: the Invention of the Human. Riverhead Books, 1998.Brooks, Geraldine. March. Penguin books, 2005.Busse, Kristina. The Return of the Author: Ethos and Identity Politics. Framing Fan Fiction: Literary and Social Practices in Fan Fiction Communities, University of Iowa Press, 2017, pp. 19-38.Chaucer, Geoffrey. 1.2 The Knight's Tale. Harvard's Geoffrey Chaucer Website, https://chaucer.fas.harvard.edu/pages/knights-tale-0. Accedido 30 de noviembre de 2022.Coppa, Francesca. A Brief History of Media Fandom. Fan Fiction and Fan Communities in the Age of the Internet: New Essays, McFarland & Co, 2006, pp. 41-59.Coppa, Francesca, editor. The Fanfiction Reader: Folk Tales for the Digital Age. University of Michigan Press, 2017.Dates and Sources | The Two Noble Kinsmen | Royal Shakespeare Company. https://www.rsc.org.uk/the-two-noble-kinsmen/about-the-play/dates-and-sources. Accedido 28 de noviembre de 2022.Eyles, Allen. Sherlock Holmes: A Centenary Celebration. New York : Harper & Row, 1986. Internet Archive, http://archive.org/details/sherlockholmesce0000eyle.Fiske, John. The Cultural Economy of Fandom. The Adoring Audience: Fan Culture and Popular Media, Routledge, 1992, pp. 30-49.Frazer Lamb, Patricia, y Diana L. Veith. Romantic Myth, Transcendence, and Star Trek Zines. Erotic Universe: Sexuality and Fantastic Literature, editado por Donald Palumbo, Praeger, 1986, pp. 236-55.Gillespie, Nick, y Joshua Swain. Fan Fiction vs. Copyright - Q&A with Rebecca Tushnet. Reason.Com, 20 de julio de 2012, https://reason.com/2012/07/20/fan-fiction-vs- copyright-qa-with-rebecca/.Giovanni Boccaccio (1313-1375). Harvard's Geoffrey Chaucer Website, https://chaucer.fas.harvard.edu/pages/giovanni-boccaccio-1313-1375. Accedido 5 de diciembre de 2022.Goff, Moira. Two Noble Kinsmen - Shakespeare in Quarto. The British Library, https://www.bl.uk/treasures/shakespeare/noble.html. Accedido 29 de noviembre de 2022.Grahame-Smith, Seth. Pride and Prejudice and Zombies. Quirk Books ; distributed in North America by Chronicle Books, 2009.Grossman, Lev. The Boy Who Lived Forever. TIME, 2011.Hellekson, Karen. A Fannish Field of Value: Online Fan Gift Culture. Cinema Journal, vol. 48, no 4, 2009, pp. 113-18.Hellekson, Karen, y Kristina Busse, editores. Fan Fiction and Fan Communities in the Age of the Internet: New Essays. McFarland & Co, 2006.Hellekson, Karen, y Kristina Busse, editores. The Fan Fiction Studies Reader. University of Iowa Press, 2014.James, E. L. Fifty Shades of Grey. 1st Vintage Books ed, Vintage Books, 2012.Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. Routledge, 1992.Jones, Bethan. Fifty Shades of Exploitation: Fan Labor and Fifty Shades of Grey. Transformative Works and Cultures, vol. 15, marzo de 2014. journal.transformativeworks.org, https://doi.org/10.3983/twc.2014.0501.Kastan, David Scott, editor. A Companion to Shakespeare. Blackwell Publishers, 1999.Lewis, Lisa A., editor. The Adoring Audience: Fan Culture and Popular Media. Routledge, 1992.Lichtenberg, Jacqueline, et al. Star Trek Lives! Corgi, 1975.Lilly, N. E. ¿What is Speculative Fiction? Green Tentacles, 2002, http://www.greententacles.com/articles/5/26/.Maguire, Gregory. Wicked: The Life and Times of the Wicked Witch of the West. Harper-Collins Publishers, Inc., 1995.Measuring Fair Use: The Four Factors - Copyright Overview by Rich Stim - Stanford Copyright and Fair Use Center. https://fairuse.stanford.edu/overview/fair-use/four-factors/. Accedido 29 de octubre de 2022.Mehl, Dieter. A Modern Perspective: The Two Noble Kinsmen | The Folger SHAKESPEARE. 