Objetos sonoros caninos
The concept of the sound object comes from the meticulous study of Pierre Schaeffer regarding the nature of sound and music from a technical and phenomenological perspective, leading to the creation of a broad typomorphology of sound. In this work, these tools are revisited in order to compose four...
- Autores:
-
Huertas Hernández, Santiago
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2023
- Institución:
- Universidad El Bosque
- Repositorio:
- Repositorio U. El Bosque
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unbosque.edu.co:20.500.12495/11599
- Acceso en línea:
- http://hdl.handle.net/20.500.12495/11599
- Palabra clave:
- Objeto
Percepción
Música
Ruido
Fenomenología
Tipomorfología
Estímulo
Objeto sonoro
780
Object
Sound object
Music
Noise
Typomorphology
Stimuli
Perception
Phenomenology
- Rights
- openAccess
- License
- Atribución-NoComercial-CompartirIgual 4.0 Internacional
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dc.title.spa.fl_str_mv |
Objetos sonoros caninos |
dc.title.translated.spa.fl_str_mv |
Canine sound objects |
title |
Objetos sonoros caninos |
spellingShingle |
Objetos sonoros caninos Objeto Percepción Música Ruido Fenomenología Tipomorfología Estímulo Objeto sonoro 780 Object Sound object Music Noise Typomorphology Stimuli Perception Phenomenology |
title_short |
Objetos sonoros caninos |
title_full |
Objetos sonoros caninos |
title_fullStr |
Objetos sonoros caninos |
title_full_unstemmed |
Objetos sonoros caninos |
title_sort |
Objetos sonoros caninos |
dc.creator.fl_str_mv |
Huertas Hernández, Santiago |
dc.contributor.advisor.none.fl_str_mv |
Álvarez Acero, Daniel |
dc.contributor.author.none.fl_str_mv |
Huertas Hernández, Santiago |
dc.subject.spa.fl_str_mv |
Objeto Percepción Música Ruido Fenomenología Tipomorfología Estímulo Objeto sonoro |
topic |
Objeto Percepción Música Ruido Fenomenología Tipomorfología Estímulo Objeto sonoro 780 Object Sound object Music Noise Typomorphology Stimuli Perception Phenomenology |
dc.subject.ddc.none.fl_str_mv |
780 |
dc.subject.keywords.spa.fl_str_mv |
Object Sound object Music Noise Typomorphology Stimuli Perception Phenomenology |
description |
The concept of the sound object comes from the meticulous study of Pierre Schaeffer regarding the nature of sound and music from a technical and phenomenological perspective, leading to the creation of a broad typomorphology of sound. In this work, these tools are revisited in order to compose four pieces using as the sole material sounds from dogs (canis familiaris), which were previously identified and subsequently induced. Thanks to this process of review and exploration, a better understanding of the musical phenomenon was achieved, as a highly dependent perception of sound based on regular and oblique rhythmic categories introduced by Pierre Schaeffer. It was proposed to adopt a more gestalt perspective on the sound object, classically conceived as a unit perceived in its own material and perceptual dimensions, in the practice of composition. This is due to the fact that its appearance can change when compared with other objects, and the ear can become desensitized through prolonged repetition. Hence, the practice of comparative listening is proposed. |
publishDate |
2023 |
dc.date.accessioned.none.fl_str_mv |
2023-12-02T18:12:31Z |
dc.date.available.none.fl_str_mv |
2023-12-02T18:12:31Z |
dc.date.issued.none.fl_str_mv |
2023 |
dc.type.local.spa.fl_str_mv |
Tesis/Trabajo de grado - Monografía - Pregrado |
dc.type.hasversion.none.fl_str_mv |
info:eu-repo/semantics/acceptedVersion |
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http://purl.org/coar/resource_type/c_7a1f |
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http://purl.org/coar/resource_type/c_7a1f |
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acceptedVersion |
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http://hdl.handle.net/20.500.12495/11599 |
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instname:Universidad El Bosque |
dc.identifier.reponame.spa.fl_str_mv |
reponame:Repositorio Institucional Universidad El Bosque |
dc.identifier.repourl.none.fl_str_mv |
repourl:https://repositorio.unbosque.edu.co |
url |
http://hdl.handle.net/20.500.12495/11599 |
identifier_str_mv |
instname:Universidad El Bosque reponame:Repositorio Institucional Universidad El Bosque repourl:https://repositorio.unbosque.edu.co |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.rights.*.fl_str_mv |
