Antología del no estar

Las pinturas realizadas son de gran formato cuyas medidas son entre 4 metros y 2 metros de ancho y entre 3 metros y metro y medio de alto. Las telas usadas son liencillos de diferentes texturas y yute. El texto es un preambulo para las pinturas.

Autores:
Gutiérrez Ramírez, María Mercedes
Tipo de recurso:
Trabajo de grado de pregrado
Fecha de publicación:
2024
Institución:
Universidad de los Andes
Repositorio:
Séneca: repositorio Uniandes
Idioma:
spa
OAI Identifier:
oai:repositorio.uniandes.edu.co:1992/75558
Acceso en línea:
https://hdl.handle.net/1992/75558
Palabra clave:
Pintura
Óleo
Sofás
Telas
Ausencia
Arte
Rights
openAccess
License
Attribution-NonCommercial-NoDerivatives 4.0 International
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network_acronym_str UNIANDES2
network_name_str Séneca: repositorio Uniandes
repository_id_str
dc.title.spa.fl_str_mv Antología del no estar
title Antología del no estar
spellingShingle Antología del no estar
Pintura
Óleo
Sofás
Telas
Ausencia
Arte
title_short Antología del no estar
title_full Antología del no estar
title_fullStr Antología del no estar
title_full_unstemmed Antología del no estar
title_sort Antología del no estar
dc.creator.fl_str_mv Gutiérrez Ramírez, María Mercedes
dc.contributor.advisor.none.fl_str_mv Cerón Castilla, Carolina
Mejía Díaz, Juan Fernando
dc.contributor.author.none.fl_str_mv Gutiérrez Ramírez, María Mercedes
dc.contributor.jury.none.fl_str_mv Figueroa Palau, Cristina
Rodríguez Varón, Juan
dc.subject.keyword.spa.fl_str_mv Pintura
Óleo
Sofás
Telas
Ausencia
topic Pintura
Óleo
Sofás
Telas
Ausencia
Arte
dc.subject.themes.spa.fl_str_mv Arte
description Las pinturas realizadas son de gran formato cuyas medidas son entre 4 metros y 2 metros de ancho y entre 3 metros y metro y medio de alto. Las telas usadas son liencillos de diferentes texturas y yute. El texto es un preambulo para las pinturas.
publishDate 2024
dc.date.issued.none.fl_str_mv 2024-12-02
dc.date.accessioned.none.fl_str_mv 2025-01-22T14:12:45Z
dc.date.available.none.fl_str_mv 2025-01-22T14:12:45Z
dc.type.none.fl_str_mv Trabajo de grado - Pregrado
dc.type.driver.none.fl_str_mv info:eu-repo/semantics/bachelorThesis
dc.type.version.none.fl_str_mv info:eu-repo/semantics/acceptedVersion
dc.type.coar.none.fl_str_mv http://purl.org/coar/resource_type/c_7a1f
dc.type.content.none.fl_str_mv Text
dc.type.redcol.none.fl_str_mv http://purl.org/redcol/resource_type/TP
format http://purl.org/coar/resource_type/c_7a1f
status_str acceptedVersion
dc.identifier.uri.none.fl_str_mv https://hdl.handle.net/1992/75558
dc.identifier.instname.none.fl_str_mv instname:Universidad de los Andes
dc.identifier.reponame.none.fl_str_mv reponame:Repositorio Institucional Séneca
dc.identifier.repourl.none.fl_str_mv repourl:https://repositorio.uniandes.edu.co/
url https://hdl.handle.net/1992/75558
identifier_str_mv instname:Universidad de los Andes
reponame:Repositorio Institucional Séneca
repourl:https://repositorio.uniandes.edu.co/
dc.language.iso.none.fl_str_mv spa
language spa
dc.relation.references.none.fl_str_mv Carranza, M. M. (1987). Hola soledad : poemas, 1985-1987. Oveja Negra.Norma
Carranza, M. M. (2003). De amor y desamor y otros poemas. Editorial.
