Mano de tierra

Mano de Tierra is a design project that aims to destigmatize the normalized imaginary of savages that Colombians have of Afro-Colombian population of the Pacific Coast. A social imaginary that has been built since Hispanic times and has not managed to dissipate within today's society thanks to...

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Autores:
Rodríguez Parra, Ana María
Tipo de recurso:
Trabajo de grado de pregrado
Fecha de publicación:
2020
Institución:
Universidad de los Andes
Repositorio:
Séneca: repositorio Uniandes
Idioma:
spa
OAI Identifier:
oai:repositorio.uniandes.edu.co:1992/51119
Acceso en línea:
http://hdl.handle.net/1992/51119
Palabra clave:
Afrocolombianos
Multiculturalismo
Negros
Diseño
Rights
openAccess
License
http://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.title.spa.fl_str_mv Mano de tierra
title Mano de tierra
spellingShingle Mano de tierra
Afrocolombianos
Multiculturalismo
Negros
Diseño
title_short Mano de tierra
title_full Mano de tierra
title_fullStr Mano de tierra
title_full_unstemmed Mano de tierra
title_sort Mano de tierra
dc.creator.fl_str_mv Rodríguez Parra, Ana María
dc.contributor.advisor.none.fl_str_mv González Pérez, María de los Angeles
dc.contributor.author.none.fl_str_mv Rodríguez Parra, Ana María
dc.contributor.jury.none.fl_str_mv Ospina Bernal, Juliette
Kadamani Abiyoma, Samira
dc.subject.armarc.none.fl_str_mv Afrocolombianos
Multiculturalismo
Negros
topic Afrocolombianos
Multiculturalismo
Negros
Diseño
dc.subject.themes.none.fl_str_mv Diseño
description Mano de Tierra is a design project that aims to destigmatize the normalized imaginary of savages that Colombians have of Afro-Colombian population of the Pacific Coast. A social imaginary that has been built since Hispanic times and has not managed to dissipate within today's society thanks to the perpetuation of this stereotype throughout Colombian history. Two fundamental pillars were established. The first, spirituality, understood as an intangible dimension that gives reason to being, and the second, corp-orality, defined as an idiosyncratic socialization process between the individual and the other?. Both factors determine part of the African heritage and represent a differentiating pride within the culture itself. Within the corp-orality, a category of analysis emerges (in relation to the ?others?) that is taken as the axis of development of the project. It is understood that in order to mitigate this stereotype, it is necessary to analyze how the collective imaginary has permeated from colonial times to the present and how corp-orality and spirituality have been transformed within the Afro culture. To formulate this analysis, two approaches are proposed that allowed us to understand how the reproductions of the stereotype have been built within the Colombian social context. The first, a qualitative survey, and the second, the book 1000 Afro Caricatures in the history of Colombia by óscar Perdomo Gamboa. After this analysis, three Afro cultural manifestations are presented where nature emerges as an important pillar for this paradigm shift formulation. It is hoped to blur the savage stereotype that has been unconsciously constructed within the social imaginary of Afro-Colombians and thus sensitize the other so that it generates new dialogs of validation and respect for the Afro culture.
publishDate 2020
dc.date.issued.none.fl_str_mv 2020
dc.date.accessioned.none.fl_str_mv 2021-08-10T18:11:25Z
dc.date.available.none.fl_str_mv 2021-08-10T18:11:25Z
dc.type.spa.fl_str_mv Trabajo de grado - Pregrado
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dc.format.extent.none.fl_str_mv 148 hojas
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dc.publisher.none.fl_str_mv Universidad de los Andes
dc.publisher.program.none.fl_str_mv Diseño Industrial
dc.publisher.faculty.none.fl_str_mv Facultad de Arquitectura y Diseño
dc.publisher.department.none.fl_str_mv Departamento de Diseño
publisher.none.fl_str_mv Universidad de los Andes
institution Universidad de los Andes