Atribución-NoComercial-CompartirIgual 4.0 Internacional Atribución-NoComercial-CompartirIgual 4.0 Internacional |
dc.rights.uri.*.fl_str_mv |
http://creativecommons.org/licenses/by-nc-sa/4.0/ |
dc.rights.local.spa.fl_str_mv |
Acceso abierto |
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info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Atribución-NoComercial-CompartirIgual 4.0 Internacional http://creativecommons.org/licenses/by-nc-sa/4.0/ Acceso abierto http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.mimetype.none.fl_str_mv |
application/pdf |
dc.publisher.program.spa.fl_str_mv |
Formación Musical |
dc.publisher.grantor.spa.fl_str_mv |
Universidad El Bosque |
dc.publisher.faculty.spa.fl_str_mv |
Facultad de Creación y Comunicación |
institution |
Universidad El Bosque |
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Álvarez Acero, DanielHuertas Hernández, Santiago2023-12-02T18:12:31Z2023-12-02T18:12:31Z2023http://hdl.handle.net/20.500.12495/11599instname:Universidad El Bosquereponame:Repositorio Institucional Universidad El Bosquerepourl:https://repositorio.unbosque.edu.coThe concept of the sound object comes from the meticulous study of Pierre Schaeffer regarding the nature of sound and music from a technical and phenomenological perspective, leading to the creation of a broad typomorphology of sound. In this work, these tools are revisited in order to compose four pieces using as the sole material sounds from dogs (canis familiaris), which were previously identified and subsequently induced. Thanks to this process of review and exploration, a better understanding of the musical phenomenon was achieved, as a highly dependent perception of sound based on regular and oblique rhythmic categories introduced by Pierre Schaeffer. It was proposed to adopt a more gestalt perspective on the sound object, classically conceived as a unit perceived in its own material and perceptual dimensions, in the practice of composition. This is due to the fact that its appearance can change when compared with other objects, and the ear can become desensitized through prolonged repetition. Hence, the practice of comparative listening is proposed.Universidad El BosqueMaestro en MúsicaPregradoEl concepto de objeto sonoro viene del estudio minucioso de Pierre Schaeffer sobre la naturaleza del sonido y la música desde una perspectiva técnica y fenomenológica, llegando a crear una tipomorfología del sonido muy amplia. En este trabajo se retoman esas herramientas con el fin de componer cuatro piezas tomando como material único sonidos provenientes de perros (canis familiaris), previamente identificados y posteriormente inducidos. Gracias a ese trabajo de revisión y exploración se logró un mejor entendimiento del fenómeno musical como una percepción sonora sumamente dependiente de categorías de ritmo regulares y oblicuas, introducidas por Pierre Schaeffer, y se propuso adoptar una perspectiva mas gestáltica sobre el objeto sonoro (concebido clásicamente como una unidad percibida en su materia y dimensiones perceptivas propias), debido a que en el oficio de la composición la apariencia de los objetos puede cambiar al compararlos entre sí y al desensibilizarse el oído por la repetición prolongada de estos objetos, por ello se plantea la práctica de la escucha comparativa.application/pdfspaAtribución-NoComercial-CompartirIgual 4.0 InternacionalAtribución-NoComercial-CompartirIgual 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertoinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2ObjetoPercepciónMúsicaRuidoFenomenologíaTipomorfologíaEstímuloObjeto sonoro780ObjectSound objectMusicNoiseTypomorphologyStimuliPerceptionPhenomenologyObjetos sonoros caninosCanine sound objectsFormación MusicalUniversidad El BosqueFacultad de Creación y ComunicaciónTesis/Trabajo de grado - Monografía - Pregradoinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1finfo:eu-repo/semantics/bachelorThesisCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-81031https://repositorio.unbosque.edu.co/bitstreams/7d7e5aa0-2be1-42a2-9c85-43e0850cbf74/download934f4ca17e109e0a05eaeaba504d7ce4MD510Carta de Autorizacion de uso de tesis y trabajos de grado a favor de la UEB.pdfCarta de Autorizacion de uso de tesis y trabajos de grado a favor de la UEB.pdfCarta de Autorizaciónapplication/pdf1001687https://repositorio.unbosque.edu.co/bitstreams/d28f8d8e-aedf-48d4-a543-ac8bb8f196b5/download15ed66eb17b77a47d52f027fceaab5f5MD517LICENSElicense.txtlicense.txttext/plain; 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