31 de marzo de 2019, https://shakespeare.folger.edu/shakespeares-works/the-two-noble- kinsmen/the-two-noble-kinsmen-a-modern-perspective/.Mowat, Barbara, y Paul Werstine. An Introduction to This Text: The Two Noble Kinsmen | The Folger SHAKESPEARE. 31 de marzo de 2019, https://shakespeare.folger.edu/shakespeares-works/the-two-noble-kinsmen/an- introduction-to-this-text/.Neilson, William Allan, y Ashley Horace Thorndike. Facts about Shakespeare. Bibliobazaar, 2007.Newitz, Annalee. Naomi Novik Says Fanfic Is Part of Literary History - and Reveals What's next for Temeraire. Gizmodo, 9 de septiembre de 2010, https://gizmodo.com/naomi- novik-says-fanfic-is-part-of-literary-history-a-5634183.Pabón, Tomás. Cardenio en Cervantes, Shakespeare y Fletcher. Centro Virtual Cervantes, p. 8, https://cvc.cervantes.es/literatura/cervantistas/congresos/cg_II/cg_II_33.pdf.Penley, Constance. Feminism, Psychoanalysis, and the Study of the Popular Culture. Cultural Studies, editado por Lawrence Grossberg et al., Routledge, 1991, pp. 479-500.Pratt, Robert A. Chaucer's Use of the Teseida. PMLA, vol. 62, no 3, 1947, pp. 598-621. JSTOR, https://doi.org/10.2307/459300.Rhys, Jean. Wide Sargasso Sea. W. W. Norton & Company, independent publishers since 1923, 2016.Russ, Joanna. Pornography by Women, For Women, With Love. Magic Mommas, Trembling Sisters, Puritans and Perverts, Crossing Pr, 1985, pp. 79-99.Sandvoss, Cornel. The Death of a Reader Literary Theory and the Study of Texts in Popular Culture. The Fan Fiction Studies Reader, University of Iowa Press, 2014, pp. 61-74.Shakespeare, William. Complete Works: The RSC Shakespeare. Editado por Jonathan Bate y Eric Rasmussen, Macmillan, 2007.Shakespeare, William. The Norton Shakespeare. Editado por Stephen Greenblatt, 1st ed, W.W. Norton, 1997.Shakespeare, William, y John Fletcher. The Two Noble Kinsmen. Editado por Robert Kean Turner y Patricia Tatspaugh, Cambridge University Press, 2012.Sokolova, Boika. Shakespeare's Money. Shakespeare Birthplace Trust, https://www.shakespeare.org.uk/explore-shakespeare/podcasts/60-minutes- shakespeare/shakespeares-money/. Accedido 29 de noviembre de 2022.Stoppard, Tom. Rosencrantz & Guildenstern Are Dead. Editado por Henry Popkin, 50th anniversary edition, 2. Auflage, Grove Press, 2018.The Two Noble Kinsmen. 7 de febrero de 2015, https://www.folger.edu/two-noble-kinsmen.The Woman's Prize, or The Tamer Tamed by John Fletcher. The British Library, The British Library, https://www.bl.uk/collection-items/the-womans-prize-or-the-tamer-tamed-by- john-fletcher. Accedido 5 de diciembre de 2022.Verba, Joan Marie. Boldly Writing: A Trek Fan and Fanfiction History 1967-1987. Second edition, FTL Publications, 2003.Wanenchak, Sarah. Fifty Shades of Grey and the Ethics of Fannish Prosumption - Cyborgology. https://thesocietypages.org/cyborgology/2012/06/06/fifty-shades-of-grey-and-the-ethics- of-fannish-prosumption/. 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