Carrasco, C. H. (1996). El significado de la ausencia. In Actas del XI Congreso Internacional de la Asociación de Lingüística y Filología de la América Latina Las Palmas de Gran Canaria
Madiedo, R. C., & Mora, T. (1992). Opio en las nubes. Colcultura
Morales Santana, L. (2022). Algún día tú y yo seremos felices y estaremos juntos para siempre. Universidad de los Andes. Disponible en: https://hdl.handle.net/1992/73807
Perec, G. (2003). Especies de espacios. Editorial Montesinos
Rocha, N. (2022). Enredando sombras en la profunda soledad.Toro Blanco
Sarmiento Gaffurri Ricardo, (2018). Para el salón Haptopí as: cartografías de los sentidos. Universidad de los Andes. https://www-ebooks7-24-com.ezproxy.uniandes.edu.co/?il=24829
dc.rights.en.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
dc.rights.uri.none.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.accessrights.none.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
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http://creativecommons.org/licenses/by-nc-nd/4.0/
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eu_rights_str_mv openAccess
dc.format.extent.none.fl_str_mv 64 páginas
dc.format.mimetype.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad de los Andes
dc.publisher.program.none.fl_str_mv Arte
dc.publisher.faculty.none.fl_str_mv Facultad de Arte y Humanidades
dc.publisher.department.none.fl_str_mv Departamento de Arte
publisher.none.fl_str_mv Universidad de los Andes
institution Universidad de los Andes
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repository.name.fl_str_mv Repositorio institucional Séneca
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spelling Cerón Castilla, Carolinavirtual::22355-1Mejía Díaz, Juan Fernandovirtual::22357-1Gutiérrez Ramírez, María MercedesFigueroa Palau, CristinaRodríguez Varón, Juan2025-01-22T14:12:45Z2025-01-22T14:12:45Z2024-12-02https://hdl.handle.net/1992/75558instname:Universidad de los Andesreponame:Repositorio Institucional Sénecarepourl:https://repositorio.uniandes.edu.co/Las pinturas realizadas son de gran formato cuyas medidas son entre 4 metros y 2 metros de ancho y entre 3 metros y metro y medio de alto. Las telas usadas son liencillos de diferentes texturas y yute. El texto es un preambulo para las pinturas."Antología del no estar" es una instalación de sofás pintados al óleo sobre telas mixtas que reflexiona sobre la ausencia, el vacío y la memoria. Donde el intento de llenar el espacio es reflejado por medio de la figura del sofá, que se convierte en un lugar simbólico de encuentro, de soledad, de recuerdos compartidos y finalmente, de ausencia. Los sofás son descritos como espacios llenos de historia, de momentos felices y tristes, pero también de un desgaste inevitable. Se explora con sensibilidad como los objetos y recuerdos, a través del tiempo, se convierten en las memorias de lo que ya no está. El texto anexo a la obra es una descripción de ese transcurrir en los sofás.Pregrado64 páginasapplication/pdfspaUniversidad de los AndesArteFacultad de Arte y HumanidadesDepartamento de ArteAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Antología del no estarTrabajo de grado - Pregradoinfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1fTexthttp://purl.org/redcol/resource_type/TPPinturaÓleoSofásTelasAusenciaArteCarranza, M. M. (1987). Hola soledad : poemas, 1985-1987. Oveja Negra.NormaCarranza, M. M. (2003). De amor y desamor y otros poemas. Editorial.Carrasco, C. H. (1996). El significado de la ausencia. In Actas del XI Congreso Internacional de la Asociación de Lingüística y Filología de la América Latina Las Palmas de Gran CanariaMadiedo, R. C., & Mora, T. (1992). Opio en las nubes. ColculturaMorales Santana, L. (2022). Algún día tú y yo seremos felices y estaremos juntos para siempre. Universidad de los Andes. Disponible en: https://hdl.handle.net/1992/73807Perec, G. (2003). Especies de espacios. Editorial MontesinosRocha, N. (2022). Enredando sombras en la profunda soledad.Toro BlancoSarmiento Gaffurri Ricardo, (2018). Para el salón Haptopí as: cartografías de los sentidos. 