"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry

Sin autorización de uso

Autores:: Bula Tello, Yann

Tipo de recurso:: Trabajo de grado de pregrado

Fecha de publicación:: 2020

Institución:: Universidad de los Andes

Repositorio:: Séneca: repositorio Uniandes

Idioma:: eng

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spelling	Al consultar y hacer uso de este recurso, está aceptando las condiciones de uso establecidas por los autores.http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Ferro Cortés, Luz Marina42c126e7-ae97-497b-bf1b-45a05486ba07600Bula Tello, Yann51d07477-4bfd-432a-a9d2-b0a87210db47600Reinoso Carvalho, Felipe2021-08-10T18:07:07Z2021-08-10T18:07:07Z2020http://hdl.handle.net/1992/5104823603.pdfinstname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Sin autorización de usoIt is widely accepted that streaming platforms, mainly Spotify, have replaced the radio, tv and other media outlets as the gatekeepers of the music industry. Their editorial teams and algorithms widely affect the global listening agenda. However, there are a growing number of artists who had hit songs mainly due to their viral success on new Web 2.0 platforms (social media), such as TikTok. In this sense, there is a lack of empirical and theoretical account to understand the role these new platforms have on music curation. Based on an iterative process of sense-making and codification supported by a digital ethnographic method, this research analyses four remote interviews with key industry experts, public interview transcripts, grey literature, and field notes from online unobtrusive observation, in order to investigate how these new Web 2.0 platforms can affect the listening agenda of music consumers. The analysis suggests that the platformization of music curation extends towards a subset of Web 2.0 platforms configured as short form video applications (Social Media 3.0), to now define their users and algorithms as a gatekeeping force in the industry. Based on the user's self-reliance, consumer criteria and judgment in music curation has molded an entire catalog of global hits. In this context, editorial logics have extended from industry experts (traditional and newer curators) to the market (consumers). This change in the industry's curatorial logic is more important than ever, as a new route in the value chain emerges, and the playing field levels towards a fairer gameplay between the major labels and the independents (indie labels and artists).AdministradorPregrado32 hojasapplication/pdfengUniversidad de los AndesAdministraciónFacultad de Administración"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industryTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/TPIndustria de la músicaPlataformas digitalesCuraduríaAdministración201533480PublicationORIGINAL23603.pdfapplication/pdf463447https://repositorio.uniandes.edu.co/bitstreams/9ca00383-ca3e-4311-8c4a-2969c878d507/downloadf2f084906f5ddf9c532042d94164db53MD51THUMBNAIL23603.pdf.jpg23603.pdf.jpgIM Thumbnailimage/jpeg8332https://repositorio.uniandes.edu.co/bitstreams/bfdb0e88-565c-4e47-9582-cd66e80768c2/download261c03acb99c8494b92bc8fc5726445dMD55TEXT23603.pdf.txt23603.pdf.txtExtracted texttext/plain59789https://repositorio.uniandes.edu.co/bitstreams/22b374b8-6dc2-43d1-8dac-499bdca32e59/download57cab4509e9330738bb417a90aad3c30MD541992/51048oai:repositorio.uniandes.edu.co:1992/510482023-10-10 19:57:47.595http://creativecommons.org/licenses/by-nc-nd/4.0/restrictedhttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co
dc.title.spa.fl_str_mv	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
title	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
spellingShingle	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry Industria de la música Plataformas digitales Curaduría Administración
title_short	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
title_full	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
title_fullStr	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
title_full_unstemmed	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
title_sort	"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry
dc.creator.fl_str_mv	Bula Tello, Yann
dc.contributor.advisor.none.fl_str_mv	Ferro Cortés, Luz Marina
dc.contributor.author.none.fl_str_mv	Bula Tello, Yann
dc.contributor.jury.none.fl_str_mv	Reinoso Carvalho, Felipe
dc.subject.armarc.none.fl_str_mv	Industria de la música Plataformas digitales Curaduría
topic	Industria de la música Plataformas digitales Curaduría Administración
dc.subject.themes.none.fl_str_mv	Administración
description	Sin autorización de uso
publishDate	2020
dc.date.issued.none.fl_str_mv	2020
dc.date.accessioned.none.fl_str_mv	2021-08-10T18:07:07Z
dc.date.available.none.fl_str_mv	2021-08-10T18:07:07Z
dc.type.spa.fl_str_mv	Trabajo de grado - Pregrado
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dc.type.driver.spa.fl_str_mv	info:eu-repo/semantics/bachelorThesis
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dc.type.content.spa.fl_str_mv	Text
dc.type.redcol.spa.fl_str_mv	http://purl.org/redcol/resource_type/TP
format	http://purl.org/coar/resource_type/c_7a1f
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dc.identifier.pdf.none.fl_str_mv	23603.pdf
dc.identifier.instname.spa.fl_str_mv	instname:Universidad de los Andes
dc.identifier.reponame.spa.fl_str_mv	reponame:Repositorio Institucional Séneca
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url	http://hdl.handle.net/1992/51048
identifier_str_mv	23603.pdf instname:Universidad de los Andes reponame:Repositorio Institucional Séneca repourl:https://repositorio.uniandes.edu.co/
dc.language.iso.none.fl_str_mv	eng
language	eng
dc.rights.uri.*.fl_str_mv	http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.accessrights.spa.fl_str_mv	info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv	http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	http://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv	openAccess
dc.format.extent.none.fl_str_mv	32 hojas
dc.format.mimetype.none.fl_str_mv	application/pdf
dc.publisher.none.fl_str_mv	Universidad de los Andes
dc.publisher.program.none.fl_str_mv	Administración
dc.publisher.faculty.none.fl_str_mv	Facultad de Administración
publisher.none.fl_str_mv	Universidad de los Andes
institution	Universidad de los Andes
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"Social media 3.0" platforms: new paradigms of gatekeeping and curation in the music industry

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