El grado cero del dibujo

Traditionally, every drawing consecrates a meaning, a signal of its origin or its destiny which is never exposed. This way of understanding the drawing, defines it along an operating system of marks in which the drawing is established as a language and so, isolates it from one of its fundamental com...

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Autores:
Garzón Zawazky, Maria Camila
Tipo de recurso:
Trabajo de grado de pregrado
Fecha de publicación:
2018
Institución:
Universidad de los Andes
Repositorio:
Séneca: repositorio Uniandes
Idioma:
spa
OAI Identifier:
oai:repositorio.uniandes.edu.co:1992/61836
Acceso en línea:
http://hdl.handle.net/1992/61836
Palabra clave:
Artes gráficas
Dibujo
Rights
openAccess
License
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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spelling Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Díaz Bejarano, Beatriz Eugeniade7a1296-8596-49b2-8870-a87d436a64cc400Mejía Díaz, Juan Fernando3b668c80-a44b-475b-8fcf-b9f1e6c6cb06400Garzón Zawazky, Maria Camilac7ad6f48-b2a2-4104-bf19-81d7895ec480500Rodríguez Gómez, Sergio Leonardo2022-09-26T22:40:21Z2022-09-26T22:40:21Z2018http://hdl.handle.net/1992/61836instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/795600-1001Traditionally, every drawing consecrates a meaning, a signal of its origin or its destiny which is never exposed. This way of understanding the drawing, defines it along an operating system of marks in which the drawing is established as a language and so, isolates it from one of its fundamental components: the impulse. This system opens a gap between impulse and, its other basic component: the mark, because of the undeniable transition of the desire to the visible. The drawing is drifted away from the first mark, even when this is the closest to itself and to the impulse, even when the latter is always unreachable by means of the plasticity and the drawing always forces the mark to ornament itself. Despite the transmutation in its becoming, impulse and mark must work as a unit in such a way that the drawing can exist. In order to diminish the gap between them, one must turn to the drawing degree cero.Todo dibujo, como se entiende tradicionalmente, consagra un significado, una señal de su origen o destino que nunca es expuesta. Tal manera de concebirlo lo enmarca en un funcionamiento de sistema de marcas que lo configura como lenguaje y lo separa de uno de sus componentes fundamentales: el impulso. Este sistema abre una brecha entre el impulso y su otro componente básico: la marca, por la transición innegable del deseo a lo visible. El dibujo se separa de la marca primera, aún cuando esta es la más cercana a él y al impulso, aún cuando este último siempre es inaccesible por medio de la plasticidad y el dibujo siempre la obliga a ornamentarse. A pesar de las transmutaciones en su devenir, impulso y marca deben funcionar unificados de tal forma que el dibujo pueda ser consolidado. Para lograr que no se separen abismalmente se debe recurrir al grado cero del dibujo.Maestro en ArtePregrado9 hojasapplication/pdfspaUniversidad de los AndesArteFacultad de Artes y HumanidadesDepartamento de ArteEl grado cero del dibujoTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPArtes gráficasDibujo201225923PublicationORIGINAL13285.pdfapplication/pdf112005https://repositorio.uniandes.edu.co/bitstreams/21ae092b-7156-45c8-87db-0a8d59d1a70d/downloadf0b5743c4b6b30ba0c0bdf6c1f8a3d12MD51TEXT13285.pdf.txt13285.pdf.txtExtracted texttext/plain18139https://repositorio.uniandes.edu.co/bitstreams/f5d429f3-2017-4ff3-9059-cd657245429b/downloadf60da4e3a2d071a2ebe35b1a5f69b0d1MD52THUMBNAIL13285.pdf.jpg13285.pdf.jpgIM Thumbnailimage/jpeg26273https://repositorio.uniandes.edu.co/bitstreams/76c3c9ed-e3ea-4d5d-936f-0de74c6151cb/download82e32ad2e4df823a8f53139c509c173bMD531992/61836oai:repositorio.uniandes.edu.co:1992/618362023-10-10 19:21:36.814http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co
dc.title.spa.fl_str_mv El grado cero del dibujo
title El grado cero del dibujo
spellingShingle El grado cero del dibujo
Artes gráficas
Dibujo
title_short El grado cero del dibujo
title_full El grado cero del dibujo
title_fullStr El grado cero del dibujo
title_full_unstemmed El grado cero del dibujo
title_sort El grado cero del dibujo
dc.creator.fl_str_mv Garzón Zawazky, Maria Camila
dc.contributor.advisor.none.fl_str_mv Díaz Bejarano, Beatriz Eugenia
Mejía Díaz, Juan Fernando
dc.contributor.author.none.fl_str_mv Garzón Zawazky, Maria Camila
dc.contributor.jury.none.fl_str_mv Rodríguez Gómez, Sergio Leonardo
dc.subject.keyword.spa.fl_str_mv Artes gráficas
Dibujo
topic Artes gráficas
Dibujo
description Traditionally, every drawing consecrates a meaning, a signal of its origin or its destiny which is never exposed. This way of understanding the drawing, defines it along an operating system of marks in which the drawing is established as a language and so, isolates it from one of its fundamental components: the impulse. This system opens a gap between impulse and, its other basic component: the mark, because of the undeniable transition of the desire to the visible. The drawing is drifted away from the first mark, even when this is the closest to itself and to the impulse, even when the latter is always unreachable by means of the plasticity and the drawing always forces the mark to ornament itself. Despite the transmutation in its becoming, impulse and mark must work as a unit in such a way that the drawing can exist. In order to diminish the gap between them, one must turn to the drawing degree cero.
publishDate 2018
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dc.date.available.none.fl_str_mv 2022-09-26T22:40:21Z
dc.type.spa.fl_str_mv Trabajo de grado - Pregrado
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dc.publisher.spa.fl_str_mv Universidad de los Andes
dc.publisher.program.spa.fl_str_mv Arte
dc.publisher.faculty.spa.fl_str_mv Facultad de Artes y Humanidades
dc.publisher.department.spa.fl_str_mv Departamento de Arte
institution Universidad de los Andes
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