Construcción de un concepto de niñez en narrativas sobre el reclutamiento de menores de edad en Colombia

In his text The Child and Family Life in the Ancien Régime, Philippe Aris analyzes some Ottonian paintings in which children are represented as miniature adults, and concludes that this particularity makes it evident that the representation of bodies is a clue to trace a notion of childhood (or lack...

Full description

Autores:
Tapia Castillo, Laura Mercedes
Tipo de recurso:
Trabajo de grado de pregrado
Fecha de publicación:
2020
Institución:
Universidad de los Andes
Repositorio:
Séneca: repositorio Uniandes
Idioma:
spa
OAI Identifier:
oai:repositorio.uniandes.edu.co:1992/51202
Acceso en línea:
http://hdl.handle.net/1992/51202
Palabra clave:
Ariès, Philippe, 1914-1984. El niño y la vida familiar en el antiguo régimen
Les di la mano, tomaron la piel : narrativas de infancia desde la guerra
Niños en la literatura
Niños y guerra en la literatura
Violencia en la literatura
Literatura
Rights
openAccess
License
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Description
Summary:In his text The Child and Family Life in the Ancien Régime, Philippe Aris analyzes some Ottonian paintings in which children are represented as miniature adults, and concludes that this particularity makes it evident that the representation of bodies is a clue to trace a notion of childhood (or lack thereof). Therefore, it is possible to ask ourselves if current (cinematographic) narratives are also revealing a way of conceiving childhood through body representation. And in this case, a particular childhood: that of children and adolescents enlisted by armed groups in Colombia. The purpose of this research is articulated from this question, which is to trace its possible answer through the analysis of Monos (film) and its subsequent dialogue with the collection of poems Les di la mano, tomaron la piel (written by children and adolescents who have demobilized from armed groups).