Resto plástico disfuncional
Resto plástico dysfunctional is a project due to deformity of matter through the exposure of heat. Experimentation and deterioration converge into one. Each process and test have been fundamental in the development of this project, where I propose the remnant as a result. I think of heat as a transf...
- Autores:
-
Lenes Díaz, María Kamila
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2020
- Institución:
- Universidad de los Andes
- Repositorio:
- Séneca: repositorio Uniandes
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uniandes.edu.co:1992/51215
- Acceso en línea:
- http://hdl.handle.net/1992/51215
- Palabra clave:
- Instalación (Arte)
Materia
Calor
Arte
- Rights
- openAccess
- License
- Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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Resto plástico disfuncional |
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Resto plástico disfuncional |
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Resto plástico disfuncional Instalación (Arte) Materia Calor Arte |
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Resto plástico disfuncional |
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Resto plástico disfuncional |
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Resto plástico disfuncional |
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Resto plástico disfuncional |
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Resto plástico disfuncional |
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Lenes Díaz, María Kamila |
| dc.contributor.advisor.none.fl_str_mv |
Uhía Arcila, Fernando Peña Parga, Esteban |
| dc.contributor.author.none.fl_str_mv |
Lenes Díaz, María Kamila |
| dc.contributor.jury.none.fl_str_mv |
Herrán Carreño, Juan Fernando Góngora Rojas, Juliana |
| dc.subject.armarc.spa.fl_str_mv |
Instalación (Arte) Materia Calor |
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Instalación (Arte) Materia Calor Arte |
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Arte |
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Resto plástico dysfunctional is a project due to deformity of matter through the exposure of heat. Experimentation and deterioration converge into one. Each process and test have been fundamental in the development of this project, where I propose the remnant as a result. I think of heat as a transformative source since it is capable of changing any appearance through thermal energy transference. The above is not a conventional concept or lead, but it does build an ideal pretext to recode footprint from irreversible processes. It is a dysfunctional product for I try to suppress usefulness of plastics, in addition to their industrial and pristine appearance with intentional deformities. Moreover, control and chaos coexist in these summing materials, and the imprint of my hand dissipates in the trace left by hot repositories such as iron, dryer, blowtorch. Entropy also plays an important role in this work full of uncertainty. Furthermore, I consider that this chaos is marginal and that my conceptual intentions are directed towards the perception of subtleties in a process of deterioration that is highly frantic, aggressive, and unalterable. |
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Arte |
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Facultad de Artes y Humanidades |
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Attribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Uhía Arcila, Fernando996999dd-6493-4d66-b6b1-64b3aa2cbf77400Peña Parga, Estebanvirtual::10585-1Lenes Díaz, María Kamila34909e1e-432a-486b-8468-8b3f2e66da9b500Herrán Carreño, Juan FernandoGóngora Rojas, Juliana2021-08-10T18:16:02Z2021-08-10T18:16:02Z2020http://hdl.handle.net/1992/5121523046.pdfinstname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Resto plástico dysfunctional is a project due to deformity of matter through the exposure of heat. Experimentation and deterioration converge into one. Each process and test have been fundamental in the development of this project, where I propose the remnant as a result. I think of heat as a transformative source since it is capable of changing any appearance through thermal energy transference. The above is not a conventional concept or lead, but it does build an ideal pretext to recode footprint from irreversible processes. It is a dysfunctional product for I try to suppress usefulness of plastics, in addition to their industrial and pristine appearance with intentional deformities. Moreover, control and chaos coexist in these summing materials, and the imprint of my hand dissipates in the trace left by hot repositories such as iron, dryer, blowtorch. Entropy also plays an important role in this work full of uncertainty. Furthermore, I consider that this chaos is marginal and that my conceptual intentions are directed towards the perception of subtleties in a process of deterioration that is highly frantic, aggressive, and unalterable.Resto Plástico Disfuncional es un proyecto que nace a partir de la deformidad de la materia a través de la exposición al calor. Es un punto de encuentro en el que confluyen la experimentación y el deterioro. Cada proceso, prueba y ensayo ha sido fundamental para el desarrollo de este proyecto en donde propongo el sobrante como resultado. Me gusta pensar el calor como una fuente transformadora, aquella capaz de cambiar cualquier apariencia a partir de la transferencia de energía térmica. Lo anterior no es un concepto novedoso o protagonista, pero sí construye el pretexto perfecto para recodificar la huella a partir de procesos irreversibles. Es un producto disfuncional porque intento suprimir la utilidad de los plásticos, además de su apariencia industrial e impoluta, con deformidades intencionales. Adicionalmente, el control y el caos conviven en estas sumatorias materiales y la huella de mi mano se disipa entre el rastro que dejan los repositorios calientes: plancha, secador, soplete. La entropía también juega un papel importante en esta obra llena de incertidumbre, no obstante, considero que ese caos es marginal y que mis intenciones conceptuales se encaminan a la percepción de sutilezas en un proceso de deterioro tan frenético, agresivo e inalterable.Maestro en ArtePregrado25 hojasapplication/pdfspaUniversidad de los AndesArteFacultad de Artes y HumanidadesDepartamento de ArteResto plástico disfuncionalTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/TPInstalación (Arte)MateriaCalorArte201713542Publication7df5a008-ab0d-4853-80c1-8ba9cb05867bvirtual::10585-17df5a008-ab0d-4853-80c1-8ba9cb05867bvirtual::10585-1TEXT23046.pdf.txt23046.pdf.txtExtracted texttext/plain27662https://repositorio.uniandes.edu.co/bitstreams/dda1be50-5076-4903-a82f-d00c477acfc1/download8adbf954ecfa4a9975dc81b0e4b8405cMD54THUMBNAIL23046.pdf.jpg23046.pdf.jpgIM Thumbnailimage/jpeg6302https://repositorio.uniandes.edu.co/bitstreams/0f0b18cf-29db-4caf-b6f6-894012773827/downloada8be63dd27f800811444f63431bae467MD55ORIGINAL23046.pdfapplication/pdf3373768https://repositorio.uniandes.edu.co/bitstreams/1bcec112-e56e-4a75-be94-aec4f3fd5a53/download949a99119cd9308f999d1884fadcb7c2MD511992/51215oai:repositorio.uniandes.edu.co:1992/512152024-03-13 14:13:22.845http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co |