El grado cero del dibujo
Traditionally, every drawing consecrates a meaning, a signal of its origin or its destiny which is never exposed. This way of understanding the drawing, defines it along an operating system of marks in which the drawing is established as a language and so, isolates it from one of its fundamental com...
- Autores:
-
Garzón Zawazky, Maria Camila
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2018
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/61836
- Acceso en línea:
- http://hdl.handle.net/1992/61836
- Palabra clave:
- Artes gráficas
Dibujo
- Rights
- openAccess
- License
- Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Díaz Bejarano, Beatriz Eugeniade7a1296-8596-49b2-8870-a87d436a64cc400Mejía Díaz, Juan Fernando3b668c80-a44b-475b-8fcf-b9f1e6c6cb06400Garzón Zawazky, Maria Camilac7ad6f48-b2a2-4104-bf19-81d7895ec480500Rodríguez Gómez, Sergio Leonardo2022-09-26T22:40:21Z2022-09-26T22:40:21Z2018http://hdl.handle.net/1992/61836instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/795600-1001Traditionally, every drawing consecrates a meaning, a signal of its origin or its destiny which is never exposed. This way of understanding the drawing, defines it along an operating system of marks in which the drawing is established as a language and so, isolates it from one of its fundamental components: the impulse. This system opens a gap between impulse and, its other basic component: the mark, because of the undeniable transition of the desire to the visible. The drawing is drifted away from the first mark, even when this is the closest to itself and to the impulse, even when the latter is always unreachable by means of the plasticity and the drawing always forces the mark to ornament itself. Despite the transmutation in its becoming, impulse and mark must work as a unit in such a way that the drawing can exist. In order to diminish the gap between them, one must turn to the drawing degree cero.Todo dibujo, como se entiende tradicionalmente, consagra un significado, una señal de su origen o destino que nunca es expuesta. Tal manera de concebirlo lo enmarca en un funcionamiento de sistema de marcas que lo configura como lenguaje y lo separa de uno de sus componentes fundamentales: el impulso. Este sistema abre una brecha entre el impulso y su otro componente básico: la marca, por la transición innegable del deseo a lo visible. El dibujo se separa de la marca primera, aún cuando esta es la más cercana a él y al impulso, aún cuando este último siempre es inaccesible por medio de la plasticidad y el dibujo siempre la obliga a ornamentarse. A pesar de las transmutaciones en su devenir, impulso y marca deben funcionar unificados de tal forma que el dibujo pueda ser consolidado. Para lograr que no se separen abismalmente se debe recurrir al grado cero del dibujo.Maestro en ArtePregrado9 hojasapplication/pdfspaUniversidad de los AndesArteFacultad de Artes y HumanidadesDepartamento de ArteEl grado cero del dibujoTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPArtes gráficasDibujo201225923PublicationORIGINAL13285.pdfapplication/pdf112005https://repositorio.uniandes.edu.co/bitstreams/21ae092b-7156-45c8-87db-0a8d59d1a70d/downloadf0b5743c4b6b30ba0c0bdf6c1f8a3d12MD51TEXT13285.pdf.txt13285.pdf.txtExtracted texttext/plain18139https://repositorio.uniandes.edu.co/bitstreams/f5d429f3-2017-4ff3-9059-cd657245429b/downloadf60da4e3a2d071a2ebe35b1a5f69b0d1MD52THUMBNAIL13285.pdf.jpg13285.pdf.jpgIM Thumbnailimage/jpeg26273https://repositorio.uniandes.edu.co/bitstreams/76c3c9ed-e3ea-4d5d-936f-0de74c6151cb/download82e32ad2e4df823a8f53139c509c173bMD531992/61836oai:repositorio.uniandes.edu.co:1992/618362023-10-10 19:21:36.814http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co |
dc.title.spa.fl_str_mv |
El grado cero del dibujo |
title |
El grado cero del dibujo |
spellingShingle |
El grado cero del dibujo Artes gráficas Dibujo |
title_short |
El grado cero del dibujo |
title_full |
El grado cero del dibujo |
title_fullStr |
El grado cero del dibujo |
title_full_unstemmed |
El grado cero del dibujo |
title_sort |
El grado cero del dibujo |
dc.creator.fl_str_mv |
Garzón Zawazky, Maria Camila |
dc.contributor.advisor.none.fl_str_mv |
Díaz Bejarano, Beatriz Eugenia Mejía Díaz, Juan Fernando |
dc.contributor.author.none.fl_str_mv |
Garzón Zawazky, Maria Camila |
dc.contributor.jury.none.fl_str_mv |
Rodríguez Gómez, Sergio Leonardo |
dc.subject.keyword.spa.fl_str_mv |
Artes gráficas Dibujo |
topic |
Artes gráficas Dibujo |
description |
Traditionally, every drawing consecrates a meaning, a signal of its origin or its destiny which is never exposed. This way of understanding the drawing, defines it along an operating system of marks in which the drawing is established as a language and so, isolates it from one of its fundamental components: the impulse. This system opens a gap between impulse and, its other basic component: the mark, because of the undeniable transition of the desire to the visible. The drawing is drifted away from the first mark, even when this is the closest to itself and to the impulse, even when the latter is always unreachable by means of the plasticity and the drawing always forces the mark to ornament itself. Despite the transmutation in its becoming, impulse and mark must work as a unit in such a way that the drawing can exist. In order to diminish the gap between them, one must turn to the drawing degree cero. |
publishDate |
2018 |
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2018 |
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2022-09-26T22:40:21Z |
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Trabajo de grado - Pregrado |
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Universidad de los Andes |
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Arte |
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Facultad de Artes y Humanidades |
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