El gesto contracultural: una lectura del streetwear a través del punk
The avant-garde of streetwear has broken into the fashion and culture industry nowadays. This movement has its roots in the countercultural movements that took place towards the end of the 20th century, such as punk, graffiti, skateboarding, and rap. In this project, a historical journey and a corre...
- Autores:
-
Peñaranda Galindo, Carlos Andrés
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2020
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/51131
- Acceso en línea:
- http://hdl.handle.net/1992/51131
- Palabra clave:
- Fanzines
Prendas de vestir
Subculturas
Diseño
- Rights
- openAccess
- License
- http://creativecommons.org/licenses/by-nc-nd/4.0/
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Al consultar y hacer uso de este recurso, está aceptando las condiciones de uso establecidas por los autores.http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Vanegas Menguán, Neftalí3cce4c22-4b58-4499-b53c-0b53c82895cf400Peñaranda Galindo, Carlos Andrés64ebfe34-eaf0-4007-a3b0-446ef1b7ef43500Parra Agudelo, LeonardoTrejos Sánchez, Solangy2021-08-10T18:11:57Z2021-08-10T18:11:57Z2020http://hdl.handle.net/1992/5113122764.pdfinstname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/The avant-garde of streetwear has broken into the fashion and culture industry nowadays. This movement has its roots in the countercultural movements that took place towards the end of the 20th century, such as punk, graffiti, skateboarding, and rap. In this project, a historical journey and a correlational analysis of these manifestations in the West are proposed, and mainly the way in which they affect the cultural scene of Bogotá and Medellín. From these movements, punk will be highlighted and mainly the way in which it has been transformed and has become structured in the mainstream culture and the capitalist commercial system. In this transformation, the nature of the countercultural gesture suffers from a loss of its ideological character that can be observed over time. In the proposal achieved, a vindication of countercultural gestures within the system is argued and seeks to find the value of confrontational design in commercial culture.La vanguardia del streetwear ha irrumpido en la industria de la moda y la cultura en la actualidad. Esta tiene sus raíces en los movimientos contraculturales que se gestaron hacia finales del siglo XX, como el movimiento punk, el graffiti, el skate y el rap. Se plantea entonces un recorrido histórico y un análisis correlacional de estas manifestaciones en occidente y principalmente la forma en que repercuten la escena cultural de Bogotá y Medellín. De dichos movimientos se resaltará el punk y será objeto de estudio la forma en que se ha transformado y ha pasado a ser estructurado en la cultura y el sistema comercial capitalista. En dicha transformación, natural del gesto contracultural, se puede observar una pérdida de su carácter ideológico a lo largo del tiempo. En esta tesis se argumenta una reivindicación de los gestos contraculturales dentro del sistema y se busca encontrar el valor del diseño confrontacional en la cultura comercial.Diseñador IndustrialPregrado63 hojasapplication/pdfspaUniversidad de los AndesDiseño IndustrialFacultad de Arquitectura y DiseñoDepartamento de DiseñoEl gesto contracultural: una lectura del streetwear a través del punkTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/TPFanzinesPrendas de vestirSubculturasDiseño201632703PublicationTHUMBNAIL22764.pdf.jpg22764.pdf.jpgIM Thumbnailimage/jpeg4910https://repositorio.uniandes.edu.co/bitstreams/27e1dd7a-10db-4b7e-bf63-a5a396e8ed4f/download685844ccb4d6b72e89d85181590429b2MD55TEXT22764.pdf.txt22764.pdf.txtExtracted texttext/plain102887https://repositorio.uniandes.edu.co/bitstreams/006fc0af-039b-4005-ac93-d1e472b4b10f/downloade102c163f374f9b864f9c03fe1be3a98MD54ORIGINAL22764.pdfapplication/pdf10372744https://repositorio.uniandes.edu.co/bitstreams/c123d050-ecd0-4c7c-b7e7-fe69a125d9f8/downloadd8dcea8258400926508244aa1e709802MD511992/51131oai:repositorio.uniandes.edu.co:1992/511312023-10-10 19:37:17.815http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co |
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El gesto contracultural: una lectura del streetwear a través del punk |
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El gesto contracultural: una lectura del streetwear a través del punk |
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El gesto contracultural: una lectura del streetwear a través del punk Fanzines Prendas de vestir Subculturas Diseño |
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El gesto contracultural: una lectura del streetwear a través del punk |
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El gesto contracultural: una lectura del streetwear a través del punk |
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El gesto contracultural: una lectura del streetwear a través del punk |
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El gesto contracultural: una lectura del streetwear a través del punk |
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El gesto contracultural: una lectura del streetwear a través del punk |
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Peñaranda Galindo, Carlos Andrés |
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Vanegas Menguán, Neftalí |
| dc.contributor.author.none.fl_str_mv |
Peñaranda Galindo, Carlos Andrés |
| dc.contributor.jury.none.fl_str_mv |
Parra Agudelo, Leonardo Trejos Sánchez, Solangy |
| dc.subject.armarc.none.fl_str_mv |
Fanzines Prendas de vestir Subculturas |
| topic |
Fanzines Prendas de vestir Subculturas Diseño |
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Diseño |
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The avant-garde of streetwear has broken into the fashion and culture industry nowadays. This movement has its roots in the countercultural movements that took place towards the end of the 20th century, such as punk, graffiti, skateboarding, and rap. In this project, a historical journey and a correlational analysis of these manifestations in the West are proposed, and mainly the way in which they affect the cultural scene of Bogotá and Medellín. From these movements, punk will be highlighted and mainly the way in which it has been transformed and has become structured in the mainstream culture and the capitalist commercial system. In this transformation, the nature of the countercultural gesture suffers from a loss of its ideological character that can be observed over time. In the proposal achieved, a vindication of countercultural gestures within the system is argued and seeks to find the value of confrontational design in commercial culture. |
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