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Thumbnailimage/jpeg7120https://repositorio.uniandes.edu.co/bitstreams/304cd945-c974-4324-8bd1-6b5aae56114d/download1b084313f6ee53abb0c76c87a4760d64MD572MMG-12.JPG.jpgMMG-12.JPG.jpgGenerated Thumbnailimage/jpeg10677https://repositorio.uniandes.edu.co/bitstreams/5dc87d85-c7a0-47f6-aab4-ac3707683e1c/download901eeaae841f43a5b1df1ca334706d52MD573MMG-13.JPG.jpgMMG-13.JPG.jpgGenerated Thumbnailimage/jpeg6168https://repositorio.uniandes.edu.co/bitstreams/249f3928-c51b-4761-90de-4cac66d5f68c/download06b14a08fd7bd377c7e2fdb7e5fecb52MD574MMG-14.JPG.jpgMMG-14.JPG.jpgGenerated Thumbnailimage/jpeg6588https://repositorio.uniandes.edu.co/bitstreams/054fb6fb-8243-4b66-a5cc-adece3cc4b2f/download63c33365e88924b100ddba30b03aeeb0MD575MMG-15.JPG.jpgMMG-15.JPG.jpgGenerated Thumbnailimage/jpeg7277https://repositorio.uniandes.edu.co/bitstreams/a7ce585a-853c-4735-9895-9bcce15f80d5/download56b77f8cc08d5fed4a3332746979893dMD576MMG-16.JPG.jpgMMG-16.JPG.jpgGenerated Thumbnailimage/jpeg7635https://repositorio.uniandes.edu.co/bitstreams/4c108920-48c4-4c7d-a032-8e5af8ad705a/download4d493689711b483747391ff665260479MD577MMG-17.JPG.jpgMMG-17.JPG.jpgGenerated Thumbnailimage/jpeg7621https://repositorio.uniandes.edu.co/bitstreams/f024afac-0309-4d9c-a45b-6611170fda2a/download137b60f020084a545081d59aba5d2c47MD578MMG-18.JPG.jpgMMG-18.JPG.jpgGenerated Thumbnailimage/jpeg7141https://repositorio.uniandes.edu.co/bitstreams/144184e2-0bba-42cc-bdc9-3a07ab4f06c9/downloadcae2231ef31d30570041eca0f683c633MD579MMG-19.JPG.jpgMMG-19.JPG.jpgGenerated Thumbnailimage/jpeg6669https://repositorio.uniandes.edu.co/bitstreams/b6c60066-121a-4e3b-ae1d-0251f2f5af53/download0250fc29cf39cdc6b47ce403a813dbdcMD580MMG-20.JPG.jpgMMG-20.JPG.jpgGenerated Thumbnailimage/jpeg6888https://repositorio.uniandes.edu.co/bitstreams/1b5884f5-70be-4edc-97f5-19e5dc062b1b/downloade4636742ce2f6be7cfb26cb497d3ee99MD581MMG-21.JPG.jpgMMG-21.JPG.jpgGenerated Thumbnailimage/jpeg9068https://repositorio.uniandes.edu.co/bitstreams/779961dd-13fa-47ce-a4c9-8f42bc549759/download0cfd8dd2d8ebb240f074a86a4a5c92d1MD582MMG-22.JPG.jpgMMG-22.JPG.jpgGenerated Thumbnailimage/jpeg8814https://repositorio.uniandes.edu.co/bitstreams/b477d7bf-e503-49cd-8c30-f0c81f5154aa/download0080f627542641146c5dc596c1cf6bf1MD583MMG-23.JPG.jpgMMG-23.JPG.jpgGenerated Thumbnailimage/jpeg6345https://repositorio.uniandes.edu.co/bitstreams/9612ab68-7f1f-4f8b-8bac-a6df74bd7fc8/downloadb5ea9cce4a4222fd6f0244877da03348MD584MMG-24.JPG.jpgMMG-24.JPG.jpgGenerated Thumbnailimage/jpeg5917https://repositorio.uniandes.edu.co/bitstreams/2c035d02-1bb3-4ce3-8368-43f79cc49e19/download5052a6373a8e843819ea3240516e3998MD585MMG-25.JPG.jpgMMG-25.JPG.jpgGenerated Thumbnailimage/jpeg5775https://repositorio.uniandes.edu.co/bitstreams/793383b9-805d-4d6e-8b4a-4e6ca0dab0f1/download55012f01ef4c1ea57416f39fe960c84aMD586MMG-26.JPG.jpgMMG-26.JPG.jpgGenerated Thumbnailimage/jpeg7569https://repositorio.uniandes.edu.co/bitstreams/42bee22f-e3a0-4acd-bd29-652930a15c2c/downloadbc457ab3859069cf942837fee413e026MD587MMG-27.JPG.jpgMMG-27.JPG.jpgGenerated Thumbnailimage/jpeg7749https://repositorio.uniandes.edu.co/bitstreams/93a16bf9-3696-400e-ab72-4c82213f13d8/download5267279cabb098629d39ce3982efc5e4MD588MMG-28.JPG.jpgMMG-28.JPG.jpgGenerated Thumbnailimage/jpeg9530https://repositorio.uniandes.edu.co/bitstreams/7a48f5f6-7a9c-46d9-83d6-bbf1b1e41eaa/downloadb71b785ccb8fc312eaccbaa296718fa9MD589MMG-29.JPG.jpgMMG-29.JPG.jpgGenerated Thumbnailimage/jpeg8639https://repositorio.uniandes.edu.co/bitstreams/a934dc95-b137-4989-b440-c5432dd02b68/downloadd87cc167cea9281f5e76d6a4340bd23bMD590MMG-30.JPG.jpgMMG-30.JPG.jpgGenerated Thumbnailimage/jpeg6213https://repositorio.uniandes.edu.co/bitstreams/99c9b518-b881-4c07-8bde-94fa004315a5/downloada4e8444447184474bee73ae6baaeb98cMD591MMG-31.JPG.jpgMMG-31.JPG.jpgGenerated Thumbnailimage/jpeg6267https://repositorio.uniandes.edu.co/bitstreams/39842525-4f19-4570-9ab2-5376542cacd1/downloadfc5191e67b93cfdf4bca47c5014119d3MD592MMG-32.JPG.jpgMMG-32.JPG.jpgGenerated Thumbnailimage/jpeg5881https://repositorio.uniandes.edu.co/bitstreams/f90b215b-f778-4fb0-8328-9991aea25944/download6efbf71fb4672f2d0da943f7252574c3MD5931992/75558oai:repositorio.uniandes.edu.co:1992/755582025-03-05 09:35:01.71http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accesshttps://repositorio.uniandes.edu.coRepositorio institucional 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