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spelling Al consultar y hacer uso de este recurso, está aceptando las condiciones de uso establecidas por los autores.http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2González Pérez, María de los Angelesa39192c4-6bd1-46ac-84f5-906bf41b4959500Rodríguez Parra, Ana María3dc75055-287b-4600-ab9d-6752fd53eaa5500Ospina Bernal, JulietteKadamani Abiyoma, Samira2021-08-10T18:11:25Z2021-08-10T18:11:25Z2020http://hdl.handle.net/1992/5111922634.pdfinstname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Mano de Tierra is a design project that aims to destigmatize the normalized imaginary of savages that Colombians have of Afro-Colombian population of the Pacific Coast. A social imaginary that has been built since Hispanic times and has not managed to dissipate within today's society thanks to the perpetuation of this stereotype throughout Colombian history. Two fundamental pillars were established. The first, spirituality, understood as an intangible dimension that gives reason to being, and the second, corp-orality, defined as an idiosyncratic socialization process between the individual and the other?. Both factors determine part of the African heritage and represent a differentiating pride within the culture itself. Within the corp-orality, a category of analysis emerges (in relation to the ?others?) that is taken as the axis of development of the project. It is understood that in order to mitigate this stereotype, it is necessary to analyze how the collective imaginary has permeated from colonial times to the present and how corp-orality and spirituality have been transformed within the Afro culture. To formulate this analysis, two approaches are proposed that allowed us to understand how the reproductions of the stereotype have been built within the Colombian social context. The first, a qualitative survey, and the second, the book 1000 Afro Caricatures in the history of Colombia by óscar Perdomo Gamboa. After this analysis, three Afro cultural manifestations are presented where nature emerges as an important pillar for this paradigm shift formulation. It is hoped to blur the savage stereotype that has been unconsciously constructed within the social imaginary of Afro-Colombians and thus sensitize the other so that it generates new dialogs of validation and respect for the Afro culture.Mano de Tierra es un proyecto de diseño que pretende brindar un aporte para desestigmatizar el imaginario normalizado de salvajes que tienen los colombianos de las poblaciones afrodescendientes del Litoral Pacífico. Imaginario que se ha venido construyendo desde la época hispánica y no ha logrado disiparse dentro de la sociedad actual gracias a la perpetuación de este estereotipo a lo largo de la historia colombiana. Para ello, se toma como pilares fundamentales la espiritualidad; entendida como una dimensión intangible que le da razón al ser, y corp-oralidad; definida como un proceso de socialización idiosincrático entre el individuo y el otro. Ambos factores determinan parte del legado africano y representan un orgullo diferenciador dentro de la cultura misma. Dentro de la corp-oralidad, emerge una categoría de análisis (en relación con los otros que se toma como eje de desarrollo del proyecto. Se entiende que para poder mitigar con este estereotipo se debe analizar el cómo se ha permeado el imaginario colectivo desde la época de la colonia hasta la actualidad y cómo se han transformado la corp-oralidad y la espiritualidad dentro de las manifestaciones afro. Para formular este análisis, se plantean dos aproximaciones que permitieron entender el cómo se ha venido construyendo las reproducciones del estereotipo dentro del contexto histórico-social colombiano. La primera, una encuesta cualitativa, y la segunda, el libro 1000 Caricaturas Afro en la historia de Colombia de óscar Perdomo Gamboa. Trás este análisis, se presentan tres manifestaciones afro donde la ?naturaleza? emerge como un pilar importante para esta formulación de cambio de paradigma. Se espera desdibujar el estereotipo ?salvaje? que se han venido construyendo inconscientemente dentro del imaginario que se tiene de los afrocolombianos y así sensibilizar al otro para que este genere nuevos discursos de validación y respeto hacia la cultura afro.Diseñador IndustrialPregrado148 hojasapplication/pdfspaUniversidad de los AndesDiseño IndustrialFacultad de Arquitectura y DiseñoDepartamento de DiseñoMano de tierraTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_970fb48d4fbd8a85Texthttp://purl.org/redcol/resource_type/TPAfrocolombianosMulticulturalismoNegrosDiseño201632087PublicationORIGINAL22634.pdfapplication/pdf72332420https://repositorio.uniandes.edu.co/bitstreams/9a2fb988-1ed5-4b7e-889b-25105aa31eba/download4a3f9caf54356572e43f3b344bbd68b5MD51TEXT22634.pdf.txt22634.pdf.txtExtracted texttext/plain151139https://repositorio.uniandes.edu.co/bitstreams/043dc1c0-ec2f-4648-82b3-f40ba5c8e53b/download1f77c24e168a98e5971061e6926c41e6MD54THUMBNAIL22634.pdf.jpg22634.pdf.jpgIM Thumbnailimage/jpeg25498https://repositorio.uniandes.edu.co/bitstreams/40a11930-fc16-421f-9b05-58c3eb4a0802/download4dcf7234777186fd6f2d697fa6cade28MD551992/51119oai:repositorio.uniandes.edu.co:1992/511192023-10-10 17:16:44.199http://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://repositorio.uniandes.edu.coRepositorio institucional Sénecaadminrepositorio@uniandes.edu.co